Reviews

Augustus and his smile by Catherine Rayner

cover image

Little Tiger Press, 2006. ISBN 9781845062835
(Age: 3+) Highly recommended. Tigers. Happiness. Perseverance. Award winning Rayner has done it again in this wonderful tale of a tiger searching for his smile. On waking the tiger finds he has lost his smile and so goes off to look for it. He searches high and low, the birds in the trees, the insects amongst the leaves on the ground, the fish in the sea, the sand in the desert, until finally it rains. The incessant rain fills puddles in the earth and at last he can see that he has a smile, and so is happy.
He has wandered across deserts and mountain ranges, across forests and seas, seen a multitude of animals, birds and fish, to find that it is all of these which make him happy. And he realises that happiness is everywhere.
A wide reaching tale of finding happiness wherever you are, reading this with children will fill their heads with delight as they see the scope of amazing things in our world, and marvel with the tiger as he finds that happiness is all around.
The illustrations with the swatches of colour overlaid with black ink representing the tiger and its stripes, are stunning. The tiger stalks across every page, sometimes partly hidden by the forest, sometimes climbing across a jagged mountain range, sometimes swimming with the fish. Rayner drew her tiger after watching and sketching the tigers at the Edinburgh Zoo, and this first hand experience is obvious to the reader as they delight in the different poses struck by the tiger on turning the pages.
At the end is information about the Siberian Tiger, an animal in danger through loss of habitat, and addresses are given for children to find out more information.
Fran Knight

Good night, me by Andrew Daddo

cover image

Ill. by Emma Quay. Hachette, 2015. ISBN 9780734415851
(Age: Toddler) Recommended. Board book. Night time. Sleep. Encouraging a small child to go to sleep is made easier with this reprint of Daddo's winning story of bed time. Used as the focus book in the 2006 National Simultaneous Storytime, Andrew's website gives information about how the story came to be.
The simplicity of its evolution is matched by the deceptive simplicity of its telling, as the child going to bed must say goodnight to each of its body parts. So goodnight is said to its feet, then knees, then legs, tummy and so on, until its nose is reached and then finally good night. Each part drops off to sleep shown beautifully by the pencil and watercolour illustrations, beginning with an enthusiastic moving child to one bedded down with a sheet over the top, ready to sleep until morning.
Reading this tale will encourage a child to hunker down with the story and be part of the illustrations as they go from movement to stillness, from alert to drowsy, then sleep.
The use of a baby orangutan is wonderful as young children will immediately be enthralled at the contrast of an animal and a baby, noting the clothing, the sheet and pillow. The illustrations give the story another level of interest to readers as the orangutan is shown in all sorts of poses in its bed.
First published in 2005, this publication as a board book will ensure it is read over and over again by the target audience.
Fran Knight

Sam and Dave dig a hole by Mac Barnett

cover image

Ill. by Jon Klassen. Walker Books, 2014. ISBN 9781406357769
(Age: 5+) Warmly recommended. Endeavour. Friendship. Quest. One day Sam and Dave decide to dig a hole. They set out with shovels and the dog, and begin their work to find something spectacular. They dig and dig, eventually digging a hole that is over their heads needing to stop for a break to drink their chocolate milk and animal biscuits. They decide to go sideways. Later they decide to split up and join later. Just when they are tired out, the dog digs, sensing a bone nearby and the trio falls down deeper and deeper until they are back in their garden.
The illustrations tell the story of their near misses, as they bypass large exciting looking precious stones time and time again. The little dog senses something is nearby but the boys keep on digging, taking no notice of his actions. Children will love watching the dog and the near misses, calling out to the boys in the story telling them what they cannot see. The mystery behind their quest and their attempts to find something spectacular will speak volumes to younger readers for whom adventures are what they have everyday. The fun of trying to find something wonderful drives them on, their dog with them, spectacularly more aware than they.
For children learning the concept of down and up, as well as sideways, this book is a treat, bringing in the idea of adventures, hidden gems and striving for something out of reach. The illustrations are magnificent, brown swathes of watercolour fill the page, with white patches contrasting with the colour of the earth. Astute younger readers will ponder the small differences between the last pages and those at the beginning of the book, and laugh out loud at the antics of the boy and the all knowing dog.
Fran Knight

I was only nineteen by John Schumann

cover image

Ill. by Craig Smith. Allen & Unwin, 2014. ISBN 9781743317235
(Age: 10+) Recommended. Picture book for older readers. War. Vietnam. Song. Conscription
The song penned by John Schumann is now so well known that I am surprised it has taken this long for a book such as this to be produced. Readers will not help but hum it as it is read, and I am sure many classrooms will access the song to play before and after they read this stunning presentation. There are versions of it on Youtube.
The song, written in the early eighties, in response to Schumann's brother in law's time in Vietnam, tells of the young men conscripted by the Australian Government to serve in this overseas war. They could not vote nor drink in a hotel, but were told to fight, and could do little about the fact that their number had come up in the lottery.
The war became increasingly unpopular, conscription was abandoned and the forces withdrawn from Vietnam, but even today, returned soldiers are fighting the results of their service.
Craig Smith's illustrations show a young boy talking to his grandfather, a returned serviceman. As the reader turns the pages they will see what happened to the child's grandfather, a young man conscripted then trained at Puckapunyal, choosing the card which sent him to Vietnam. In Vietnam, the images range from sitting in a bar, relaxing with R&R, to the images of fighting in the fields which can leave no reader in doubt of the brutality of war. Smith's depiction of the landmine explosion and helicopter evacuation of the wounded men are hauntingly memorable in a book full of stunning images.
At a time where Anzac and World War One are being remembered over the world, this book is a standout contribution to those books giving younger readers an idea of our historical involvement in overseas wars.
Fran Knight

The soldier's gift by Tony Palmer

cover image

Jane Tanner. Penguin, 2014. Hbk ISBN 9780670077571. Ebk ISBN 9781743482131
(Age: Yr 5+) There is always work to be done on Hillside Farm - except on Sundays. Sundays are a day of rest and, on this prophetic Sunday, Tom takes his younger sister Emily to a special place high on a ridge overlooking the land below. On it is a lone cypress tree planted by their mother as a tiny seed many years before they were born. Now it is her memorial.
All is not idyllic on Hillside Farm though. It is 1915 and each week the postman brings the newspapers which Emily reads and when Uncle Francis comes to visit, she hears him talking to her dad about the war and the young local men who are dead, missing or wounded. But Emily is hardly concerned for it is on the other side of the world. However, when Uncle Francis suggests that Tom might be branded a coward if he doesn't enlist, it comes to her peaceful home and sets in train events that seem inexorable. 'Everyone else is going' does not seem a good reason to Emily when it becomes clear Tom is going to enlist, and as he sets out, standing so straight and tall and looking so grown-up in his uniform, not even his promise to write can stop Emily's tears flowing.
Tom does write - funny, serious, and sad letters. In one he sends Emily some seeds given to him by another soldier 'from a pine tree here in Turkey'. But no more letters follow and when Emily's father finally gets the telegram he has been expecting, it has a devastating effect. Emily runs to her mother's tree and just sits, not even noticing her dad coming to get her and carrying her home. That night, in a massive storm, the tree is destroyed. Emily's father withdraws into himself, wearing his grief like a heavy overcoat and Emily cannot reach him. But one day she shows Uncle Francis the seeds Tom had sent and he persuades her to plant them and nurture them...
This is a most sensitive story that has the events at Gallipoli as its backdrop, not its focus. While our students learn about the events at Gallipoli and appreciate them, it is difficult for them to connect with what life was like at that time in Australia. It's like they have an episode in time captured in a bottle without reference or links to anything beyond those historical facts. A soldier's gift helps them connect to life at the time by showing that it was just ordinary young men who were at the heart of this conflict, young men with families at home but a sense of duty to King and country calling them louder. It shows the despair and hopelessness and grief that families suffered when the longed-for letters stopped coming, families grieving then at the loss of their loved one just as families grieve now. But Emily's planting of the seeds, their growth into seedlings and their need for protection which finally draws her father forward is symbolic of planting and nurturing hope for an enduring peace. Just as Tom's trees fight the odds for survival, so might the world. In his gift is more than a handful of seeds that look like dried moths.
Jane Tanner's illustrations are superb in helping to make those connections. In muted tones that suggest both the mood and the times, they provide exquisite detail of the period, particularly those featuring the interior of the house, but also the calm, carefree lifestyle as chooks scratch in the garden and dog Roo runs free. This 'ordinariness' is highlighted by the illustrations on the endpapers - sketches of family photographs, marriage certificates and magazine covers but ominously interspersed with reminders that there is a war being fought and its fingers are stretching out to touch all that is known and cherished.
On the final page following some notes about the war in Europe and at home, Tony Palmer makes reference to the seeds from the Aleppo Pine - the famous Lone Pine - that we know came back to Australia and are now thriving trees at the Shrine of Remembrance in Melbourne and the Australian War Memorial, and suggests that these might not be the only ones that came back. Tom may have sent some too.
Given that it is not until students are in Year 9 - 14 or 15 - that they formally study World War 1 in the Australian Curriculum history strand, literature is the only way that most students can connect with the events that changed Australia for ever and which will be such a strong focus over the coming months as the centenary of World War 1 and Australia's role within it are commemorated. A soldier's gift should be an integral part of that story.
Barbara Braxton

The year it all ended by Kirsty Murray

cover image

Allen & Unwin, 2014. ISBN 9781743319413
(Age: 12+) Highly recommended. World War One, Spanish Flu, Returning soldiers, Adelaide. The day Tiney Flynn tuns seventeen, bells ring out over Adelaide to announce the end of World War One. Tiney and her sisters go into the city to join the celebrations, and there follows a six month hiatus as the world leaders negotiate peace. Soldiers are returning home, some damaged and many changed, Tiney's sister, Nette, marries a soldier who takes up soldier settler farm at Cobdogla in the Murraylands, Thea goes to Art School, while Tiney and Minna help prepare for a masked ball to celebrate peace. But the family is still subjected to prejudice because of their German heritage. During the day Tiney works at the Cheer-Up hut, where soldiers can find some companionship but Tiney begins to find this cheerless, as the long peace negotiations drag out. They are devastated when they learn that their son and brother, Louis has been killed in France within weeks of Armistace. Her father hides in his study putting together a scrapbook of their brother's life and Tiney has the idea that the family should somehow go to Europe to find their brother's grave bringing them some relief from their overwhelming grief.
In the background we see the girls coping with a changed world. Tiney's world becomes smaller as her sisters leave home, and is ecstatic when her aunt and uncle give her the money to accompany friends of the family in their search for their dead son's grave. Her dream has been realised.
The reality of war hits hard as she walks across battlefields with bodies being exhumed for reburial, discovers mass graves, bombed villages and people like her searching for their war dead.
This is a wonderfully astute look at the changing fortunes of young women at the end of the war, a time of change for them as well as society as a whole.
The story of Tiney and her sisters reflects many of these changes as Nette marries someone she really does not know, Minna escapes to Melbourne, to avoid the unwanted overtures of a returned soldier, and Thea goes to art school, where her friend, Seb commits suicide.
The determination of Tiney in bringing some sense to her family after their momentous loss, holds them together in a time of desperate need. And at the same time, Tiney develops as a person, going from a naive seventeen year old to a more politically aware, confident and assured young woman ready for the new world.
Amongst the many books about Australia's involvement in war, this is a standout. Not only a good story about one girl's development, but a harrowing look at the family at home, desperate for news about their son at war, while the thread of their German heritage, reminds the readers that Australia is a land of immigrants, with some treated in a manner which does us no credit.
A wonderful stand alone, this book could also be used in a literature circle, in which a number of books with war as their theme are presented to a class. Secondary students will find Tiney's story engrossing, and along the way learn a lot about war and its impact on those at home. Murray has skillfully incorporated historical detail into the story, making this a luminous addition to the genre of historical fiction.
Fran Knight

The 100 Society by Carla Spradbery

cover image

Hodder, 2014. ISBN 9781444920086
(Age: 13+ secondary). Highly recommended. Carla Spraybery's The 100 Society delivered an enormously unique plot and well-developed relationships between the key characters. The setting of the book was well thought out as well as the storyline. Characters included in the novel were fun and easily likeable and no two were the same. The plot twist was definitely unexpected, an element in a story that I love and it left me second guessing each character's agenda. This book has undoubtedly altered my opinion on dark literature and throughout the story, I found myself enjoying the progression and development of the plotline and characters. As a standalone novel, it concluded the storyline well but the author did leave a couple of storylines untouched so it will be interesting if there will be a sequel.
The story follows Grace Becker, a boarding school student and tag artist who is determined to win the game, The 100 Society. She has persuaded her close knit group of friends to join her on this quest despite the dangers that may lie ahead. Already nearing the 100 target, Grace and her friends have become targets of a sinister and mysterious shadow who is on a mission to end their game. The only thing they know about this shadow is their tag, a Grim Reaper who haunts each friend's nightmares and pops up in the most unlikely places. It is a race against time to discover who this 'Grim Reaper' is but will they be too late? Will Grace be able to save her friends or will they be the end of each other? The results will shock you.
The relationship between Grace and her friends is an element of this novel that I thoroughly enjoyed as well as the plot twist and the mystery genre.
Samantha May

Alfie's big wish by David Hardy

cover image

Magabala Books, 2014. ISBN 9781922142535
(Age: Pre-school) Recommended. Aboriginal themes, Loneliness, Australian bush. A sequel to Alfie's search for destiny, this charming picture book tells of Alfie's need for a companion. He is lonely, and his attempts at playing with others comes to nothing as his friends have left with their parents and the others are too old. He sees a falling star and makes a wish. The very next day he wakes and hearing a noise int he grass nearby, creeps over to take a look. He is instantly surprised and happy when he finds a young girl hiding there, the answer to his wishes.
David Hardy is a descendant of the Bankitndji people of northern New South Wales, and for many years has worked as a freelance illustrator for Walt Disney Studios. The influence of working here is obvious in his illustrative style, with large eyed chubby children taking up the central position on a full colour background. The charm of the illustrations invites the reader to immediately identify with the sad boy, and read on until the promised denouement is realised.
In the background can be seen images of the Australian bush which will further delight readers, recognising flora and fauna. I like the use of the sketched outlines of Alfie in the endpapers, as this gives a model for younger children to try their own drawings of the young lad.
Fran Knight

Every time you close your eyes by Bel Schenk

cover image

Wakefield Press, 2014. ISBN: 9781743053195
(Age: Secondary - Adult) Recommended. Themes: Connection and isolation; New York; Irony. Style: Prose Poetry. This is an atmospheric telling of the intermingling of connection and isolation during two Blackouts in New York. Set in both 1977 and 2003 during two distinct Blackouts in New York's history, it is told in bare Prose poetry where every word carries weight. There is irony in this tale of the world's most energetic city being 'powerless'. The characters, few though they are, have their stories woven gently from poem to poem with a sense of relationship that creates an impression of both the isolation and social cohesion of life in the Big Apple. Schenk shows how the Blackouts emphasised how the members of the community related to one another. The oblique references to the 'Son of Sam' murders and the 9/11 events and the impacts of those tragedies highlighted the impact of events outside one's personal control on the fabric of relationship in a big city.
The title evocatively reminds us that Every time you close your eyes there is the opportunity for 'blackout' and internal connection, isolation and also remembrance of relationship.
This is an 'adult' book, but easy to read. Its power is in its sensitivity.
It could easily be used for Secondary Study, looking at Prose poetry.
Carolyn Hull

Hasel and Rose by Caroline Magerl

cover image

Penguin, 2014. ISBN: 9780670077342
When Rose moves to a new house in a new town, life is not as she wishes it to be and she obviously misses her old home. Although she tries her best to settle in, she knows that something is missing. Despite her standing at the window and looking out, desperately wishing, Rose's wish thing does not come. When she draws it, the image is indistinct. On the other side of the world, another journey begins. A parcel, swinging over snow covered peaks, flying through cloudy skies and sailing across stormy oceans continues its trip, ever closer to Rose. When, 'at wits' end', Rose and her family head toward the sea and sit, listening to the waves, a magical meeting occurs. Has Rose found her wish thing?
A perfect tale to help those children who have been forced to move, leaving behind all that is familiar or have lost something dear to them. In this book, Magerl's focus is on the process of settling in to a new place and discovering a way of learning to belong. The necessity of friends and family in the tale are paramount. In the classroom, one could discuss what gives us a sense of belonging and how one could go about settling into a new place and the concept of connections. This could be paired and contrasted with other texts about loss and friendship, for example, Amy and Louis.
Jo Schenkel

That car by Cate Kennedy

cover image

Allen & Unwin, 2014. ISBN 9781743310953.
(Ages: 4-6) Highly recommended. Ellie, Luke and Joey find an old car at the farm their family has moved to. The car becomes the base for a multitude of imaginative adventures, taking them to tea with the Queen, a trek up Mount Everest and on an African safari. When they meet the original owner of the car they enjoy hearing about her real-life adventures.
The beautiful illustrations perfectly complement this lovely, gentle story, highlighting the imagination of children growing up in rural Australia.
Donella Reed

Literature to support the Geography curriculum by Fran Knight and Pat Pledger

cover image

Pledger Consulting, 2014. ISBN: 9781876678418 (book) Also available as an ebook
(Age: Teacher reference) Highly recommended. This comprehensive annotated bibliography is a great reference tool for school libraries, school teachers and History and Social Sciences faculties.
Pat Pledger and Fran Knight have carefully selected picture books, junior novels and age appropriate fiction and nonfiction and aligned these with the Australian Curriculum. Each section explores resources suited to different year levels from Foundation to Year 2, Years 3-4 and continuing to Year 10. The authors have drawn on their breadth of literary experience and the extensive range of resources and reviews available from ReadPlus.
Each of the key geographical concepts is explored with both familiar titles, My Place, Are we there yet?, favourite authors - Rosanne Hawke, Bob Graham, Jacki French and newly published titles - Ambelin Kwaymullina's First Flight included.
Arranged alphabetically by author's surname, with a concise description included, this is an easy to use bibliography. Books listed in one section can be utilised by a broader group of students, sharing picture books with older readers provides opportunities for research stimulus and inquiry-based learning. Jeannie Baker's Window is included in the Year 8 topic - Changing Nations. The individual title's suitability for classroom use needs to be gauged by the teacher or teacher-librarian.
This is an insightful curriculum tool for HASS educators. It highlights resources from a broad range of genres and acknowledges the wealth of literature available to support and engage students within the geography curriculum.
Rhyllis Bignell

Elephants Have Wings by Susanne Gervay

cover image

Ill. by Anna Pignataro. Ford Street Publishing, 2014
(Age: 7+) Recommended. Susanne Gervay's picture book, Elephants Have Wings is a retelling of the parable of the six blind men and the elephant, found in many religious traditions including Buddhist, Hindu, Jain and Sufi faiths.
At bedtime an Indian father tells his children, one of their grandfather's tales. Six children are sent outside in the dark to search for the secret. They find different objects, a rope, tree branch, marble, a scarf and a sandy wall. They cannot agree and begin to shriek like a babble of monkeys. When the grandfather illuminates the scene with a candle, they realise these form the parts of an elephant. After the brother and sister climb onto the creature's back, their magical journey begins across cities and jungles into the diamond sky with a golden moon. When the bedtime story concludes, the children have gained an understanding of the moral. Everyone is different, but we're all the same, too.
Anna Pignaturo's multi-modal illustrations, utilise painting with soft watercolours, Asian and Indian motifs, collage and sketching to bring life to Susanne's Gervay's tale. The detailed double-page spread with the ruby red background and the abundance of paisley patterned elephants, provides opportunities for teachers to explore and engage their students with the study of Indian art.
Recommended for readers from 7+ and as a classroom resource to explore inclusivity and diversity.
Rhyllis Bignell

Background to Elephants Have Wings by Susanne Gervay

cover image

I was deeply inspired by my journey to India and South East Asia where I spoke in Delhi, Goa and Singapore. I experienced the Baha'i Temple in Delhi where I was part of a service under the open-air lotus roof of the temple. Five young people read from their holy books from five different faiths.
I also became aware of mystical stories. One was the parable of the blind men and the elephant which is part of Buddhism, Hinduism, Jainism and Sufism and the search for truth. Another was in Hindu mythology, that during the monsoon rains which refresh the earth, the clouds are regarded as the wings of elephants.
I returned home imbued with the cultures and spirituality of India and Asia. On entering The Hughenden in Sydney, I faced, the exquisite kalaga tapestry, embroidered with gold and silver thread and beads, revealing elephants and Hindu and Buddhist stories.
Young people today are overwhelmed with media reports of terrorism and conflicts of faith. It was time to reach out and create a safe space for young people to explore want they want their world to be. Elephants Have Wings came out of all of this.
The Blake Prize is a non-denominational art and poetry prize, created after the war in 1951 by a Jesuit priest and a Jewish artist to explore art and spirit as a way towards inclusion. The Blake wanted to extend this vision to youth. They looked everywhere for an illustrated text for young people, when they discovered 'Elephants Have Wings' in draft form. In a first, the Blake Prize for Art and Poetry www.blakeprize.com.au have endorsed a children's book. Elephants Have Wingscarries its logo.
What is Elephants Have Wings? At its heart, it is a peace book for young people and adults to share.
As the daughter of refugees, action for inclusion and peace is personal and a driving commitment to share with young people. I was privileged that Anna Pignataro, also the daughter of refugees, wanted to travel with me on this creation.
For those who go on the journey into Elephants Have Wings, it is an extraordinary illustrative picture book that has so many layers. A child can experience it as the journey on a mystical elephant to discover home. However there's so much more including multi-faith, inter faith, the meaning of the mandala, the tree of life. Each aspect of Elephants Have Wings is rich with story from the end papers which are the colours of enlightenment, to the circle of life. It is a book that I hope brings pleasure in its beauty but also questioning and search for harmony.
There is information on it here.
Susanne Gervay

Disappearing act by James Moloney

cover image

Angus & Robertson, 2014. ISBN 9780732295752
(Age: 10+) Highly recommended. (Central character is aged 14). Themes: Magic and Illusion; Family; Truth and lies.This is a story with magic, illusion, the elixir of life, a contemporary teen, an imaginary foreign country with a sad history, love found and lost, family tragedy and the restoration of the memory and reputation of an infamous conjuror and illusionist. This combination could have been disastrous, but Moloney has conjured an amazingly readable and enjoyable storyline, that weaves a contemporary tale of a young teen with a passion for magic, with his discovered family history from a fictitious principality named Montilagus. The disaster of a historical magic trick that has gone wrong is revealed to the teen Matthew as he visits inner city Sydney. This sets Matthew off on his own pursuit of Magic, and eventually to Montilagus in the hope that he can repair the reputation of the Magician.
There are some very unbelievable aspects to this story; despite that, the essence of the story is that 'Only the heart knows that the magic is real'. The magic of the story is real!
Carolyn Hull