Reviews

Boa's bad birthday by Jeanne Willis

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Ill. by Tony Ross. Koala Books, 2014. ISBN 9781742760957.
(Age: 4-6) Animals. Snakes. Birthdays. This odd little story of a boa waiting impatiently for the presents his friends will bring to him, offers a rather negative perspective about friendship and birthdays.
He is incredulous when the orangutan brings a piano as he has no fingers with which to play. He smarts when monkey brings sunglasses when he hasn't any ears or nose to hold them up. He is disappointed when the jaguar brings him mittens as he has no hands, and is happy when the sloth appears. Surely he will bring something nice. But no, the gift is a hairbrush. And so on, until the dung beetle brings a piece of dung which grows into a beautiful tree for the boa to sleep in. The last pages have a twist which will intrigue younger readers, and perhaps initiate discussions about what you do when someone gives you an unwanted present.
I liked the illustrations, they are funny and quirky, but I found some of the words, for example, rubbish and stink, as applied to unwelcome presents a little sad. But if this initiates discussion about the necessity of having the right words for the wrong present, then it will be useful.
The illustrations of the range of animals give the reader the opportunity of looking at animals not often seen in children's books, and recognising that most come from South America.
Fran Knight

Funny faces by Dr Mark Norman

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Black Dog Books, 2014. ISBN 9781922179968
(Age: 6+) Warmly recommended. Animals. Non fiction. Fourteen double pages will attract the attentions of younger readers, as they smile, giggle and laugh their way through the range of faces presented by scientist Mark Norman. Introduced with a double page called Different Faces, the reader is given a brief taste of what is to come. Turning the page the biggest animal noses are shown, sure to cause a ripple of mirth. The funny noses of the bat and dolphin follow, then the large eyes of the glider and dragonfly. Each page has a little information, enough for younger readers to see what the animal is called, and perhaps learn a little about why they have such distinctive attributes. The information is enough to whet their appetites and impel them to go looking for more information or pester a teacher or parent to take them to the zoo. Big ears, beaks and bills follow, with a few more scary animals towards the end of the book. The pictures of the dragonfish and walrus will cause a hidden chuckle, while the next page shows a cicada and mosquito with needle mouths in close up.
A double page at the end of the book gives more serious information, while there is a brief glossary and short index. The photography is stunning, the close-ups of the animals shown are breathtaking in their clarity.
All is combined well to introduce, inform and entertain the younger reader.
Fran Knight

You choose (series) by George Ivanoff

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Random House, 2014.
The treasure of Dead Man's Cove. ISBN 9780857983831.
Mayhem at Magic School. ISBN 9780857983848.
Part of the appeal of computer games is that the player has control of what happens to the characters driven by the decisions he/she makes about the decisions the characters make. Imagine if that power could be in book form, propelled not by graphics and a controller but by words, reading and understanding. Harking back to a very popular format of about 20 years ago, where the reader chose their own adventure by making a choice about what action to take and therefore where to move next in the story, this series You choose puts the power back in the reader's hands, rather than the author's predetermined storyline. And each time the book is read a different choice can be made and a new story created.
In The treasure of Dead Man's Cove the reader finds an old map supposedly belonging to One-Eyed William, a fierce pirate who was buried with his treasure. So the first decision has to be made - to follow the clues in case it's real or hand it in to a museum curator. In Mayhem at Magic School the reader suddenly discovers magic powers which cause strange things to happen so a decision has to be made about whether to visit a therapist and seek help or keep them secret and use them? Is the outcome a place in Magic School, a spy for the government or something else?
Written by an author who, himself, was a devotee of this sort of format and only became an avid reader after he discovered it - something I found happened frequently when I offered them to my reluctant readers of both genders - this is a series that not only combines interactivity and reading, but also enables the reader to think about cause and effect, to consider the options, to take the time to make a decision, and to take risks in a safe environment.
The appeal and importance of gaming within the formal education setting is becoming the focus of a lot of research and literature and this series provides a great foundation to actively engage and explore options. Map the story, its choices and consequences on a flow chart; have students add a few twists of their own and discuss how these can have an exponential effect on the outcomes; perhaps even venture down the Technologies strand of the Australian Curriculum and let your budding programmers start to design the coding. Then set a new scenario and start to explore the pathways and fun of 'what if... ', encouraging the students to let their imaginations go, push the boundaries, think beyond the usual as they draw on all they've seen and experienced. Use these two books, and The Maze of Doom and The haunting of Spook House as models for an engaging, integrated project that draws in your writers, your illustrators, your mathematicians, your computer experts to create something new that accentuates the need for a team, encourages negotiation and compromise as well as the skills of seeing things from another perspective and looking for alternatives, and perhaps, even, the concept of empathy.
So glad this format is back on the reading agenda of the young readers in my life.
Barbara Braxton

Opening the windows to catch the sea breeze by Geoff Goodfellow

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Wakefield Press, 2014. ISBN 9781743052952.
(Age: 15+) Recommended for mature readers. Poetry. Working-class life. The marginalised. Mental illness. Work. Cancer. A biographical poetry collection in blue-collar attire.
This is a delightful exploration of the beauty of simple words and the power of poetry to patrol the parapets surrounding other worlds, and to open the gates for us to enter. Geoff Goodfellow is earthy and connected to the world of the working class worker. His words bring to life the ordinary and the extraordinary as the child of a war veteran with alcohol-infused memories. He travels as paid poet into the workplace and speaks for the people who make big business wealthy, and who give their health as payment for their right to a wage. He tells his own struggles with relationships, work and jack dancer (Cancer). He sees the world with the eyes of a wordsmith with the opportunity to forge a different understanding from the raw materials of humanity.
One of the powerful elements of this anthology is the detailed explanation given at the beginning of each chapter. This places the poetry within the historical context of the life and experience of Goodfellow himself. This opens the reader to his world, and the historical Adelaide that he is describing, and also gives us a glimpse into the life of a poet, and not one that lives in the hallowed halls of academia.
Note: For those considering this text within a school context, it does contain some down-to-earth and colourful language (some words of four-letter origin!), which is not surprising given its context, but may require some care. Despite this, the opportunity of hearing the voice of the marginalised, the 'blue-singlet' worker, the jail inmate, the Semaphore-hostel dweller, the struggling single mother or the public hospital patient is potent.
Carolyn Hull

Kelsey and the Quest of the Porcelain Doll by Rosanne Hawke

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University of Queensland Press, 2014. ISBN: 9780702253317.
Highly recommended for ages 7+. Kelsey is made to travel to Pakistan with her aid worker parents after a flood. She is resentful and wishes she could have remained at home with Nanna Rose, able to celebrate her ninth birthday at her friend Chantelle's pool. Instead, she finds herself in unfamiliar surroundings with people she doesn't know and with whom she certainly doesn't want to spend time! Gradually she is encouraged to make friends with a girl of her own age and visit her home. As often as she can, Kelsey skypes Nanna Rose who obliges by telling her stories about a porcelain doll and its adventures. Over time, Kelsey learns to appreciate her new friend Shakila and her family and their way of life and enjoys her visits to the local school. When an accident occurs, Kelsey is able to show her true nature. Will everything turn out for the best or not and will Amy Jo, the porcelain doll, ever find her 'happy ever after'?
Having begun its life as a story told by the author to her daughter while they were living in Pakistan, the story highlights Hawke's affinity with both the people and place of her tale. With each chapter's focus alternating between the story of Kelsey and her experiences and the tale of Amy Jo, the porcelain doll, this story is accessible to younger readers but would also make a great read aloud. The print is double spaced, there are illustrations directly related to each chapter on its first page and blank pages between each chapter, hence, the text is probably only around one hundred pages in length. This all serves to make Kelsey a title which would be perfect to use with a class. One could focus on children from other countries, differences between families, natural disasters, aid work and practical responses students could make in the way of support. As stated on the blurb on the back cover, it is a 'captivating story of adversity, adventure and love.' Each of these aspects is dealt with and could be teased out, even with young children. I can imagine this book being paired with any of the Sarindi titles to compare and contrast the information found in each.
Jo Schenkel

Tales from the Half-Continent by D.M. Cornish

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Scholastic, 2014. ISBN: 9781742990255.
(Ages: 12-15) Recommended. Themes: Monsters, Fantasy, Body-snatching, Detectives, Mythical creatures, Criminal investigation.
In this novella, D. M. Cornish adds two more dark fantasy stories. These are separate from the Monster Blood Tattoo trilogy introducing new characters. These books are mainly for the fans as prior knowledge of this world is assumed with the unique language, jobs and terminology are presented without a glossary.
In The Corser's Hinge, Bunting Faukes is a grave robber or corser and a wayfarer who has become destitute and has a debt to repay. Fortuitously, he mets Atticus Wells a mysterious sleuth who is on the case to find a missing young woman Viola Grey. The search by the sleuth and his team is hazardous and involves cult worshippers, travel across the continent, fights with monsters and battles in some of the darker landscapes of the Half-Continent. With much daring force they fight with the cult followers and the monster Shilemoth.
The second story The Fuller and the Bogle is an easier read and one which showcases life in this fantasy world. After her father's death, Virtue Bland is sent to work as a scullery and laundry maid in the house of her father's past employer. Hidden in her hatcarry is her pa's olfactologue that allows Virtue to see monsters. This story has all the elements readers expect of the author, adventure, fantasy, fighting monsters and the detailed daily life of the citizens of Brandenbrass.
Rhyllis Bignell

The Strange and Beautiful Sorrows of Ava Lavender by Leslye Walton

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Walker Books, 2014. ISBN 9781406348088.
A debut novel, The Strange and Beautiful Sorrows of Ava Lavender follows the lives of Ava Lavender and the two previous generations of her family. The family begins in France, and migrates to America in 1912, when Emilienne is eight. It is a story of the loves, losses and obsessions of Ava, her mother Viviane Lavender, and her grandmother Emilienne Roux.
The genre is magic realism. Ava is born with wings, ghosts are part of the family's everyday life, and portents abound. The novel could be one to include in a school library and might prove useful for Yr 12 English students who would like to use it as a comparative text with other novels of the magic realism genre, or as an exploration of the theme of love, including a number of strong examples of unrequited love. It could also be an interesting story to discuss independence - Ava is cloistered in the family home in order to be protected from the world at large, with serious consequences when she ventures forth.
The book is written in lyrical prose and would appeal to a sophisticated reader.
Anne Veitch

Snugglepot and Cuddlepie's Underwater Adventure by May Gibbs

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Scholastic, 2014. ISBN: 9781742839288.
One hot day, when the Gumnut Babies are bored and looking for adventure, they follow Mrs Kookaburra's advice and head to 'where the land meets the sea.' There, whilst sheltering in an empty shell, they meet Mr Hermit who offers to take them into the deep, blue water. On their adventures, they become acquainted with a clownfish, coral, and an octopus and are introduced to Little Obelia, Princess of the Fish Folk. After being carried home on the backs of several sea dragons, Snugglepot and Cuddlepie are left, dreaming about their wonderful adventures.
The lovely large square format of this picture book, the watery endpapers and the pastel toned illustrations make this book a trip down memory lane for lovers of Gibbs' work who will be keen to share the story with their children and grandchildren. With its simple storyline and familiar characters, this is a charming book with a true Australian flavour, just right for a new generation of readers.
Jo Schenkel

What happens next? by Tull Suwannakit

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Walker Books, 2014. ISBN 9781922077561.
(Ages: 4-6) Highly recommended. Grandparents. Imagination. When Granny takes her granddaughter, Little Ellie for a walk, she tells her of the bear family, also going for a walk. Little Ellie asks questions of her Granny, questioning her on the bears' habits and practices. All the while, Little Ellie watches the bear family as they walk behind, following their every move, and as each part of the story continues, Little Ellie asks, 'what happens next?', a refrain repeated on each double page. But when Granny looks behind and sees the bear family for herself, it is her turn to ask of Little Ellie, 'what happens next?' as she backs away from the bears, ready to flee.
Unfazed, Little Ellie and Granny go into the woods with the bear family where they meet a number of other animals, even an ogre, and have a dinner of icecream, cakes and honey, before Little Ellie and Granny go home, where the child is tucked into bed.
The transposing of ideas is wonderful, with Little Ellie imagining the family behind her as Granny tells her the story, and then taking shape as Granny and the girl follow the bears after Granny's initial fear, to going to the woods and then back home. The shift from imagination to reality occurs all through the story, encouraging the reader to ponder over which is real and which is not. But over all is the sense of the care and safety of the family unit.
The stunning watercolour illustrations are a treat to read and reread. From the enticing front cover to the alluring endpapers to the inside illustrations of the story itself, the two families are paralleled. The hats of the two Grannies, the handbags and shoes of each participant, the small animals that keep peeping through on most pages, to the wonderful display in the shop, then the dinner at the bear's house, each page is meticulous in its presentation of the story, keeping the reader's interest. I loved the image of the two Grannies with their noses in the air, while their offspring talked to each other. The little images of frogs, rabbits, the birds on the bus stop sign, the sleeping fox on the bus, the animals at dinner, all will elicit a laugh from the audience, while the last endpaper with the group standing together is a lovely contrast to the front cover.
An astute teacher will use this to remind children of other stories of bears, of other tales of ogres and stories which have an element of 'what happens next?' as they proceed. And they could even be encouraged to write their own.
Fran Knight

Spark by Rachael Craw

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Walker Books, 2014. ISBN 9781922179623.
(Age: 15+) Recommended. Power. Genetic Modification. Violence. Friendship. Science Fiction. A debut novel that will be the first in a trilogy! The fact that Walker books are confident of the success of this book, and are already advertising Book 2 and 3, suggests that they have found a writer and a story with literary 'legs'.
Spark is set in an era when genetic manipulation of humans is now into the third generation. The Infinity Project that began the process of modifying and manipulating human DNA has resulted in the genesis of human lethal weapons with advanced fighting and extra-sensory abilities. The Spark to their development is a 'civilian' who unwittingly triggers the capabilities of one of the genetically-tweaked individuals and causes them to become their 'shield' from the lethal attack of another genetic anomaly - the 'Stray'. This conflict is the essence of the story, however the story begins with a grieving daughter who is unaware of the transformation she is about to undergo as the result of the stirring of her genetic capabilities. She becomes a super-charged human in a very short space of time and the distress in combination with her grief has a compounding effect. Her friendship with her Spark adds a degree of emotional anguish, because it is not uncommon for the Shield to be unable to save her first Spark from the homicidal attack of the Stray. A romance, which cannot be sanctioned by Infinity, also adds a complication factor. This is a fast-paced adventure that leaves the reader feeling the tension of the central character.
This story is exciting and well-written, but it does require some persistence in the early stages to understand this alternative setting. The logic of Sparks, Strays and Shields is important, but initially quite confusing. This has more to do with the complexity of the concepts than the author's explanations. This will be enjoyed by those who have enjoyed the strong, commanding female characters in Hunger games and the Divergent series, but it is slightly more demanding to read than the other series mentioned; not so much a dystopian world, but a science-fiction future.
Carolyn Hull

Take back the skies by Lucy Saxon

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Bloomsbury, 2014. ISBN 9781408847657.
Tellus is a world where storm belts isolate countries and limits communication between the island states. Catherine Hunter is the privileged daughter of an Anglyan government official and as her 15th birthday approaches she decides to run away before her father marries her off for political advantage. Her mother is bedridden but urges her daughter to make her own decisions even though she risks her father's wrath. Children of poorer families at this age risk being 'collected' by the government to be trained as soldiers to fight a war with neighbouring countries; their families never see them again. Cat, as she now calls herself, cuts her hair and stows away on the skyship Stormdancer disguised as a boy. She is soon discovered but is allowed to join the crew and their rebel cause even when she is found to be a girl. Gradually the government's deceptions are revealed, the war is actually over and the children are being used in diabolical experiments with the full knowledge of Cat's father. At the same time Cat is falling in love with fellow crew member Fox and their romance flourishes throughout the battle to oust the government and save the children.
Written when the author was 16, this is an entertaining first novel; however I found the imagined world a bit thin at times. Middle school readers will enjoy the love story and action and some might like the idea of discovering themselves and creating their own destiny rather than being bound by their upbringing. Students who enjoyed Claire Merle's The glimpse would like this.
Sue Speck

Inventions & innovations: Australian ideas changing the world by Stuart Bremer

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Trocadero Publishing, 2013. ISBN 9780864271440.
Inventions & innovations is from the They made Australia collection and provides a timeline of significant Australian inventions that have changed the world focusing on how the ideas were conceived and the struggle to make them reality. With the current focus on finding the black box of Malaysian Airlines MH-370, it would be very timely to know that this device is an Australian invention, as was the inflatable escape slide. What is remarkable about the selection of items in the book, is the contribution their invention and development has made to the wellbeing of people everywhere such as spray-on skin for burns patients and the programmable turning bed for critically injured patients. On the other hand, are items that we take for granted without thinking that their origins began here with Australian thinking and research such as the work in developing much of the technology underpinning wifi networks.
Barbara Braxton.

A tiny bit lucky by Liz Pichon

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Tom Gates, Book 7. Scholastic, 2014. ISBN 9781743625347.
(Age: 8-11) Highly recommended. Families. School life. Art. Friends. Music - Bands. Liz Pichon's Tom Gates series is a sure-fire winner that continues to deliver in this seventh instalment.
Tom's dad is keen for the television to be turned off and for him to run around outside. With the help of some string and a plastic bag they make a kite and take it to the nearby park for a test flight. Unfortunately June the new next door neighbor is present when things don't go to plan. Tom's life is busy with band practice, troubles with his sister Delia, the neighbour's cat and school dramas.
To keep himself entertained Tom takes a piece of string to school and turns it into small scenes, of course his teacher catches him and it is back to doodling in his books. The School Inspector's visit causes lots of problems, the class pizza making is problematic too, watch out for the chocolate raisins. There's so many dramas, the Dogzombies enter the battle of the bands, a party at the neighbours and two mini-stories included.
Tom Gates' A tiny bit lucky is filled with doodles, illustrations, string drawings and a running commentary about school and home life. Liz Pichon's handwriting forms the text with bubble writing, emphasized words, block writing and words made out of patterns. This is a great addition to the series and is great for engaging reluctant readers. I would highly recommend it for a reading audience from 8-11.
Rhyllis Bignell

The twin's daughter by Lauren Baratz-Logsted

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Bloomsbury, 2014. (First published 2010.) ISBN 9781599906614.
The twin's daughter has some elements of the gothic novel. The atmosphere is one of suspicion, a sense of foreboding, mystery and danger. Set in Victorian London, the Sexton's home is lavish and contains the necessary secret tunnel which joins it to the house next door.
The opening line sets the scene for what is to follow, 'I was thirteen the year everything changed with a single knock at the door.' The knock on the door is quickly revealed to be Lucy's mother's long lost identical twin sister who has been brought up in the work-house after having being rejected by those who adopted Lucy's mother. There then takes place a Pygmalion transformation as Aunt Helen is welcomed into the house and lavished with those accoutrements her own life never provided - clothes, education and social graces. Such is the effectiveness of this change that Aunt Helen and Lucy's mother are sometimes mistaken for each other. It is this similarity which provides the twists and turns of the plot. The reader is often invited to question Aunt Helen's real motives even when Lucy embraces her. The 'unspeakable crime' which occurs halfway through the story adds yet another twist. On another layer there is the development of the relationship between Lucy and Kit, the boy next door, which even less experienced readers can predict will end in romance. The minor characters of the neighbours and the aged Aunt Martha who come to visit add little to the story. The themes of guilt, restitution and growing up are really only shallowly explored.
The twin's daughter has the necessary ingredients for a gripping yarn but Baratz-Logsted fails to deliver. The characters are two dimensional and the plot contrived, failing to effectively create the atmosphere which would keep a reader turning the pages. At best it can be described as 'a little bit creepy'.
Barb Rye

Incy wincy spider ill. by Karen Erasmus

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Hachette, 2014. ISBN 9780734415493.
(Age: 3-5) Recommended. Picture book. Humour. Nursery rhyme. What a lively and joyous little tale is presented here as the Incy Wincy we all know being washed out of the water spout is given an airing as he tries in vain to find a safe haven. Children will love reading of his adventures, and be encouraged to add another refrain, telling of Wincy's trials.
The nursery rhyme has only four lines:
Incy wincy spider climbed up the water sppout
Down came the rain and washed poor Incy out
Out came the sun and dried up all the rain
And Incy Wincy spider climbed up the spout again
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There are versions with slight word changes, but the poem in this book takes the story further as Wincy tries to find a place of safety. Youtube has a number of presentations of this song for children to sing along to, including one by the Wiggles, as well as a Disney one.
This one has Wincy climbing under the house, or up a sandcastle, or climbing into the laundry hamper or finding a warm bed which belongs to the family dog. Each time something or someone chases him out.
The illustrations by Erasmus complete the very funny tale, by an unnamed author, encouraging classes again to make their own Wincy spider and poem.
Fran Knight