Reviews

Goddess by Josephine Angelini

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Macmillan Children's Books, 2013. ISBN: 9780330529761.
Goddess by Josephine Angelini is a fantasy novel that is the third and final book in a trilogy about the extravagance of the Greek gods. Helen is a young woman who is a daughter of the powerful Zeus and sister of the beautiful Aphrodite with powerful friends both on earth and on Olympus, Helen is a very powerful young woman. But when she gets flashbacks from the lives of other Helens throughout history and sees her friends playing different roles through time, Helen becomes torn when her one true love in every other life is her cousin in this one! Along with this new revelation, Helen is more powerful than herself and others fathomed due to the accidental combination of the different houses bloodlines with her two closest friends and torn affections, Orion and Lucas. This is a long prophesised occurrence and Helen soon learns something life changing from her uncle Hades about this new development. The world is in danger from the gods and goddesses of Olympus and she is both the cause and the saviour. Helen must quickly find a way to save the man she loves and resist him at the same time while saving the world and her semi-mortal family from her immortal one.
Goddess is a faced paced action novel that draws the reader in with curiosity and mystery, slowing the pace only to allow the timeless romance of forbidden love. This novel is well suited to older teens due to the action and romance themes as well as people who have read the other books in the series. Drawing you in with mythology, Goddess isn't a book that you can put down easily.
Sarah Filkin (Student)

The first voyage by Allan Baillie

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Puffin, 2014. ISBN 9780143307679.
Set in the Stone Age, this novel considers how ancient people were able to migrate to the land mass referred to as Sahul (comprising Australia and New Guinea), the coastlines of which extended much further and which have significantly altered with the passing of the Ice Age.
In Timor, the violently aggressive Crocodile tribe seek to drive the small Yam tribe from the island by opportunistically killing members and trying to provoke battles. Left with nowhere to run and hide, the Yam tribe is doomed unless new territory is discovered and the leader, Eagle Eye chooses to follow migrating birds to a new land. The tribe must find materials and learn how to build and provision rafts for what would have been a terrifying voyage into the unknown.
Told from the perspective of young adolescent warrior Bent Beak, the story cleverly mirrors the experience of present day refugees who are prepared to risk their own and their children's lives on a perilous journey in order to escape violence and death.
Bailey has a considerable freedom to imagine the circumstances and actions of these ancient people and he writes with a great deal of humanity, prompting the reader to deeply consider the plight of desperate people. The nature of leadership is revealed, with Eagle Eye having almost no power to change anything whilst saddled with the responsibility of choosing the best outcome for his people. Ingenuity, group cooperation, roles and relationships are features of this tale which helps us to visualise the enormous task faced by those who came to inhabit our land.
This is a good book for young teenagers yet many will struggle to understand the massive geographical change which made the journey possible. The book's blurb is confusing, stating that it is set 30,000 years ago which does not seem to match the setting or title given the existence of Homo Sapiens in Australia for a minimum 40,000 years. However the 'first voyage' may refer to people venturing from this particular region. Similarly some readers may not comprehend the author's depiction of megafauna including a diprotodon which does not fit the era. The novel would have benefitted from a comprehensive foreword with better diagrams and information than are provided in the brief postscript. This may help young readers to visualise the arrival of ancient ancestors from various regions, joining others already here, by means of island hopping taking place over a huge time scale.
Rob Welsh

Jonathan! by Peter Carnavas

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Ill. by Amanda Francey. New Frontier Publishing, 2014. ISBN 9781921928611.
(Age: 3-6) Recommended. Humour. Jonathan loves to dress up and scare his family. He tries his dad and mum and his sister, but they all tell him the same thing, 'Not scary, Jonathan'. Disappointed, he leaves the house only to find a dinosaur. The dinosaur comes home with him and scares the family so much that they run away. A clever twist brings the story back to reality, as Jonathan learns that there are ways to scare people after all.
The seemingly simple story is augmented with witty illustrations, showing Jonathan as he tries to scare his family. The soft water colours suit the foursome, as they go about their daily tasks and activities, the warmth of the colours enveloping a loving family. I love the shadow of the dinosaur creeping over the house, and I love its stance at the door, waggling its hands around waiting to scare the family inside. Kids will love watching Jonathan's antics as well, recognising the stances he takes when disappointed.
In a classroom where different tales about being scared are under discussion, or attempts being made to make scary costumes, or a neat tale of a family, this book will suit a range of activities. And teachers and parents will make use of the repetition within the story to encourage listeners and readers alike to join in.
Fran Knight

How to Convince a Boy to Kiss You by Tara Eglington

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HarperCollins, 2013. ISBN 9780732295189.
(Age: 13+) How to Convince a Boy to Kiss You by Tara Eglington is a fantastically relatable novel that deals with issues such as cyber bullying, heartbreak, insecurity, romance and friendship. The way Tara Eglington writes this inspirational and striking sequel to How to keep a boy from kissing you helps the reader become engrossed in this misshapen fairy tale of a love story and keeps the reader thoroughly interested from start to finish. This novel is suited very well to both younger and older teenage girls who like to read about romance and friendship.
Aurora is a teenage girl who has finally, after testing trials, found her perfect fairytale prince and is working to make her dream relationship become a reality. After a handful of unfortunate occurrences - some that leave her dream boy Hayden in the emergency department - Aurora's dating confidence deflates considerably. Amid this sea of misfortune and uncertainty Aurora's good friend Jelena has started campaigning to become student school captain and plans to include Aurora's Find a Prince/Princess Program as one of her feature campaign points. And, with her alternative dad trying to find love for himself, Aurora tries to find some balance in the her suddenly chaotic life, the fates decide to test her willpower as she keeps calm and fights her way through with warrior princess strength.
Sarah Filkin (Student)

My first book of baby animals by Mike Unwin

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Ill. by Daniel Howarth. Bloomsbury, 2014. ISBN 9781408194645.
(Age: 4+) Recommended. Animals. Baby animals. Within a question and answer format on each double page, this book shows many animals and their offspring. The first few pages give information about animals growing up, and how many babies some of the animals have, from an orangutan having just one baby at a time, to a turtle which lays more than one hundred eggs at a time, followed by an introductory 'Who is it?' which is replicated on every right hand page after that. After that the format begins, with the left hand side of the double page showing an animal and its baby, with some information and the right hand side page asking the question, 'Who is it?'
From tigers to giraffes, to polar cubs to puppies and kittens, the layout will draw in the reader wanting to know more about these familiar and not so familiar animals.
On the second to last page is a glossary of words, followed by a neat index, giving a picture of the baby animal, in alphabetical order with a reference page number.
Northern hemisphere it might be, but most of the animals are known and seen by children in the south, if not on television, then in zoos, and presented in this way, gives an easy introduction not only to that animals, and its offspring, but uses the correct terminology and introduces using a contents page, glossary and index.
Fran Knight

The Giggle Gum Tree by Juliet Williams and Elizabeth Botte

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IpKidz, 2009. ISBN 9781921479182.
Lily and Amanda live in a very tall house made of purple bricks - it is so tall that it sways in the wind! Each day, they walk to school through the park and the path passes beneath a tree with beautiful draping branches that makes them giggle and puts them in a good mood for the day. They call it the Giggle Gum Tree. But not everyone likes the Giggle Gum Tree - Mrs Pritchet gets tangled in the branches and Mr Glumper trips over the roots that have broken the path. So they complain to the Tree Police and the girls are dismayed to discover a sign which says that the tree is to be chopped down in five days. They are no longer giggling. Quite by accident, they discover a plan that might save the tree and also the problem of their too-tall house - but will they be able to persuade the grown-ups to accept it?
Although the font is quite small, Miss 7 enjoyed reading this one and although she figured out what the girls' solution might be, how they achieved it brought a smile to her face.
The colourful illustrations are inspired by those in children's books of the 1950s and Miss 7 commented on the way the expressions of both people and creatures had been so well captured.
This is a story that really lends itself to a problem-solving exercise if you stop at the page with the sign and ask, 'Is chopping the tree down the only way to solve the problem?' Students will have fun letting their imaginations roam wild to find solutions and then comparing them to the answer that Lily and Amanda propose.
Barbara Braxton

The brothers Quibble by Aaron Blabey

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Penguin Viking, 2014. ISBN 9780670076000.
(Age: 4+) Highly recommended. Sibling rivalry. Family. All children will see through the antics of Spalding as he tries to deal with the advent of a new brother, Bunny. Spalding has been the only child for quite some time, used to getting his own way from his quiet, unassuming parents, a real 'King of the Castle', complete with cardboard crown. He swings his mighty sword upon his mighty stead, that is, until, Bunny is introduced.
From then on, pushed aside by his doting parents, he decides to cause mayhem, until he is sent to his room. His war footing however, is softened when his brother grows, as babies do, and he calls Spalding by name.
The change is slow, but change does occur. The reader will chortle as Bunny tells Spalding that he loves him, using a ladder to get up to Spalding's room when he is given time out, nestling his head upon Spalding's lap. All of these endearing ways wriggle into Spalding's heart, and as Bunny grows, their relationship changes again, and they are pictured arguing and Bunny hits Spalding with his ugg boot, just like all kids. Brothers at last.
The delectable illustrations from Blabey's brush add to the fun showing the glowering Spalding softening as Bunny becomes endearing, but then Bunny's face in using the ugg boot reflects Spalding's at the start of the book. Blabey's illustrations are just wonderful and add to the general humour and mayhem produced by the two boys.
Fran Knight

Invisibility by Andrea Cremer and David Levithan

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Penguin Books, 2013. ISBN 9780141348872.
(Age: 14+) Recommended. Spells. Homosexuality. New York. Stephen is used to being invisible. Even his parents couldn't see him. Living alone in a flat in New York, he manages to survive. Then new tenants move into the apartment upstairs and he discovers to his amazement that Elizabeth can see him and that he wants to be with her. But a world of spells and curses separates them, and together with Elizabeth's gay brother, Laurie, they try to come up with a way to break the spell that his grandfather the curse maker has put on him.
The writing team of two well-known authors for teens makes for a powerful story that combines the issues that young people face with a thrilling story of terrible curses and spells. When the three meet Millie, a spell seeker, she recognises that Elizabeth has abilities as a spell seeker and begins to train her. Elizabeth has to work out if she is strong enough to take on Stephen's grandfather, who has had no qualms about cursing his daughter and grandson.
The New York setting is vividly described, especially as Stephen goes about the streets and park, with no one the wiser. This brings the story to life as it is fascinating for the reader to imagine the trio making their way around New York as their quest develops. However it is the in-depth characterisation that makes this story stand out. The isolation of Stephen, his relationship with his father, who is content to pay his bills and leave it at that, makes a poignant contrast to how he feels when suddenly there is someone who can see him. Laurie, who had been bashed at his last school for being gay, is a resilient character and Elizabeth is a believable spell seeker.
Told from 2 viewpoints, that of Stephen and Elizabeth, this is a story that will appeal to both fans of Levithan and Cremer, and will give readers the opportunity to wonder what it would be like to live an invisible life.
Pat Pledger

Mr Wuffles! by David Wiesner

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Random House Australia, 2014. ISBN 9781849397803.
(Age: All ages) 'Look, Mr Wuffles, a new toy!' But with that look of disdain that cats have, Mr Wuffles stalks past the new toy and all his old toys - his mind is focused on playing with a tiny spaceship he has spotted! Turning it this way and that determined to find out what's inside, he doesn't realise that it is inhabited by teeny-tiny aliens and he is causing them a great deal of distress and damaging their precious machine, not to mention scaring the daylights out of them as his eyes peer in the slit. The aliens eventually escape and, taking parts with them, seek refuge under the radiator where Mr Wuffles can't reach to try to regain their equilibrium and repair their craft. But there are other inhabitants behind the walls of the house - a menagerie of bugs who, thankfully, are friendly and who, having had their own 'adventures' with the cat which are cleverly depicted as 'cave paintings', understand the aliens' plight and help repair the spaceship in ingenious ways. Sneaking hurriedly back to the craft, narrowly avoiding those nasty claws, the aliens escape, leaving Wiesner to create the most delightful ending imaginable. You don't need words to know what Mr Wuffles is thinking. He is a cat with attitude which is why the title is followed by an exclamation mark.
This is another remarkable masterpiece by triple Caldecott Medal winner (awarded for the most distinguished children's picture book). Creator of such wonderful stories as Tuesday, The Three Pigs and Flotsam (his three Caldecott winners), the story behind the creation of Mr Wuffles is a story in itself beginning 20 years ago when he created a cover for Cricket magazine. In that, he depicted the landing of aliens in a sandbox, and he 'liked the idea of the relationship between the child who found these little guys in his sandbox, and how they could get along even though they spoke different languages.' The concept stayed with him and had various incarnations over the years but nothing worked to his satisfaction until one day while waiting for his daughter at music class . . .
While it is almost wordless if you are looking for words in English, there is a great deal of conversation between the aliens and then between the aliens and the bugs, all meticulously crafted on a formula based on fractions and devised in collaboration with a linguist. 'The words Wiesner's little green men speak resemble what might be inadvertently produced by someone typing rows of numbers with the shift key left on'. The bugs have their own language too - testament to the attention to detail that has gone into this book. Wiesner even followed his own cat (ironically named Cricket which is where the story started) around his home with a camera on a long pole so he could get a cat's eye-view of things.
There is nothing that I can say about this book that hasn't been said already by reviewers of much greater standing than I, and an Internet search will bring up many, as well as YouTube clips, activities and a host of other references including the story behind the story  and an article  or just watch Youtube.
This book is one for preschool to secondary - it is so full of riches. Beyond the story itself, there is the story of unusual friendships; the debate about being on the cat's side or the aliens' side; the opportunity to develop secret language codes; the examination of perspective to create and influence meaning . . .  it is a treasury of visual literacy opportunities.
Not being a 'cat person' I thought this review copy would be one I would pass on to a more welcoming home, but no. It will become an essential tool in my teaching kit.
Barbara Braxton

Bailey beats the blah by Karen Tyrrell

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Ill. by Aaron Pocock. Digital Future Press, 2013. ISBN 9780987274045. ebk ISBN 9780987274052.
Bailey has moved to a new school and he HATES it. He drags himself around the house getting ready feeling worse and worse as the time to leave gets closer. He has a real dose of the blahs. Even his dog can't cheer him up. But this isn't just a case of Monday-itis - Bailey is lonely and isolated and he thinks all the other kids are laughing at him and whispering about him. How can Bailey change his blah to ha-ha-ha? It seems impossible until Miss Darling introduces another new boy to the class . . .
Author Karen Tyrrell has taken a very common situation and turned it into a story that will resonate with Baileys (and Barbaras) across the nation at this time, as school starts to get into full swing. There will be many children in new schools who are trying to find their feet in a new environment and create new friendship groups amongst kids who seem to have too much in common to share that they don't notice the outsider. For many, there is no hope that they will ever break the code of friendship and even though they are not bullied, they beat themselves up and drive themselves down into what can develop into childhood depression.
There is a strong message in this book, not the least of which is hope, and scope for discussion about how we can make newcomers welcome particularly in situations like school where there is no choice about attending. It's a wonderful opportunity to start helping students develop empathy and compassion and the skills to reach out warmly to newcomers, embracing them rather than isolating them. There is also the opportunity to help students start to look within themselves for their own strengths and how they might use these to build their self-worth and help others. Tom teaches Bailey how to dribble a soccer ball, Bailey helps Tom build a rocket - it shows you don't have to rely on common experiences to have friendships; you can build new ones on new experiences.
A visit to her website shows that she is a strong advocate for kids' mental health and in Bailey Beats the Blah she shows how a sensitive and astute teacher can subtly intervene before a small thing becomes a huge thing. Having travelled her own personal path of a psychiatric illness after being so harassed by parents she could take it no longer, she is now making mental health a focus through her writing. A percentage of the profits of the book are going to Kids Helpline.
Aaron Pocock's cartoon-like illustrations are very appealing and the perfect complement to the text. He makes Bailey's anxiety palpable, bringing it to life in a way that text, no matter how well written, can. There's a real sense that this character could be Any Child at Any School.
This would be a very timely purchase for a school collection to be drawn to teachers' attention so they can touch base with all their new students and see how they're settling in, and, like Miss Darling, intervene if necessary. It is aligned to the Kids Matter program, a national mental health and well-being framework for primary schools and early childhood education and care services.
Barbara Braxton

My two blankets by Irena Kobald

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Ill. by Freya Blackwood. Little Hare, 2014. ISBN 9781921714764.
(Age: All) Highly recommended. A perfect tale of acceptance, sees Cartwheel coming to Australia from Africa, where she and her Aunt were unsafe. In her new country she often hides under her old blanket, a large, warm blanket that reflects her home, full of recognisable words and feelings, a place of shelter and refuge, a metaphorical blanket which wraps the child in its familiarity.
Outside their house she cannot understand the waterfall of words, or cope with the new that crowds in on her. At a park where she and her aunt go, another child waves and smiles. She is not there the next day but soon after she sees her again, and this time she is invited to share the swing. Over a period of time, the new girl shares some words with Cartwheel, so adding a small new blanket to her old one, and as they become better acquainted, the new blanket grows and grows, with new words added and practised and learnt. Friendship helps her accept the new world and the mammoth change to her life.
Blackwood's illustrations are just wonderful. The soft warm colours of Australia contrast with the bright sun filled colours of Africa, colours that Cartwheel and her aunt bring with them. I love her trees, with the art deco feel, and the drawings of the machinery of cities, the factories, the trains, contrasting vividly with the smallness of life for the women, time spent at the park, the gentleness of that space contrasting again with the overwhelming body of people on the streets. On other pages contrasts are given, watch out for the size of Cartwheel and her aunt in the crowd, or the things drawn into her new blanket, common words found and learnt as she becomes more confident in her friendship, and acceptance of her new life.
This is a wonderful book, giving more each time it is read, showing more as the illustrations are admired and dwelled upon, revealing more about the people coming anew to our shores and the welcome offered to them. And Frey Blackwood's website offers insight into the way she approached the story.
Fran Knight

Meet Daisy by Michelle Hamer

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Ill. by Lucia Masciullo. Our Australian Girl. Puffin, 2014. ISBN 9780143307631.
(Age: 8+) Australian History, Depression, Poverty, Melbourne. When Daisy's widowed father loses his farm, he must send his girls to Melbourne to live with their Aunt May and Uncle Berty, while he searches for work. But things are tough, and once in the city, Daisy finds that instead of a loving aunt she has a cross, ill-natured one, who barks orders and is riddled with expectations. She threatens the girls with being kicked out of home if their father does not send any money, and tells Daisy that she is of an age to go to work.
Daisy is appalled at the state of affairs in her relative's house and determines to make things better. But in doing so she offends Aunt May to the point where she is kicked out of their house. She must now survive in a hostile new city without any support.
This story will appeal to readers of this series, the author has given a background which will augment readers' knowledge of the poverty felt in Australia in the 1930's. The story moves from the country to the city, exploring the way people made do in such circumstances, Daisy with her dress sewn from a flour bag, the twins next door wearing only one shoe for half a day then swapping, lines of people waiting for the possibility of work. While Aunty May is drawn heavily, readers will love the difference between the two adults, and read on to discover how Daisy makes it alone.
Fran Knight

The big dry by Tony Davis

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Angus&Robertson, 2013. ISBN 9780732297633.
(Age: 12+) Recommended, Drought, Future, Dystopia. With the world a dust bowl and everyone taking shelter as soon as the siren warns of a coming dust storm, George and his small brother don their dust masks, and go to the bathroom, the most secure place in the house, waiting for their father to return. He left some some time before in search of food to augment their dwindling supplies but has not returned, and George must keep Beeper hidden lest the authorities take him away. Survival is paramount.
Suddenly a girl appears in their hallway and with the oddest of attitudes, asks questions, and Beeper, though warned not to, tells her of their situation. When they go out in search of their father, they see things which underlines their plight, wanderers picking off the vulnerable, authorities taking children, dust closed hospitals.  But going home after helping the rabbito when he has been attacked by the wanderers, they find Emily has returned. The relationship between the three struggles between dependence and suspicion, as the brusque Emily wants them to join forces, but George cannot trust her, and despite all evidence wants to stand alone waiting for dad.
This is a grim allegory for our time, when water is traded, drought has ravaged everything in sight, the sun is hot and dangerous, and people are bent on survival, their own. Children are taken by the authorities, neighbours are suspicious and reclusive, and dreams of a better life, the green places fill their sleepless nights.
Readers will compare their own situation with that of George, think about their own survival in such a place, and open their minds to the thoughts that many are in this situation today, it is not a just a dystopian story set in a possible future.
Fran Knight

Spying by Henry Brook

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Ill. by Staz Johnson and Adrian Roots. Usborne, 2013. ISBN 9781409550143.
(Age: 9+) Recommended, Spies, War. Chapters about spying in all of its forms, are given in this easy to hold, easily read book. From an historical perspective to the modern day, reasons why nations and people spy upon each other are given. Told from a British perspective, the MI6 headquarters is one of the first of many illustration in the book. Chapters about ciphers, how to spy, secret messages, how spies work during war and so on are enough to whet the appetite to keep on reading. A double page tells the reader about Francis Walsingham, the famous spy who worked for Queen Elizabeth 1, then over the page we hear about Pinkerton and the detective agency he set up in the USA, T. E. Lawrence, and Mata Hari.
The world of course is changing and so is spying, so allegiances change. The last part of the book showcase the new inventions which help spying. So we see sections about drones, about the Enigma machine used during World War Two, many short stories outlining incidents during war and the Cold War, all fascinating and very readable.
A neat overview of a very messy business, maps and lots of photos and diagrams will keep the readers intrigued all the way to the end. A two page glossary covers many of the new words to do with this area of society and a more than adequate index brings the book to a close.
Fran Knight

Picture Me Gone by Meg Rosoff

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Penguin, 2013. ISBN 9780141344034.
(Age: 12+) Recommended. Mila has a gift. She can read people and rooms like novels, and she can tell if you're upset, or hiding a secret, or if you're pregnant.
When Mila and her father go on a holiday to America to catch up with her father's old friend, Matthew, all seems well. But then Matthew disappears, and suddenly it's up to Mila and her father Gil to help solve the mystery. But soon the real mystery becomes not where Matthew has gone, but why he left in the first place.
Fans of the recent BBC Sherlock series will see something familiar in Mila: a slightly odd, yet incredibly perceptive genius who loves solving mysteries. Yet Picture Me Gone is unique enough - and Mila a strong enough character - that any doubts about the excellence of this short novel will soon be assuaged.
At less than 200 pages, Picture Me Gone is a brief but detailed snapshot into a hectic week of Mila's life. This is a mystery novel, but it is also a novel about friendship, love, secrets, and self-discovery.
Young girls may not be able to relate to the genius and wit of Mila's character, but they will certainly be able to relate to the friendship troubles she experiences with her best friend. It was certainly a good idea of Rosoff to add this small side plot with Mila and her friend, to let some of the younger readers empathise with the main character.
As far as mystery stories go, Picture Me Gone was fair, but not brilliant. There is a great build-up of tension throughout the novel, but the ending (which I won't describe for spoiler's sake) is somewhat of a letdown. And besides, the mystery of this novel is not even as important as Mila's journey of self-discovery, which remains the true focus of this book. And what a wonderful journey it is.
I recommend this book.
Rebecca Adams (Student)