Reviews

Jurassic farts by P U Ripley

cover image

Ill. by Evan Palmer. Scholastic, 2015. Hard cover with audio module. ISBN 9781760150327
(Age: 4 - 8 years) Jurassic Farts author, P U Ripley has been named 'Fartsperson of the Year' an impressive five times by the Royal Fartological Society. He is widely acclaimed and lives somewhere with his trained turtle Donald. Ripley shares his extensive knowledge of dinosaurs in this engaging spotter's guide that has been colourfully and creatively illustrated by Evan Palmer.
While the personal noises and habits of dinosaurs may not always be dinner conversation, for every genuine, junior Jurassic spotter out there, this book is a must. It combines fun, facts, and teaching with creative imaginings, brilliantly - from the how-to's of pronunciation, to the low-down on when and where dinosaurs roamed and other exciting statistics, to its built-in audio module. The gurgling sounds of many a dinosaur's bottom that emanate from the push-button fart-machine brings these ancient creatures alive, and while its hard cover pages will suit knock-about little spotters, serious in-the-field spotters will appreciate having this tough reference in their backpacks. 'Jurassic Farts' is colourful, cheekily informative, and quite possibly close to the real deal. It is indeed a compendium for every budding 'dinosaur fartologist' who probably comes somewhere within the realms of 4-8 years old.
Colleen Tuovinen

Molly and Pim and the millions of stars by Martine Murray

cover image

Text Publishing, 2015. ISBN 9781925240085
(Age: 9+) Highly recommended. Family, Environment, Friendship, Herbs. Molly rarely talks about her mother at school with her best friend Ellen, because she is so different from the other mothers. Their house is like a gypsy caravan, and mama collects wild herbs from the wood soon after dawn, mixing them for teas and infusions, even relying on them for making an acorn grow into a tree in double quick time. But an unexpected and magical outcome has Molly perplexed about what to do. She feels she cannot tell her best friend as she will not understand, but relies instead on Pim, the boy in her class who is different from all the others. He offers help without hesitation and together they work to get mama back home. Time is of the essence however as the ugly couple next door wants to chop the tree down, and when Molly finally goes to see Ellen finds that she has been ill. Another complication arises.
This is a charming story of difference, couched in a quietly fantastical story which will readily garner fans. Gentle home spun philosophy can be found on every page as mama's practical no nonsense attitude to life revolves around the natural things to be found not the clutter that Molly initially craves to ensure that she fits in.
While striving to get mama back she finds a renewed interest in and respect for the things her mother loves, and learns the value of her own unusual life. This is a book to be savoured.
At the end of the book is a section called Molly's notes, in which the plants and animals used as chapter illustrations are outlined. Information is given about each, for example, the page about rosemary tells us that put under your pillow at night, it will prevent nightmares. The sparkly front cover will attract the readers to the book and the story inside will ensure they stay reading.
It would make a stunning class read a loud, full of digressions to be discussed and thought over.
Fran Knight

The Keepers: The Box and the Dragonfly by Ted Sanders

cover image

Hot Key Books, 2015. ISBN 9781471403590
(Age: 10+) The Keepers: The Box and the Dragonfly is a novel aimed at readers aged 10+. While it is set in America, it is a fantasy novel. It is a story of objects with unusual abilities and The Keepers in charge of protecting them. Horace is a new Keeper and his mystical object is a box that allows him to see a day into the future. Chloe has been a Keeper for seven years without even realising it. Together, they are protecting objects wanted by the evil Riven, a group who will stop at nothing to get their hands on these items.
This is a rich and descriptive novel and children will need to be independent readers to understand and follow the events. They will be introduced to unusual objects - both evil and good. They will cheer for Horace in his battle to protect his mystical item and boo for Dr Jericho as he uses his evil ways to track Horace and Chloe. At over 400 pages long, it will keep readers engaged and immersed in a new and unusual world.
Kylie Kempster

The lost daughter by Elena Ferrante

cover image

Trans. by Ann Goldstein. Text, 2015, 9781925240139
Recommended for Senior readers. The short novel, almost a novella, The Lost Daughter is a powerful exploration of some of the themes Elena Ferrante explores in her Neapolitan Novels series (to be completed with Volume 4 in October). Set in contemporary Italy it examines identity, motherhood and the nature of knowledge. When Leda's adult daughters leave her to live with their father in Canada she is surprisingly relieved. She pursues the academic career she has persisted with through the years of child raising, dreads their phone calls with the demands they always imposed and goes on holiday alone. While on holiday, relaxing on the beach, she begins to review her life as a mother, a process in part inspired by her observations of a beautiful young woman and her demanding child. While lying on her towel Leda notes the obsessive nature of the relationship, in its physicality and emotional intensity, which is passed on by the child to her doll. The doll is of course compliant and pliable and thus is a more satisfactory child than a real one. Leda begins to take notice of the pair's family, the mother's gross husband, her demanding and flagrantly pregnant sister-in-law and a collection of other relations, all Neapolitan and speaking the Napolese dialect that still marked her own speech. Her mind turns to her escape from Naples when she was 18 and her rejection of that part of her life but which has left its mark on her own accented Italian. A sudden storm on the beach allows her to steal the child's doll, which she hides in her apartment, buys clothes for and gruesomely expels a worm from its body, an act that is comparable to aborting a growth. The doll is again an ideal child, unlike her own daughters, a child that accepts attention but doesn't demand or distract, a child whose sexuality can be controlled. Leda by chance becomes friendly with the child's mother who expresses her admiration for Leda's learning and grace, until she reveals the doll. Screaming in vicious dialect the mother tells Leda that her books and learning mean nothing before shockingly assaulting her. In the end an act of cheerful acceptance, a sign of love, from her daughters restores balance to Leda's life, and the reader is left with the understanding that this love counts for more than the challenges that the children have caused. Ferrante is concerned with the complexity of being a woman, a mother and a daughter, and the power of upbringing, as well as the limited effect of education. She asks how much can learning, reading and knowing literature moderate the effects of the dilemmas of motherhood? This powerful novel is recommended for older readers.
Jenny Hamilton

The Remedy by Suzanne Young

cover image

Simon & Schuster, 2015. ISBN 9781481437653
(Age: 16+) The Remedy is a dystopian romance with a dark twist: it tells the story of Quinlan McKee, a 17-year-old, relatively normal girl with a very strange job: she's a 'closer'. She's an actor-of-sorts who takes on the persona of people who have recently died, and brings comfort and closure to their families, in an unusual form of grief counselling. But then she takes on the assignment of Catalina Barnes, who died a mysterious death, and uncovers secrets beyond what she thought possible.
The Remedy is a prequel to Young's other novels The Program and The Treatment, taking place in the same universe, and in this way it works perfectly well. The story itself is highly original and often very engaging - however, the writing style is quite simplistic and far from literary. For some this may be annoyingly plain, while for others it makes the story more enjoyable, but this mostly comes down to personal preference. It's worth mentioning that love triangles are often a point of contention when it comes to teenage novels, and The Remedy is no different. The love triangle here is quite well done - the only problem being that it feels underdeveloped, and this remains one of the major flaws in the novel. Because of this, and since the love triangle is such a key part of the storyline, the novel would have definitely benefited from being a bit longer.
Even though The Remedy is a prequel, it works quite well as a standalone book - nonetheless, it is of course aimed at fans of Young's other books, particularly The Program and The Treatment, and it is they who will most enjoy it, along with fans of teenage dystopian romance.
Rebecca Adams

Saving Quinton by Jessica Sorensen

cover image

Breaking Nova series, bk2.
Sphere, 2015. ISBN 9780751555356.
(Age: 16+) Recommended. Drug abuse.
Nova can't forget Quinton, the one who made her realise that an empty life is not what she deserved. Nova has come to terms with her past and has started to heal, while Quinton is out there getting worse and sinking deeper. She is determined to find him and help him, even if he doesn't want the help. Quinton believes that this is what he deserves, life without Nova and a life of hopelessness and despair. He tries to keep Nova away from his life to keep her safe, but Nova isn't going anywhere.
Nova having been a drug addict herself and wanting to help Quinton through his struggles while fighting her past, was astonishing; I needed to keep reading to see if Nova would succeed in saving Quinton.
Jessica Sorensen has done a marvellous job in portraying a life in an addiction and how it affects others. The story pulled at so many emotions and addresses personal issues that will have the reader hooked.
Cecilia Richards

The Grimstones collection by Asphyxia

cover image

Allen & Unwin, 2015. ISBN 9781760113919
(Age: 9+) Recommended. Humour. Gothic stories. Ghouls. Beautifully presented, this compendium of the four Grimstones stories will be a welcome addition to any library, with its shiny paper, delicious, inventive illustrations and easy to read chapters. Hatched, Mortimer revealed, Whirlwind and Music school are collected in this one volume for readers of this eerie set of Gothic tales. The first two books in the series are reviewed in Readplus. The diaries of the youngest member of the Grimstone family, Martha will encourage all sorts of readers to peer into this book, as she introduces her very strange family and investigates the death of her beloved father, Mortimer.
With enticing pictures of Martha with her wan thin expression bathed in black clothing, leading the reader to postulate how the illustrator achieved the images, the pages turn to reveal diagrams, notes, tips on how to do things, bold headings of frustration, recipes, drawings, pages from other books, double page illustrations and loads of little drawings that fill many nooks and crannies, all designed to intrigue. At the end of the book Asphyxia gives a brief summary of how she and her partner achieved the illustrative work and she refers the readers to her website for further information. I can imagine many readers poring over the pages to see how the images are put together and try it out for themselves, and as a result have many libraries and classrooms set up with Grimstone puppets with ghoulish settings as a display.
The Gothic humour pervades the whole book and will capture a wide audience.
Fran Knight

Two fearsome fairy tales from France retold by Adele Geras

cover image

Christmas Press, 2015. ISBN 9780992283841
(Age: 9+) Two fearsome fairy tales from France retell the stories of Beauty and the Beast and Bluebeard. The stories are similar to what the children already know and would be great for comparing with other versions as part of an English unit on narratives. Children could also create their own versions of these stories.
The text is accompanied by simple illustrations with an element of another world, hundreds of years ago. The text is aimed at independent readers aged 9+ but would be appropriate for adults to read to less able readers as well. This is a great book to add to any home or school library and a great way to investigate stories of the past and other countries.
Kylie Kempster

Eve and the runaway unicorn by Jess Black

cover image

Keeper of the crystals bk 1. New Frontier Publishing, 2015. ISBN 9780957988415
(Age: 7+) Fantasy. Adventure. Environmental damage. Eve and her friend Oscar discover a magical trunk in Eve's Grandma's attic. The fantasy adventure follows as they enter a magical world where animals are guardians of people that live in a desert created as the result of the environmental plundering by a cruel ruler. Eve becomes the answer to a prophecy that enables her to restore this damaged world with the support of the magical unicorn who is her guardian. This book is reminiscent of C. S. Lewis' The lion, the witch and the wardrobe, with the transition from the present time through an unexpected portal, however this is much more simply written and the solution is far less complex (although perhaps a little too easily contrived). The pink cover and female central character perhaps cater for a young female audience, but the conflict in the fantasy world could appeal to boys also.
The book will be enjoyed by readers aged 7+, and the fantasy world is relatively simple to understand for the younger audience.
Carolyn Hull

The cat who came in off the roof by Annie M. G. Schmidt

cover image

Allen & Unwin. Imprint: Pushkin Children's Books, 2015. ISBN 9781782690368
(Age: 12+) Highly recommended. Have you heard of this author? No, neither had I but the title intrigued me - I do like an interesting title. Plus I'm a cat person. This charming novel held my interest fully for the return trip to the city today.
Tibbles is a journalist - but not your average one. He is painfully shy, he is an excellent writer but seems to find only stories that are not 'newsworthy' and he is a cat lover. When his editor threatens him with dismissal if there is 'just one more cat story', Tibbles is at a loss. Then Minou appears - literally, 'treed' by a ferocious dog in his local park and then later in the evening by crawling through his attic window. A strangely attractive young woman, Minou exhibits cattish behaviours - well, after all, she's been 'treed' by a dog and now she is in Tibbles' kitchen gnawing on a fish skeleton from his rubbish bin!
So begins one of the most delightful and original novels I have read in a long while. Minou is in fact a cat, who has somehow become a human, though not without her erstwhile tendencies as a feline. Tibbles begins his ascendancy and redemption as a journalist when Minou starts to bring him tidbits from the 'Cat Press Agency'. Obviously the many cats of a small town would have insight into much of the town's real news.
This is such a happy read - easy, light, almost - dare I say it? - fluffy! I loved it! I urge you to read the love story of Tibbles and Minou - with its unfolding drama due to the obligatory villain. Having just recently revisited the 101 dalmations with the wonderful 'twilight barking' sending of information, this truly resonated.
From the publisher: 'Annie M. G. Schmidt was regard as the Queen of Dutch Children's Literature and her books have been an essential part of of every Dutch childhood for the last fifty years. (She trained as a librarian!).'
I thank her for bringing some real reading joy to my life at the moment.
Highly recommended for readers of around 12 and up!!
Sue Warren

Just the way we are by Jessica Shirvington

cover image

Ill. by Claire Robertson. ABC Books, 2015. ISBN 9780733331626
(Age: 4+) Families. Difference. Shirvington presents the young reader with an array of different families. Each is introduced on one double page spread, those who make up the family described and shown in the illustrations, then the family is presented doing something together on the next double page. The second double page always ends with the refrain of the title 'Just the way we are', underlining the similarities and differences between each family, but also showing that each is just a family like any other.
The first family has a mum and dad with one child, and they all live together with the girl's grandfather, so the girl is able to do some amazing things with her grandfather while her parents are at work. The next shows a family with one child and two dads, followed by a family which lives in two houses, then a foster family where the child no longer calls the guardians by their names, but Mum and Dad, while the last family is a single parent family. Each shows the family doing things a family does together no matter how it is made up, and the illustrations underscore the basic needs of the child being met within the family: love, care and belonging.
Early readers will enjoy reading of all the different sorts of families and recognise that each is different but also the same.
Fran Knight

Summer spell by Karen Wood

cover image

Trickstars series. Allen & Unwin, 2015
ISBN 9781743319062
(Age: 8+) Family. Magic. Overcoming difficulties. The trick-riding triplets are back! This is book 2 in the Trickstars series, and in this book we view the action from the perspective of the slightly anxious triplet, Lexie. The girls need to compete in a trick horse-riding competition against old family rivals (also with gypsy heritage) who are challenging them for the right to a valued gold belt (with possible magical influence). The competing family manage to use their own magical skills to give Lexie a rather unusual olfactory experience which upsets her normal balance and her ability to cope with pressure. The final competition requires all of their horse-riding and performance skills to be put on show, in order to overcome the spell-binding (pun intended!) skills of the other team. The girls' grumpy Grandpa even has an unexpected role.
The magic in the book is really just mild fantasy, and mostly the characters need to learn to hone their own strengths, rather than rely on any external powers. This makes this a charming book for young readers aged 8+.
Carolyn Hull

I heart pets by Meredith Costain

cover image

Ella diaries. Scholastic, 2015. ISBN 9781760153038
(Age: 6-10) While reading the first few pages of Ella diaries: I heart pets, I was quickly reminded of two of my current year 4 students. Ella, our main character, records her thoughts and feelings in diary entries and these entries tell the story. She is just like my two students - chatty, creative and dramatic - and so I highly recommend this for girls aged 8+.
Ella and her friend Zoe love pets. Unfortunately, Ella's school enemy sounds a lot more dedicated to animals and Ella is determined to show she is more dedicated. Ella's first plan is to persuade her parents that they need more pets so she has more animals to study. Ella's parents don't agree. Her next plan is to become a pet minder. Ella's parents don't agree of course. Ella's final plans are to become a pet walker. As luck would have it, Ella's first job is to mind a lizard and, after much persuasion, her mum allows it. Of course, it can't be easy and the lizard escapes. Will Ella find Lizzie the lizard? Why is her school enemy looking so suspicious? Will Ella and Zoe figure it out?
This is a very cute and easy-to-read story. The text moves quickly and it is descriptive. The small illustrations are engaging and add to the detail of the story. It reminds me of other series that have been set out in the diary format. Ella diaries: I heart pets would be a great book to read to the class, especially during an animal unit as it talks about creating animal fact files. Children could create their own animal fact files based on a country they are studying in Geography or when studying animal adaptations in Science.
Kylie Kempster

Which way, Dude? : BMO's day out by Max Brallier

cover image

Ill. by Stephen Reed. Adventure Time series. Hardie Grant Egmont, 2015. ISBN 9781760123208
(Age: 8-10) Adventure, Fantasy, Science fiction. This Choose your own adventure repackaged to include the reader in all sorts of activities apart from making life changing decisions about the main characters, will draw readers in to the zany world as presented in the series on the Cartoon network (TimeWarner).
Finn and Jake are plying their favourite game, Portender Defender with their tiny robot friend, BMO, when a knock at the door rouses them. It is Peppermint Butler and he has dreadful news. The princess Bubblegum is in deep trouble and they must help him rescue her. So follows a fast paced adventure story which has the reader electing to go on different paths to find the princess. Along the way the reader must pass through mazes, answer questions, finish puzzles, do a word find and work out a code to find answers to the question of just where is the princess.
With puzzles at the end of almost every chapter, and each short chapter offering lots of little cartoon illustrations, younger readers will find this an easy read, propelled along by the funny story. Instructions are clearly offered in boxes on the pages, so the readers will know exactly what they have to do to continue.
Boys in middle years at primary school will find this a funny book to get their teeth into.
Fran Knight

Every move by Ellie Marney

cover image

The Every series, Bk 3. Allen & Unwin, 2015. ISBN 9781743318539
(Age: 15+) Highly recommended. Mystery. Crime. Sherlock Holmes. The third in The Every trilogy brings this nail biting series to a very dramatic conclusion. Rachel is still very uptight about the events in London (Every word) and Mycroft is not communicating with her. She grabs the chance to take a road trip back to her old home in the country with her brother, but is not so happy to see his friend Harris, who always seems to make inappropriate comments to her. Back in Melbourne with Harris in tow, things begin to become dangerous with a series of murders that appear to have been instigated by Mr Wild, Mycroft's personal Moriarty, and it becomes evident that Rachel and Mycroft will have to do something to stop the carnage. With the help of Harris they set things in place for a final denouncement.
The addition of Harris as a major player in the third book added a great deal of interest to the story. His background story of a difficult family life which he hides by ill-placed humour give him depth and the skills that he has learnt in the country are crucial to the trap that the three make to capture Mr Wild. He also teaches Rachel some basic self-defence moves and boosts her self-confidence.
There is action galore as the trio take on the very scary Wild and his associates and the relationship between Mycroft and Rachel also develops in a very satisfying way.
I loved this series, its fast paced action and its fascinating characters and can't wait to see what Ellie Marney writes next.
Pat Pledger