Lucy Cousins, the author of the very popular Maisy books, (including Maisy goes to the bookshop and Maisy goes to preschool) brings to life a good place for insects to live. Four friends, Bee, Ladybird, Dragonfly and Beetle all want to find somewhere to live, but it is not so easy to do that. Bee wants flowers, Ladybird wants leaves, Beetle wants dead wood and Dragonfly wants a pond. Bee finds some flowers, but they are growing on a busy pavement that is too dangerous. A tiny pond turns out to be a dirty puddle on a noisy road while a piece of dead wood is in a smelly pile of rubbish. Beautiful green leaves look promising until someone comes and sprays them causing the insects to cough and splutter. Despondent, the four friends are about to give up when Butterfly comes to the rescue showing them a gorgeous garden where they could be safe.
Cousins’ illustrations are wonderful. The bright and colourful images stand out against a coloured background while the insects are outlined with black, and each has a distinct and cheerful face. Right from turning open the cover, the reader is introduced to a habitat that is not suitable for insects to flourish – the grey and black pavement littered with a can and brown brick wall is obviously not a good place. As the insects explore more territory the young reader will be tempted to sing out the refrains, ‘Maybe this is a good place’ and then the disappointing ‘Oh no! this is not a good place.’ Children will eagerly talk about what is a good place for insects and could discuss whether they have a good place in their gardens or in a nearby park. They might also like to see if they can find insects in good places for them to live. Big bold print will also help the emerging reader while younger children will enjoy having the story read to them.
Another winner from this award-winning author is sure to be one that is treasured by young readers.
Eleanor (aka Leni) and Chanel (aka Nelly) are in their senior year of school. They are long-time friends and together perform at a high level in the school Cheer-leading team with hopes of winning State championships. With the pressures of preparing for their post-school futures, life has taken a twist for Eleanor because of a serious concussion that has kept her on the sidelines for a season, and her hopes and dreams are under a cloud. It is when she becomes more than a passing acquaintance with the superstar football hunk that the friendship between the two girls wobbles. However, when the Cheer team decides to support a famous past student and football star from the school and to ‘drop the knee’ during the anthem at the school’s Friday night game, things go in directions they did not expect. For one of the girls, the consequences and school suspension that follows threaten to derail her life. Their friendship stumbles further under the pressure and the growing romance between Eleanor and Three (aka Sam) also is on uncertain ground. What will the future look like for them all, and can they stand up for what is right … for the right reasons?
Australian readers will know about the Cheerleading culture from USA movies (and this story is destined for the screen too) but there are many aspects that are foreign. The main characters are from diverse backgrounds – Jewish and Afro-American heritage. They have friends from different backgrounds, including LGBTIQ friends, the football jock arena, and even the Jewish Rabbi. The activism issue, related to the ‘drop the knee’ practice for social justice, underscores the story of coming-of-age and the entry into College life in the USA. Were it not for the confusion of each character having multiple name references in the story, this would be a great easy-to-read teen-friendly story. With an eye-opening entry into the dramas related to a recent social justice movement and the life of the pom-pom wielding Cheerleaders, there is a definite teen appeal to this story. This story deals lightly, but thoughtfully, with serious issues.
Themes USA school life, Cheerleading, Activism, Social justice, Race issues, Leadership, (LBGTIQ minor characters and drug taking).
Kids and adults alike will love searching through the undergrowth in this beautifully presented book of the Australian bush. Layers of woodblock and screen prints gives a collage of detail for readers to peruse, picking out Australian fauna and flora as they search for the improbable lion in its midst.
Building on the perennial myth of escaped circus animals living in the hills, Court has developed a charming rhyming tale asking children to identify Australian animals as they see and read of the attributes of the animal in question.
Readers will learn a great deal of information from this sparse text, and develop skills in predicting the rhyming word as well as building on their skills of observation in seeking out the range of plants and animals shown on each page.
The opening page shows a circus driving away in the distance, two lions behind a Kangaroo Paw in the foreground. Could these be the forebears of the story of the lions in the hills? Children will laugh with glee as they open the next pages, offered an Australian animal to compare with a lion. A Kangaroo, Bobtail, Echidna, Goanna, Quenda, Dugite and Redcap are show, making sure the readers know the difference between these animals and the lion they are searching for. Kids and adults will laugh out loud as they read of the animals and note their traits as well as the environment in which each lives, depicted in the stunning illustrations. I loved the wallpaper like pages of West Australian wildflowers, the rocks the goanna stands upon, the echidna’s bristles and claws, the snake oiling its way through the yellow tufts of flowers and its patterned skin. I found something to look at more closely on every page and learnt of some different animals and flowers in the West. Teacher's notes are available.
Themes Western Australia, Flora and fauna, Australian animals, Humour, Lions.
For some the war is still close, even though the conflict is over. Charlie has obvious wounds, Johnny has forgotten everything including his name, and Huw is grieving the loss of his good mate. For Natty, the central character in this book, there is loss of a different kind. Her mother has campaigned too hard for workers’ rights and lost her factory job, they have lost their home and now have to move to the Welsh countryside to live with cousins. Cousin Nerys is the same age as Natty, and Natty is not sure if she will survive the shift and Nerys’ enthusiasm. And she is angry at her mother and wishes she could go home. But where is home? The whirlpool of emotions Natty is feeling eventually leads by accident to a kid-run school-directed program of activism designed to care for students who are struggling to learn because of hunger, as well as some well-placed care and concern for Johnny and Cousin Huw, and renewed relationships and attitudes.
Lesley Parr has written a serious, but child-centric post-war story that is very like Michael Morpurgo’s approach to children’s story writing – serious topics, written with a light touch, but not patronising to young readers. When the war came home addresses a serious aspect of war, the post-traumatic consequences for young soldiers, but in a way that neither minimises the tragedy nor avoids the significance or the sadness just because the story is for young readers. The setting in the Welsh countryside adds the opportunity for Parr to scatter some very Welsh cultural expressions (including some scattered Welsh words with lots of consonants) and Welsh locality names. Hopefully young Australian readers won’t think these are typos, as they are far from easy to pronounce. Some aspects of the story may be foreign to Aussie kids eg school lunches, cruel teachers, Scholarship exams… but this provides opportunity to learn about different experiences at different times and places. The overall result is a very readable story with an element of pathos that can be recommended to male and female readers aged 11+.
Themes War, War-related injuries, post-traumatic amnesia, resilience, activism, Wales, school.
Carolyn Hull
The Dunggiirr Brothers and the caring song of the whale by Aunty Shaa Smith with Yandaarra
Allen & Unwin, 2022. ISBN: 9781760526313. (Age:7-Adult) Highly recommended.
The Dunggiirr Brothers and the Caring Song of the Whale is a stunningly presented picture book that encompasses different creative mediums to enhance the important story being shared. Included in the visual representations are full page scenic photographs of Country, snapshots of significant people and sculpture, hand drawn images as well as a map of the local area of Ngambaa Country on the mid-north coast of New South Wales. This is where the story takes place. The author and illustrator Aunty Shaa Smith is a proud Gumbaynggirr woman and story holder for her Country. Aunty Shaa Smith leads the Yandaarra Caring for Country community group who worked together to create this beautiful book for all people especially children, to learn the stories of the mid-north NSW coast.
The story focuses on the Dunggiirr (koala) Brothers, who saved people in the east who were trapped when the sea water rose. The Brothers built a bridge using “their insides, their gut strings”. However, there was a mischievous Baalijin, (eastern quoll) who scared the people and threatened to chop down the bridge as they were crossing. Baalijin also called the Yanggaay (shark) and Gurruuja (whale) to frighten the people, but Gurruuja came in peace with the rising water to check out the new Country. Gurruuja sang a song to the people about respect and love for all living things.
Where this story takes place is a place of ceremony and Aunty Shaa Smith and the Yandaarra take the reader on this journey to learn and live this story. There are many strong messages in this story with the most important one being the connection to, and respect of, Country and its peoples. The use of traditional language is an important component throughout the story.
An excellent story to be shared in a home, school or public library.
Themes Aboriginal Peoples, Traditional Stories, Dreaming, Family, Connection to Country.
The second adventure of Bunnygirl by author and illustrator Holly Jayne continues with main character Bea aka Bunnygirl, continuing with her kind and caring manner. She and best friend Woof notice an amazing treehouse in the park and see a young boy standing on the balcony. They ask to come up but he tells them to come back later. Bunnygirl and Woof find out from their other friends that the boy does not let anyone visit his treehouse. Bunnygirl then decides that he may be shy and plans to share mini pancakes with him. This plan works and Bunnygirl and Woof are allowed to visit. They do find out that the young boy called James is indeed shy and they think about different ways of helping him make friends as for some children it is not easy. Bunnygirl and Woof chat with their other animal friends and they devise a clever strategy to help James become their friend. The outdoor cinema in the park proves a big success and the friends find out that James contributed to this.
This book is a worthwhile introduction for younger readers to the graphic presentation format with clearly illustrated panels providing simple text and images to engage the reader. As there is not text in every panel this book initially would be best shared between an older reader and younger child with directions for reading the panels very important in understanding the story.
Allen & Unwin, 2022. ISBN: 9781760291341. (Age:3+) Highly recommended.
A new born baby in the house has given the older sibling thoughts about their future together. He sits by the cot dreaming of what will happen when his baby brother is older. He is not exciting at the moment, because all he does is drink milk and sleep, but Mum has assured him that this will change when he is older. He imagines the things they will do together: ride bikes through the jungle, watch the snakes in the trees, hide in a cave and listen to the messages sent by the birds, collect shells and driftwood to put on their sandcastle at the beach. All of these things and more are underpinned by the refrain ‘when you are older’, making it a line listeners will want to repeat with the reader.
At night, the boy continues, they will sleep on the roof, watching the stars and reading books about dragons, then they will find the wooden boat and have adventures on the seas, ending up in the Arctic with a sled pulled by wild dogs.
Their adventures become more hair raising as one falls from the boat in rough seas, but the other is there to save him. It matters not in the imagination about which brother falls, the other is always there. The two together will watch out for each other, and do lots together when the baby is older.
The relationship between the two boys will evoke responses from the readers and listeners about their experiences with their siblings; what they do together, how close they are, as this charming story relays a wonderful evolution of togetherness in the household. The future looks happy and joyful for the siblings, as the older boy recounts all the adventures they will have.
The illustrations reveal the boys on all their adventures. In colourful images which fill every page, Watson’s multi faceted techniques inspire and delight as a range of settings is shown: the bedroom with its chest of drawers and paintings on the wall, riding through the jungle with a plethora of things to seek out and look for, a wonderful sandy time at the beach, and then the rowboat and its tossing upon the wild seas. Each illustration will make the reader gasp with delight as the detail draws them in to look more closely. The scenes on the bike hike, or in the cave, or on the beach are all easily identified, and may be things the readers have done themselves, but the scene on the wild seas will make them cry out as they see the wild waves and the little boat being tossed around. One overboard and the other the rescuer, and all is as it should be.
A captivating celebration of life in all of its delights and sometimes perils, this look at the close attachment between two brothers will bewitch readers beguiled by the evocative text and luminous illustrations.
Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish.
Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of what really happened the day her daughter died.
Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents would devastate the already grieving father. But as Lowen's feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife's words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue to love her.
This book is disturbing, creepy and thrilling... in the very best way. It was fast paced, with reasonably short chapters. Readers will be hooked from the first page. The story changes between Lowens POV and Veritys manuscript. You will be on the edge of your seat throughout and will be guessing until the very end. Colleen Hoovers writing is sensational and has written such strong characters. By the end of the story there is only one question left to ask... are you team letter? Or team manuscript?
Brother and sister, Isaac and Ivy Ramey take drugs for different reasons. The novel begins with the overdose of one, made ambiguous by their similar names. The teenagers’ respective backstories flesh out the plot throughout the rest of the book but the reader’s apprehension is palpable knowing one will not make it.
The other two main characters are the actual drugs they take, who are personified as Gods inhabiting a whole endless nightclub party/underworld where opioids are embodied youthful gods marking potential addicts for their sport and scoring higher as they groom victims. Roxy is Oxycodone (Isaac’s pain relief) and Addison is really Adderall (Ivy’s meth-based medication to treat her ADHD).
When not at school, training or hanging out, the human siblings find themselves in need of the medications more and more and eventually progress to the VIP room where the ‘Gods’ introduce them to harder drugs. Other drugs make their presence felt. e.g. Naloxone cares for users who overdose. Alongside the main plot are interludes from other drug addicts as the natural conversational tone of the drug (gods) demonstrate what they do and how they make their humans feel. Thus this novel potentially emphasizes the opioid crisis without glamourising it. Roxy lures Isaac away from his old life but we also see her salve his grandmother’s pain after an injury. These passages show the benefits of these medicines for palliative and mental health.
The authors sustain the illusion of chemical compounds as Gods operating in a different plane as does British author Neil Gaiman in his fantasy novel, American Gods (2001). Rick Riordan’s Percy Jackson series was also transferred to screen using this same device.
Should this powerful yet confronting novel find a home in a secondary school library? Given the authors warn that some readers may find it cathartic and intense, it could still be criticized as gratuitous even in the appropriate seniors M15+ shelves.
Themes YA, Realistic Fantasy, Mythology, Drug Abuse, Addiction, Brothers and Sisters, High School, Misfits and Underdogs.
Deborah Robins
Dinosaur Honk! The Parasaurolophus by Peter Curtis
Dinosaur Honk! is another in the very popular The World of Dinosaur Roar! series and features the Parasaurolophus, a dinosaur that makes a honking sound like a goose. Dinosaur Honk loves to make a noise, waking up everyone and even making the rainforest floor shake. But sometimes she warns others of danger approaching and even uses her honk as a signal to start races between the dinosaurs.
Told as a rhyming story, Dinosaur Honk is a fun read aloud and fans of the series will recognise other characters like Dinosaur Boo, Dinosaur Whizz, Dinosaur Flap and Dinosaur Thud. Written in association with the Natural History Museum, the young reader will learn about the Parasaurolophus, especially from the double page spread at the back of the books which gives interesting facts about the dinosaur and then asks the reader to go back and find the features in the book. A helpful pronunciation guide is also given, and little children will love learning this new word. Bright and colourful illustrations are a feature of this series and Dinosaur Honk has a particularly appealing smiling face.
Another addition to a fascinating series will be eagerly read by pre-schoolers.
Themes Dinosaurs.
Pat Pledger
The Accidental Diary of B.U.G. Sister act by Jen Carney
The Accidental Diary of B.U.G. Sister Act is the third immensely funny diary of Billie Upton Green, written by Jen Carny. This fresh and modern book will have many readers in stitches of laughter. Written in a similar style to Tom Gates, by Liz Pichon, this novel will undoubtedly have everyone wanting to read Billie’s memoirs again and again, as they LOL!
Billie is bubbly, vivacious and a true lover of biscuits! Throw in her pure honesty and humour and she is instantly loveable. Her secret diaries share wishes, worries and words in the funniest way possible. If you haven’t read her other diaries, don’t worry because you can jump right in with this one! Right from the start you will feel like you known Billie forever. However, there are definitely no secrets to her, and at times the reader may get to know more than they actually bargained for!
Sister Act sees Billie desperately wanting her new sister to come and live with her and her two mums, but the whole process isn’t as quick as she would like! Then there is her Great Gran who didn’t even know she had an adopted sister, and of course Billie thinks she needs to meet her! All of this craziness is happening, and on top of that Billie has big ideas about the school musical, which has to be the best ever! How will Billie ever cope with waiting for her sibling, what will happen when Great Gran finally meets her unknown sister, and will Billie get to be a part of the school musical and make everyone proud?
Jen Carvey has written and illustrated a highly entertaining novel that will be loved by many. The quirky, doodle style images throughout are brilliant, and genuinely add to the hilarity of the story. This extremely fast paced ‘talk a mile a minute’ novel will keep you entertained and page turning to find out more about what Billie could possibly be thinking next. Carvey has written a highly relatable, modern and inclusive novel that will appeal to anyone who loves a great laugh.
Themes Relationships, Problem solving, Rights and Responsibilities.
As Northwind unfolds, the sheer intimacy and power of the description of the wilds of the far, far north alerts the reader to the notion that this book is written by one who knows. And so it is. Paulsen, Newbery Honour prize winner, beloved author of the Hatchet series and over 200 other books of which over 35 million copies have been sold worldwide, died recently - in October 2021. This adds poignancy to reviewing his last book.
Northwind, published early in 2022, exemplifies his finest writing. Indeed, at the age of 82, Paulsen knew how to evoke the northern natural world, the nature of life, endurance, survival and death and the workings of the heart and mind of a remarkable teenage boy called Leif. And how did Paulsen know ... the reader knows that no-one could write with such authority without experience. Young readers would benefit from researching Paulsen's life. He has lived his books. He has survived in the wild as a teenager. He has learnt to make his own clothes, build his own shelter and catch his own food. He owned a ranch in Alaska, he sailed the Pacific and he enjoyed dogsledding. He is a role model for self reliance, resourcefulness and endurance. These skills and attitudes emerge in his characters. Leif in Northwind is an inspiring example.
Set back in time, the story follows Leif, an orphan boy who has endured a cruelly, spartan life aboard sailing ships and amongst hardened men. A sinister disease kills everybody he knows, including a young boy who he tenderly tries to save. He is terribly ill himself but survives - this being the first of a number of rugged challenges that he overcomes throughout the narrative. An older sailor who had shown him kindness gives him basic tools and tells him to take a cedar canoe, go north and never look back. Thus begins an adventure that addresses starvation, living off the land and sea, battling the elements, bear attacks and many other fearsome challenges.
Written in the third person, the narrative describes Leif's journey. At times the reader is privy to Leif's thoughts which reveal a growing understanding of the purpose and nature of life and death. The writing moves with the beat of the heart; it moves powerfully in tune with the movement of the northern current and the chop of the oars. With strength and courage, Leif battles through awe-inspiring landscapes of fjords, islands, rugged coastlines, crashing waters, icebergs and ocean. A distinct feel of Norse mythology permeates his thoughts and his world. He finds solutions, he takes on terrifying challenges and as he learns he moves from being an outsider to being 'of' the place.
In an author's note at the end of the book, Paulsen explains how Northwind grew out of his own life. A captivating adventure story, Northwind needs to be placed in the hands of young people so that they can experience the wisdom, courage, fortitude combined with tender-heartedness and fine morality that flows from the pen of the outdoors man and author Gary Paulsen into his characters. Leif is the kind of role model that young people hunger for.
A highly recommended coming-of-age adventure/survival story.
Themes Survival in the northern wilderness, Norse mythology, Historical adventure, Life and death.
This year, 2022, should be the time to commemorate 200 years since the Bathurst War 1822-24, and to recognise that there was war on Australian soil between the First Nations sovereign groups and the invading British colonialists. And that if we were truthful, the conflict should not be termed frontier wars, but ‘Homeland Wars’, as Uncle Bill Allen Junior asserts.
Stephen Gapps’ book is a timely and well researched expose of early Australian history. He documents how there was a unification of Wiradyuri groups, accompanied by alliances with other Aboriginal nations, to combine together in a full-scale war waged against armed British soldiers. How many Australians today know that there was a proclamation of martial law in the Bathurst district on 18 August 1824; that detachments of armed soldiers roamed the area and that colonists accepted, even welcomed, the idea of full-scale warfare and ‘extermination’ of the enemy?
And how many know of the heroic leaders Windradyne, Blucher, Jingler and others that coordinated resistance warfare across the central west of New South Wales? Gapps’ book, like the recent publications about Kikatapula (Broken spear by Robert Cox) and Tongerlongeter (by Henry Reynolds and Nicholas Clements), serves to remind us that Australia has a violent history, one of gudyarra – ‘war’ in the Wiradyuri language.
Themes Non-fiction, Aboriginal hero, Aboriginal resistance, War, Frontier violence.
Helen Eddy
We are the Brennans by Tracey Lange
Pan Macmillan, 2021. ISBN: 9781529094459. (Age:15+)
This narrative draws the reader deeply into the lives of the Brennan family, based in the modern world of New York City, where all of the children spent their childhood. Right from the start we realise that this family has many secrets and the individual members of the family continue to hold those secrets close to their heart. They do care for each other, but they also feel a sense of the need to share the secrets with some of the family while hiding them from others. When one parent leaves them, the family feels divided and that rift bears down on each member, engendering drastic change for them all. Yet, with their shared Irish heritage in mind, each member feels the emotional need to come back to some kind of unity, even though each member carries the burden of untold events of the past. The family is traumatised by the the combination of loyalty and interest, tinged with the fear of others discovering secrets that they cannot bear to reveal.
As the ties of loyalty and dedication have caused issues over the years, so it is clear that they must now reach out to support Sunday Brennan, when she agrees to return to New York after a highly traumatic event that she experienced in Los Angeles. In her need to seek shelter within her family, her expectation of their support begins to draw the family together. It becomes evident that even though they are not used to revealing aspects of their lives to family members, the realisation of the way in which the divide has traumatised the family at last begins to change the way they feel and interact. Tracey Lange enables us to begin to grasp the individual members’ feelings of fear in the need to reveal what has happened in their lives, and so we perceive a developing sense of connectedness, imbued with the dawning awareness of developing love and care for each other.
This story is placed vividly in the modern world that Lange describes as she exposes how there are so many hurdles in this world that interfere with maintaining strong family unity and love. This novel would be most suitable for adolescent readers, as the issues are appropriate for older readers.
High Fantasy buffs will unwittingly discover this historical fantasy since these Gods, mermaids and creatures from Nigerian mythology are largely unknown to many readers.
Set off the coast of West Africa in the 15th century, soon after the Portuguese colonial slave trade began in earnest, Simidele (Simi), one of the newest Mami Wata (Mermaids created and commanded by the Osira, Yemoja) makes a serious mistake. A young man, Kola, is cast into the sea in irons but he is still alive. Unprepared for a living human, Simi intervenes to save him from death by drowning - overstepping the instructions of her Osira to simply harvest the souls of abducted Africans who have perished.
The quest which follows attempts to undo the harmful affront to the supreme being, Oldamere, and is geographically if not temporally epic. Kola has his own to navigate and the two team up to save their nearest and dearest (Kola’s twin siblings on whom the fate of his homeland depends) and ultimately their respective realms. Love may be burgeoning but the gods decree it an impossible one. Will Simi, Kola, Salif, Yinka and Issa find the sacred rings and will Taiwo and Kehinde unharmed?
Without a sociogram or hierarchy, readers rapidly decipher who is who, regardless. From powerful Osira’s like Yemoja, Olokun, Osun, Osanyin, Orif and Esu with their respective roles assigned to them by the God, Olodumare; to intermediaries like the local Babalawo. Add in Yumboes or Bakhna Rakhna (fairies), mythical creatures including; Ninki Nanka, Mami Wata, Abada or the Sasabonsam (hyena people) and be transported in the manner of high fantasy. Which mythical creature will be your favourite?
There’s an official trailer but for all the background information to this compelling new series watch Natasha Bowen’s conversation with best-selling author Nicola Yoon.
Simi is not only the black mermaid vying for representation in literature but she teaches us so much more. It’s a history lesson to show that there was a rich black culture, knowledge and history eons before slavery.
Simply, Bowen has created a bold new heroine for modern children of all cultures as she couldn’t see herself in the tantalizing Disney mermaids, as a child. A powerful YA debut infused with west African mythology, the Skin of the Sea series should excite fans of Namina Forna, author of The Gilded Ones.
Themes YA, Epic Fantasy, Mythology - West African/Nigerian, Mermaids, Black Representation.
