In a not-so-futuristic time, the Earth has flooded and the waters continue to rise. The only signs of humankind are the waterlogged structures they left behind. Peeking out from the deluge are the remnants of a zoo, home to rare and endangered animals like elephants, giraffes, tigers, pandas and rhinoceroses, who have hung on and clung on despite everything. Tender-hearted NOA is a huge construction robot who has found a new mission as the caretaker of the zoo's beleaguered inhabitants, and despite towering above them, they trust him. Bracing for the next storm, NOA builds an ark from the wreckage around him and together they go in search of new land, only to almost perish as that anticipated storm hits while they are at sea. But then something miraculous arrives, and NOA not only discovers sanctuary for those he has saved, but something even more profound...
Described by the publisher as a 'luminous sci-fi parable for our changing world', the only words in this masterpiece are a quote from primatologist and anthropologist Dr Jane Goodall,
Only if we understand, can we care. Only if we care, will we help. Only if we help, shall all be saved.
But within the illustrations is a powerful story that is a parallel to the biblical story and which offers so many riches to explore, particularly by those who are so well aware of the need to protect and preserve the environment and the prospect of the impact of climate change. So while younger readers may interpret this as a futuristic retelling of Noah and his ark, more sophisticated readers will bring all their own existing knowledge and experiences to tell their own tale as they examine the details embedded in the illustrations creating a unique, very personal story unimpeded by the text of another. And while it may seem to be a story of gloom and doom that could be depressing, there is a twist that references the other biblical story of the Garden of Eden that offers hope that perhaps not all is lost in the post-apocalyptic world...
Reviews of this amazing work abound and each suggests a new aspect, element or interpretation that could be explored including discovering Becker's other work, The Tree and the River, which is a 'time-lapse portrait of humankind - and our impact on the natural world', making both of these core texts for older readers who, having asked what-if now want to consider what-next. So while most are touting it as suitable for ages 4-7, to me this is one for older readers who have an understanding of the current environmental uncertainty and who can bring that, as well as their knowledge of the biblical stories and the universal human need for hope to the table so they can really appreciate the beauty and value of Becker's work.
My dad is the best! by Nic McPickle and Tommy Doyle
Albert Street Books, 2024. ISBN: 9781761180507. (Age:3+) Recommended.
A very warm look at children and their dads, as the text strolls through some antics that Dads get up to. From appalling Dad jokes, to farts which are blamed on the dog, singing those awful old songs, or thinking he used to be a radical, hip sort of person, fathers can’t all be the same or can they be?
Koala poses this question and then looks at other animals to see how what Dads do in their families.
From fathers making sure a load on the trailer would be going nowhere, to having to spend a boring rainy day with Dad, to cleaning up his room and being told it is beast on ground, to suggesting a stubbed toe needs amputation, Dads say the most obvious things, telling it as a joke.
Father Lion reminds his offspring that he was not born in a tent, or you can make decisions when you pay rent, or warning them to be careful watching so much TV their eyes will be square. Lots of inspiring pieces of advice are given by the Dads, which many kids will laugh at with recognition.
But halfway through the book, the tone changes, and all the things that Dads do are described and applauded. Dad makes lunch, washes socks, reads stories, skips stones in the lake. He is the one who packs the car so well, cries when his son has tried his best. In rhyming lines the attributes of Dads are given a wide range, and when the narrator asks his Mum how to write a card for Dad, putting down all the good things that Dads do, it becomes a momentous task, which can all be wrapped up in one line: there’s no such thing as too much Dad!
A lovely book complete with excellent illustrations, showing a range of animals doing Dad antics, will draw lots of laughs from readers. Each page has a text which will initiate laughter, and the images it is set against are bright and funny and full of witty details.
Each family of animals is shown within the house with human clothes and behaviours. So the kangaroo having a shave on the front cover introduces the reader to the style of humour they can expect, all wrapped up in a story detailing the importance of fathers, and encourages children to look again at what their fathers do, and thank them, especially with Father’s Day coming within a few months. The endpapers give a range of Dad jokes which will see them being used at home.
Set in 1989, at the time of the fall of the Berlin wall, Susanna is an aspiring Australian violin student, winner of a scholarship to study in Berlin with Stefan Heinemeyer, a renowned musician 17 years her senior whom she admires immensely and secretly desires. There is a complication, there is a historical connection between the two of them: she is the granddaughter of Mirla a Jewish woman who died in the Buchenwald concentration camp, and he is the grandson of a Nazi officer stationed at that same camp. But perhaps their love can overcome the past, just as the Berlin wall is being dismantled, and two different worlds are reconciled.
However while Susanna is strong and determined in achieving what she wants, there is also an element of insecurity that means as a young person she does not know how to handle the meanness of a demanding landlady or the maliciousness of a rejected boyfriend. That combination of naïve passion and scared avoidance makes Susanna a very human and relatable person. And disaster follows.
Davidow’s book is structured like a musical composition: first movement, second movement, third movement and coda. They are different phases in Susanna’s life. The coda brings completeness, acceptance and understanding. There is not the usual predictable ‘happy every after’ romantic ending but a resolution of differences and an amazing sense of understanding and forgiveness that comes with stepping outside of oneself and realising another person’s point of view. Davidow has created a beautiful story that will be appreciated by many readers.
Themes Romance, Love, Music, Violinists, Trauma, Forgiveness, Berlin Wall.
How do you deal with the mysterious disappearance of a child? Your son, your brother. Who is there one minute and gone the next. How do you live through each day without thinking what if? Without reliving past moments imprinted on your brain.
For Wren, the disappearance of her brother Finch, just 11 months younger than herself, is something that she may never recover from. It is three years since he disappeared on a family outing to the local Coal Mines and there has been no word, no sighting, nothing. Alongside Finch’s disappearance was also, on the same day at the same place, the disappearance of Ava, a young child from a wealthy family. Where did they go? Were they taken? What really happened? Ava’s family have the wealth to keep the media interest and coverage going, whereas Finch’s disappearance appears as almost an afterthought in the news. Wren and her parents cope in the only way they know how and the three are just getting through each day.
For Wren, Finch was larger than life. Full of energy, a love of adventure, a desire to express himself, always on the go. Happy to be with his sister, to wear her clothes, to have her paint his nails, he was the extra bright light in the family. Wren was the quieter sibling who loved to see the world through photographs, who read, who felt dimmed by Finch’s presence. But with Finch now missing, Wren struggles to exist. She is entirely lessened and racked by guilt by what happened on the day he vanished. Wren talks to Finch on a daily basis and feels his presence always but continually wonders if she is mad.
When Wren begins high school, she and new girl Freddie buddy up and form a friendship based on fragile common interests but also unshared secrets. They notice another isolated student who appears and then disappears, and their interest is roused enough to investigate further. This leads to a startling connection between the three girls.
Award-winning author Kate Gordon tells an incredible story through both prose in the form of short sentences and clever verse. This novel will tug at your heart strings and leave you longing for closure. The ending may not be what you are expecting but the incredible use of language to explore the characters, their emotions and their struggles make this story a compelling read.
In her ninetieth year and the author of over fifty books, comes this appealing new story about Mr McGee, one of the most recognisable characters in Australian children’s literature.
Mr McGee is getting out of bed, getting ready to play. He pulls on his trousers, and socks and his shoes. And lastly his hat. Just as he finishes breakfast, a strong wind blows up. It blows and blows. Mr McGee and all his belongings are spinning in the air. When it suddenly stops, everything falls back to earth, the cat falling on the hat. Mr McGee falls through the tree, along with his bed and his chairs and table. But where is his hat? He searches high and he searches low, he asks the cow and peers into the trees, and even the haystack. He looks everywhere. Disheartened he goes to bed without playing for that day.
He takes off his clothes and looks over to the cat as it gets up from its bed. And there is the hat! Everyone gets to bed, the cat on the end of the bed, while Mr McGee wears his hat.
Another endearing book from Pamela Allen, this will be one that children ask for it to be read over and over. They will love predicting the rhyming word at the end of each pair of lines, and join in themselves when the book becomes well known.
They will laugh along with others as Mr McGee gets out of bed his rotund self pulling on his pants and shoes.And again when he is flying through the air, along with the other things from his bedroom. Each of these pages flows from one page to the next, the movement involving the children as they sway with the wind. The search for the hat takes up all of his play time, and when Mr McGee finally gets to bed, the hat suddenly appears from under the cat.
Children will love this tale of the hat, enjoying the symmetry of the story, watching the antics of the cat and Mr McGee, looking at the detail on each page, the things around Mr McGee on his little farm. I loved looking over and over at the images of the tumbling cat. It is a beautiful image. And I loved the peeks at Mr McGee’s ample body,and the restfulness of the last page, when all is quiet and the mystery solved.
Dragon Towers by Pip Bird. Illus. by David O'Connell
Farshore, 2024. ISBN: 9780008641863. (Age:5+)
Ten-year-old Theo LOVES dragons. In fact, he is obsessed by them and he knows every dragon type, has every dragon book there is and has even made his own Dragon Rider jacket. So when he gets his letter inviting him to dragon school it's a dream come true.
At Dragon Towers every child is paired with their very own dragon best friend, and every dragon has their own special magic power, from fire-breathing to going invisible and even making slime. Theo can't wait to find out what type of dragon he has. But when he meets his dragon Wanda she doesn't seem to have any powers at all.
A recent query about books about dragons for a young reader obsessed with dragons revealed that this is a much sought-after topic, particularly among boys in middle primary who are perhaps imagining themselves as the hero that Theo dreams of being at the beginning of the story before he is rudely awakened by his mother. Complete with all the fantastic creatures that one would expect to encounter as well as the adventures and quests as the young students aspire to be First Riders like the famous Ada and Faust, this is one for those transitioning to longer novels but still needing some of the supports of stepping stones.
With the next episode, The Ghostly Surprise, not due until late September this could be one to give to your dragon fanatics to decide whether it is a series worth collecting for the library. As well as feeding their interest, they will have a reason for reading.
‘The spark to write a story can be an event, a character, a setting or a relic that teases my imagination. As a history hunter, my aim is to share stories by reconstructing people and the events that shaped our history.’ Mark Greenwood p 90. The Dragon’s Treasure.
Award-winning Australian author Mark Greenwood whose well-known books includeHistory Mysteries and 2024 CBCA Eve Pownall Shortlisted book Our Country: Where History Happened has written the first in a four book series aimed at younger readers. The Dragon’s Treasure tells the fascinating story of a long ago mystery which came to light after four children discovered silver coins in 1931 on a remote beach in Western Australia. From that early discovery and Mark’s own experience in 1960’s while holidaying in Geraldton and hearing about the unearthing of silver coins, he began a search into what had actually might have happened and where the coins may have come from.
The story of the Edwards children and their discovery is engaging reading and gives readers a glimpse of life in the 1930’s in remote areas. It also shares how the discovery led to further findings as well as fortune hunters and theft. There were rumours of stories abounding about shipwrecks in the area including that of a Dutch ship, The Golden Drake, which was carrying thousands of gold coins in the mid 1600’s. From stories passed down through farming families and First Nations people in the area, the author has been able to piece together what may have happened to the ship, the crew, the passengers and the lost treasure.
The Dragon’s Treasure is an engaging read that will appeal to younger readers who enjoy learning about the past. In the final pages there is an excellent timeline of events from 1655 up until 2009. There is a ‘More to Explore’ section with references to books, archives, newspapers and websites plus acknowledgements. A wonderful resource for schools and public libraries.
Themes History, Treasure, Shipwrecks, Western Australia, Investigation.
‘History Hunters collect and analyse evidence in memories, letters, reports, maps and newspaper clippings. Books are sources of inspiration and information – as are declassified government files!’ Mark Greenwood p98. The Vanishing.
Award-winning Australian author Mark Greenwood whose well-known books include History Mysteries and 2024 CBCA Eve Pownall Shortlisted book Our Country: Where History Happened has written the second in a four book series aimed at younger readers. The Vanishing tells the compelling story of pilot Fred Valentich’s flight from Moorabbin to King Island on Saturday October 21, 1978. A flight which never landed and a plane and pilot who vanished. Missing pilot Fred Valentich was a responsible and determined twenty year old man who was fascinated with all aspects of flight and space. He also had a passionate interest in the possibility of UFOs.
UFOs have long been a source of discussion and division in Australian culture. There are those that strongly believe and have experienced a glimpse of the presence of something out of this world and those that are completely sceptical. In the case of Fred Valentich, the lack of any form of physical evidence that he had an accident led to wild speculation as well as numerous UFO sightings on and about the time he disappeared. During Mark Greenwood’s extensive research into the disappearance, he has uncovered many examples of what others have seen and shares this information with the reader.
This book, which details the search for Fred Valentich, leaves the reader with many unanswered questions and perhaps the urge to find out more. In the author’s words: ‘In this History Hunters case file, the facts raise more questions than answers. But without physical proof, will we ever know what happened? How could an entire aircraft disappear and leave no trace? Is there evidence waiting to be discovered?’
In the final pages is a ‘More to Explore’ section with references to books, archives, newspapers and websites plus acknowledgements with a special mention of the family and fiance of Fred Valentich.
The Vanishing is a highly engaging read which may provide an opportunity for intense discussion surrounding the possibility of UFOs as well as Government secrets.
This wonderful rhyming text tells the tale of Jeremy and his dog, Maxwell. Jeremy is besotted with space and watches the night sky with a passion. Maxwell is a dancing dog whose footsteps can be heard hopping over the ceiling, on the bed and even Jeremy’s head. Jeremy is dismayed when he tells his class of his interest, but Maxwell notices an ad in the paper, asking for adventurous people to fly into space. The pair goes along to NASA, but their age is against them. But they pass the tests set by the important man who finds that they are suitable and spins them off into space. Here they fix some of the satellites, discover new rocks and some new flowers.
While jetting to Mars and Venus they notice a comet coming their way. They work out it will hit the earth and its projected point of landing will be Perth, Western Australia. They make suggestions to the NASA base suggesting the comet be turned towards a black hole. Maxwell knows what to do: he stands on the rocket dancing, which spreads space dust out into the night sky, diverting the rocket into the black hole. On arriving back home, they find they are famous, feted by newspapers and cameramen.
People who had underestimated them now have to eat humble pie while Maxwell becomes a celebrity being the first dog to have danced on the moon.
Glorious illustrations cover each page, with lots of images of space to dwell on, with planets and stars, satellites and the moon, trails of space dust, comets and rockets all thrilling the readers, learning some of the words which apply to things in the night sky.
A wonderful exploration of being underestimated, of having skills that are derided by others, this book has huge appeal to all those space nerds out there, anyone who craves adventure and those whose minds are aglow with possibilities. And all told against the wonderfully bright and colour filled background of outer space.
Themes Space, Space exploration, Comets, Adventure, Determination.
Beyond Carousel follows directly on from Carousel. Nox, Izzy and Taylor have escaped the shopping complex and now face the world that Perth has become while they were imprisoned inside. Danger is ever present – wild dogs roam the streets; Loots lurk in alleyways and they now must find food and shelter. It is a post-apocalyptic world, with houses empty, broken roads and no one to repair the energy sources of electricity and gas. They go to the hills where they find a house with solar panels and rest there for a while, meeting Tommy, a photographer who is interviewing survivors and documenting what is happening. The trio know that they must venture out to discover what has happened to their loved ones, so leave the safety of the hills. But their venture is perilous. Will they survive? Will they learn what has happened to all but the artists that they have met?
The book is written in the voice of Nox who is easy to relate to. Isolation from Izzy and Taylor forces him to trust himself and by the end of Beyond Carousel he has matured into a leader who is courageous and caring. Ritchie also sensitively writes about gay relationships and conflict with family members. Combined with the character development are breathtaking chases, encounters with pit bulls and peril from exploding gas.
Pervading Beyond Carousel is a theme of Art and the place of artists in society. A wonderful light show brightens Perth every night, a famous film actress works on a monologue and stunning art works are produced. However, without the Patrons, ordinary people, Perth disintegrates into a broken shell.
Ritchie’s rich and thrilling conclusion satisfactorily answers some of the questions posed in the duology but leaves the reader pondering unresolved ones. Other books featuring people trapped in shopping centres include Royals by Tegan Bennett Daylight, and Monument 14 by Emmy Laybourne.
This is the story of a murder, and a girl gone missing. Christine Gregory provides a teaser with a prologue describing an unnamed woman and a man driving in pouring rain, the woman going into a house to collect clothes and a passport, then joining the man in the car. The reader doesn’t know if this occurs before or after the discovery of the murder: is the woman the body that is discovered, or somebody else, or are they both involved in the murder?
Christine Gregory presents a whole community of characters. It’s a small country town with an alternative community of eco-conscious new-age lifestylers living alongside it. Lars is a former crime investigative journalist living in the alternative community, whilst Davis is the hardened country police sergeant working in the town; and then there are the out-of-town detectives following drug leads. There are a number of townspeople who may hold some clue as to what could have happened. If everybody shared their information together you would probably have the answer to the mystery, but that’s not how things work.
Particularly poignant in this story, is Gregory’s depiction of the barriers that often grow up between teenagers or young people and their parents, and the resentment and frustration that can arise. The characters are all well-rounded and realistic. They all contribute to a puzzle that draws in the reader, without twisted plot devices or obvious red herrings. It’s an absorbing mystery that seems very true to life, and has a satisfying ending without tying up all the ends too neatly.
This first junior novel by author/illustrator Lorena Carrington is a gentle story about independent Hazel and her fascination with nature. She is a keen photographer and has moved on from collecting natural items to take home, to taking photographs which are thoughtfully spread throughout the entire book.
While out in the bushland near her home Hazel meets Cole, a boy who collects things just as she does, but he stores them in his clothing with multiple pockets. He has a treasure trove of useful items to share with Hazel including the amazing ability to find items to replace the words he does not speak.
While they are closely observing an area of the bush, Hazel and Cole discover a hidden box. Inside the box are some small old fashioned toys plus a book with handwritten clues. The clues are for the finders of the box to try to identify the owner. The two children work closely together to try to decode and solve each of the puzzles and in the end there is a surprise for Hazel.
This delightful story is about friendship, the joy of solving challenging problems, and the beauty of natural world. The black and white photographs add another dimension to the story and the answers to the puzzles are a handy inclusion. There is also an opportunity for the reader to add their own treasures to the book.
This is the way we walk along, walk along, walk along, This is the way we walk along on a sunny funny morning. SLIP SLAP TRIP TRAP FAST SLOW! LET'S GO!
All sorts of young children are making their way across town using any means they can - skateboarding, rising the train, on the zipline, even in a wheelchair. But where are they going? Why are they making such an effort? What could be so important?
This is an engaging story for young readers who will have fun identifying all the ways the children are travelling as their tongues wrap themselves around the familiar rhythm, rhyme and patterns of the classic Here we go round the mulberry bush, and joining in, the anticipation building as they predict where the children are going and why.
But as well as being a fun read for little ones, it's also an excellent kickstart for building vocabulary for those slightly older who are beginning to write their own stories and who need to expand their vocabularies beyond the common but boring 'I went...' Using the examples in the book as a launch pad, there could be a fascinating word wall built of alternatives beginning with modes of transport, but then venturing into creating mood and atmosphere with alternatives like I crept or I stomped. Not only does it encourage them to be more adventurous with their words, it demonstrates the impact of using them to build a story.
I loved this book, but I may have been more easily drawn into it, having recently attended some Pakistani weddings and been given a little insight into Desi culture. Saman Shad’s descriptions are so on key, they had me laughing many times. This is an absolutely brilliant multicultural rom-com. Once I picked it up, I couldn’t put it down until I finished it.
Saima and Kal are both ‘third culture’ Australians, forging different values from their migrant parents, but still not feeling like they truly belong in the Australian culture in which they’ve grown up. Saima is a matchmaker by profession, but unlike the traditional version, she is in her thirties, single, and preferring to match people not by their status and wealth but by how they get along together. She wants to find each person’s soulmate. Kal, a Dev Patel look-alike, is a highly eligible bachelor whose parents scheme with Saima to find him a good young Pakistani girl. Of course, the plot is predictable: against parental expectations, the slightly disreputable matchmaker and the career driven bachelor start to fall for each other, despite having arguments every time they meet. It’s all good fun; the usual enemies to lovers trope, with cultural misadventures thrown in.
There is a serious element however: both Saima and Kal have personal issues to deal with, and it is good to see such a wonderful portrayal of the value of friendships. They each have friends that stand by them and give good advice. Saima’s friends are always there for her, full of jokes but also prepared to give honest feedback when it’s needed. Particularly notable is the depiction of the kind of caring support that Kal’s friends Tom and Lachie provide: his mates repeatedly check in on his depressive state, and are available for support.
All of this is delivered in a novel that sparkles with warmth and humour. It is wonderful to see such an uplifting and colourful depiction of multicultural Australia, at the same time providing insight into the dilemmas that ‘third culture’ Australians face. For those who enjoy this book, another book with humorous treatment of South Asian – Australian cultural conflict is Elephants with headlights by Bem Le Hunte (2020).
American history is not always neat, and this book weaves the tale of the ‘ghosts’ – the long-dead ancestors whose journey as chattels of the slave trade gets remembered and honoured in a modern-day literary exploration and a legal fight. After a horrendous journey, and a shipwreck the survivors wash up on a small island off the Florida coast – Dark Isle. The island is cursed by the formerly African inhabitants and their survival is a miracle, and they are joined by escapees from slavery. In the present day, Lovely Jackson, an elderly woman who was born on the island many generations after the slaves arrived, is keen to have the story of her forbears raised to public attention and writes a self-published account of Dark Isle’s history which comes to the attention of a bookshop owner, a noted author - Mercer Mann, and a pro-bono environmental lawyer. The timing of the interest in this elderly woman’s account coincides with a land grab by a wealthy developer wanting the island for big scale development and Casino construction. Will the history of the island be lost, or can one woman’s retrospective memoir and her legal fight protect the ghosts from the ambush of progress?
Grisham has created a captivating story that almost has a non-fiction quality – an unfolding of history, woven with the fiction threads of intriguing characters, a disquieting setting, and the mystical possibility of curses and danger. The fight for the rights of a woman to protect her ancestral burial grounds feels a little like an indigenous land fight, but in a southern USA and slavery context. The twists and turns of a legal contest are part of Grisham’s literary armoury, and this book reveals how complex the law can be. In addition, the author Mercer’s role in bringing the story to national attention uncovers the complexities of publishing a marketable story. The star of the book though is the character Lovely Jackson, a formidable and forthright advocate for her history, and a reminder that rights are not always easy to argue and sometimes wily activists are needed to enable protection.
Themes Afro-American history, Slave trade, Legal rights, Authors and authorship.
