Reviews

My brother is a beast by Damon Young

cover image

Ill. by Peter Carnavas. UQP, 2017. ISBN 9780702259579
(age: 4+) Highly recommended. Siblings, Family, Rhyming story, Read aloud. From the creators of My sister is a superhero, comes an equally funny sequel, where her brother is a beast. In a series of eight line stanzas, the first three double lines tell of what other brothers do:
Some brothers scrub with sponges
to clean glue from dirty doors',

each set of six lines ending with the refrain,
'But my brother is a beast . . . '
The repetition is infectious and the repeated last two lines will have kids in gales of laughter, working out what the rhyme will be, following the antics of the beastie brother.
Each page is filled with colour and laughter, movement and music as the brothers show their skills at playing drums, or the bassoon, or harp, or clean the stables, or make a table, or row a canoe. But towards the end of the story, the children are tiring out as the brothers sleep in a hammock, or laze in an armchair, while the beast of a brother makes a cave of sheets for his sister to sleep in.
Carnavas' watercolour and ink illustrations suit the mood of the story beautifully as he repeats the round eyed children motif, and children will watch out for the array of animals he includes on each page. Children will love to read this book aloud, reading along with the older reader, predicting rhymes for themselves. The book lends itself to making up lines using the model given in the book, and drawing the children in different situations, using Carnavas' drawings as a template. I can imagine lots of brainstorming of lines, 'Some brothers . . . ' and 'But my brother . . . ', encouraging younger readers to learn about rhyme, rhythm and metre at an early age.
Fran Knight

Silver in the blood by Jessica Day George

cover image

Bloomsbury, 2016. ISBN 9781681190242
(Age; 13+) Recommended. In the peak of youthful society of 1890's New York, two young cousins, Lou and Darcia, are at their social prime with constant attention turned on them as they are the mixed blood of a wealthy New York family and an ancient Romanian line. With vague warning, both girls are caught up in a whirlwind trip to finally engage with their Romanian relatives and connect to their ancient heritage. The trip is long and with it, more questions and strange situations appear and are discussed in letters and journal entries from both girls. Once in her home country, Darcia is frustrated by her Aunt Kate's sudden change in personality; what could make someone go from being like a mother, to a prison guard. Darcia demands to find out what is the real reason they were suddenly brought back to Romania and why everyone she knows and loves is starting to act incredibly strange. By the end, neither girl will ever be the same again.
Jessica Day George writes Silver in the Blood in such a way that captures the reader's attention and really makes the 1890's in America, Paris and Romania burst with life, painting a very relatable and realistic scene for her characters to interact. With reference to another well-known novel from the time, Silver in the Blood is exciting for readers of fantasy and mystery. This novel is recommended for an teenage audience (13+) due to themes of violence and romance. A fantastic read that leaves readers hoping for more stories about the two cousins, Darcia and Lou.
Sarah Filkin (University student)

This is Banjo Paterson by Tania McCartney

cover image

Ill. by Christina Booth. NLA Publishing, 2017. ISBN 9780642278982
(Ages: 4-8) Highly recommended. Tania McCartney and Christina Booth's beautifully crafted picture book celebrates one of Australia's most iconic legends, Andrew 'Banjo' Paterson.
The descriptive narrative focuses on his rural upbringing and the people who influenced his life's journey. Young Barty as he was known enjoyed his bush childhood, helping on the farm, riding his horse Banjo to school, watching polo matches and horse shows. He enjoyed listening to Jerry the Rhymer's tales about his bush life. His grandma loved poetry as well and she shared her love of language and rhyme with her grandson, whilst he boarded at her Sydney home. His teenage years were filled with school, sports, and his creative writing as well. This picture book tells of these special people in his life and the influences and events that moulded his life and developed his journalism career. He also worked in the legal field, as a farmer, vet, jockey and most famously as a writer. Tania includes special moments, the inspiration for 'Waltzing Matilda', his marriage and his children. The story ends with the beginning stanzas of 'The man from Snowy River'.
What sets this book apart from other biographies written for younger children, are the beautiful watercolour illustrations by Christina Booth. Here is a duality of storyline pictured visually, each vignette shows today's children dressed in summer clothes acting out the scenes. There is backyard cricket, Barty with a bush hat riding his hobbyhorse and sharing picnics under the clothesline with family and friends. Speech bubbles add to the commentary, rhymes, statements and exclamations, as well as witty thoughts by his dog who just wants a walk or to play catch.
Sharing these with a class, with a young audience at kindergarten or preschool is a wonderful experience, opening up conversations about life, changes, growing up and people who are important in their lives. Even the scenes of leaving for war and the time when Paterson went missing in France during World War 1 are sensitively illustrated.
Tania McCartney has included a description of Banjo Paterson's life in a newspaper format - 'The Snowy River Times'. Photos, copies of original illustrations and the music to 'Waltzing Matilda' provide additional information. This factual material and additional poetry are a great beginning for research topics. Dressing up and acting the scenes, making a wooden and bark hut, singing along to 'Waltzing Matilda' and unpacking the text are all wonderful learning opportunities. This is Banjo Paterson is an exciting collaboration by McCartney and Booth, perfect for sharing at home and in an education environment.
Rhyllis Bignell

Toffee apple by Peter Combe

cover image

Ill. by Danielle McDonald. Contains CD. Scholastic, 2017. ISBN 9781760275082
(Ages: 2+) Recommended. Peter Combe's 'Toffee apple' album won the 1988 ARIA Music Award for Best Children's Album after its release to great success in 1987. Generations of Aussie parents and grandparents who enjoyed singing along to Combe's songs as children, can now share them with their young family members. This fun picture book includes three songs - 'Toffee apple', 'Newspaper mama' and 'Err yuck!'
Danielle McDonald's bold digital illustrations fill each page with colourful scenes and an array of comical animals in humourous scenes. 'Don't forget to clean your teeth' sings the mouse as it brushes a crocodile's molars. Imagine the surprising situations that unfold as the newspaper is delivered to a penguin's igloo, a panda's bamboo hut and a magpie's tree house! The text changes style, size, colour, some is highlighted, and the position changes from page to page to encourage the development of reading skills and engagement with the lyrics.
Peter Combe's songs are fun to share with families and classes. Toffee apple joins these previously published favourites, Wash your face in orange juice and Juicy, juicy green grass.
Rhyllis Bignell

Diamond Jack by Mark Greenwood

cover image

History mysteries bk. 1. Puffin Books, 2017. ISBN 9780143309260
March 1942 - the Japanese have reached Indonesia and there is a constant stream of flights shuttling refugees from Java to the safe haven of Broome on the northwest coast of Western Australia. Russian flying ace Captain Smirnoff is piloting one of the last planes to leave Bandung Airport, an old DC3 stripped back to the bare minimum to allow for as many passengers as possible including five Dutch pilots, a trainee flight engineer, a mother and her 18 month old son.
Just as they are about to take off an official jumps on board and hands Smirnoff a package, telling him to "Take great care of this. Someone from the bank will collect it when you land."
Unfortunately for Smirnoff, his crew and his passengers, the Japanese have switched their target to Broome and just an hour from their destination they are shot down. Despite injuries and continuing Japanese fire, Smirnoff manages to bring the plane down on the edge of the beach.
What happened next - the survival and rescue of the passengers; the finding and the contents of the mysterious package and the enigmatic man who became known as Diamond Jack are the centre of this intriguing true tale that still remains unanswered 75 years on. Should he have done what he did? Is 'finders keepers' really the rule to live by?
Rudyard Kipling once said, "If history were taught in the form of stories, it would never be forgotten" and in this new series from self-confessed history-hunter Mark Greenwood there are stories told that would otherwise have been forgotten, if they were ever widely known in the first place. Short, engaging reads written in short chapters, large font and liberally illustrated they are not only perfect for the young reader moving on to independent reading but also those who may not have yet unlocked the key. Greenwood writes an introduction that personalises the story as though he is talking directly to the reader, drawing them into this tale that is about to unfold and then, the tale told, he talks about the sources he has drawn on and provides a lot of extra information so not only is the story authenticated but there is scope for further discovery.
Something special to add to the collection and promote an interest in times past in a way seldom done. Australia - a country full of stories!
Barbara Braxton

Captain McGrew wants you for his crew! by Mark Sperring

cover image

Ill. by Ed Eaves. Bloomsbury, 2017. ISBN 9781408871034
(Ages: 3-7) Captain McGrew's in need of a crew to assist him with hoisting the sails, digging for treasure, 'splooshing' down the poop deck and even squeezing lemons for his lemonade. With his bushy red beard, eye patch, parrot on his shoulder and his four teeth, he is an awesome character. Even his ginger tabby cat has a matching patch. What adventures await his four child crew?
Author Mark Sperring's amusing rollicking rhymes are great to read aloud, filled with pirate vernacular and direct questioning speech. Each page demands a response; children will enjoy engaging with the story and predicting the rhyming words.
'Are you good with a spade? Do you complain if you're hot? Can you dig for long hours while others CANNOT?'
Ed Eaves brings Captain McGrew and his young crew to life, with a broad range of emotive facial expressions, as they complete their duties. Colourful settings of the sea, sand and aboard ship are amusing; look for the cat licking the dishes and cleaning the hull in a snorkel and mask.
Captain McGrew wants you for his crew is an entertaining picture book, filled with all the delights of a pirate's life.
Rhyllis Bignell

The everywhere bear by Julia Donaldson

cover image

Ill. by Rebecca Cobb. Macmillan, 2017. ISBN 9781447280736
(Age: 4+) Highly recommended. Bears, Loss, Adventure. When the everywhere Bear falls from a child's backpack on the way back to school after being taken home for the night, his adventures begin. Readers will love the Bear, and his class, Class One and their teacher, Mrs McAllister, who allows each child to take home Bear after school.
But readers will be dismayed when he falls into the street to be run over by a line marking machine, and then fall into a street drain. His yellow stripe standing out, he is then flushed out to sea. Readers will follow his adventure keenly, wanting to know whether he makes it home again, concerned that he might not make it. But of course he does. He takes a most circuitous route, floating in the sea, being picked up in a fishing net by a trawler, sold on the jetty to a woman fish and chip shop owner. Once she deems him inedible, he is tossed out of her window onto a garbage truck. Transported to the tip, all seems lost until a somewhat short sighted seagull picks him up thinking he is a fish. The gull drops him to the ground where he is rescued by a woman called Bethany on her way to work. And where does she work? At the library of course, where Class One is about to begin their day. All is resolved, a cycle has taken place which will intrigue younger readers, and Bear is back to where he started.
This absolutely charming tale is told in rhyming stanzas and I can imagine many children being able to recite sections of it soon after it is read.
Julia Donaldson also wrote the hugely popular Gruffalo and Rebecca Cobb has illustrated several of her recent books and in this one has created a soft edged pictorial style most suited to the story of the lost Bear. And the range of transport used in the endpapers adds another level of understanding to the story of the lost bear, asking readers to recognise which forms of transport Bear used.
Fran Knight

City of friends by Joanna Trollope

cover image

Pan Macmillan, 2017. ISBN 9781509846757
(Age: Senior secondary - Adult) Well, I have put down this book, so reluctantly, having just finished reading it, dragging myself out of Trollope's London. This is the story of four women friends, their attachments, relationships, marriages, children, and work. Trollope situates the characters at a crisis point, for each but of varying severity, where each faces a redefining of what it means to be a mother, to be married, to work, to strive to be the best, to be successful. All of this erupts before us in a vitality, this credible story of 'real women' taking place in an authentic reality, one that we can envisage, where each women needs to find a way to manage their work and personal lives. All are eager to keep the friendship, that has sustained them, and which allows them to be frank and supportive over so many years.
While acknowledging that Trollope created this story, it seems that she has constructed the world of the narrative, the characters, and their situations, as a reflection on the shared experience of modern women striving to be the best at every single thing they do and indeed, in the many roles they are expected to play. This is about work, as much as it is about modern families, our different ways of being family, our choices, our many kinds of love. It is also about learning how to handle success and failure in work and life.
Reading this book is like chatting with women friends, hearing about their lives and joining in their joys and successes, their losses and pain. Each chapter is narrated by one woman, telling us, it seems, in this very personal narrative style, about their interactions, their fears, and the importance of support and love.
I was captivated from the opening chapter, and I felt that strange sense of being vitally interested in these women, their children, their joys, sorrows and challenges, as well, of course, as knowing and understanding their emotions, even while acknowledging that this is actually a work of fiction! It did not feel like fiction - it felt like real life, and of course, her construction of plot, her choice of characters, and her depiction of their choices and actions, seemed so true-to-life.
Trollope has created, as she does so well, a story of the demands of modern life, for men and women, of work, friendship, children, education, raising families, and of the modern ways that we are expected to support the ill and elderly. She elicits a powerful emotional response in the reader to these challenges, creating a strong sense of the poignancy of the demands of modern life, where we all face the challenge of striving to be the best at what we do, of wanting to achieve success in so many areas, particularly the specific demands that modern parents face. Trollope has embedded the narrative in the bedrock of respect for the set of values that ground us: that of loving and accepting friends, children and partners, for whom they are, and this is grounded soundly in the absolute values of love, honesty and friendship.
This novel explodes with the joy of life, it bubbles with humour, dry wit at times, and evokes a strong sense of understanding the sheer impossibility of having it all under control, despite our best efforts.
Liz Bondar

Cast iron by Peter May

cover image

Hachette, 2017. ISBN 9781784299774
(Age: Senior secondary-adult) Highly recommended. Crime, Thriller, Cold case. Forensic expert, Enzo Macleod opens a can of worms as he investigates the second to last murder in a book of unsolved crimes, published by the journalist, Raffin. A girl's body was found on the edge of a lake some years ago when a widespread drought caused the lake to shrink. The girl had been murdered fourteen years before, and it is her murder, that Enzo is to reinvestigate, one of the unsolved crimes listed in Raffin's book, and the subject of a bet between the two men. But he is ambushed at her parent's house by another group of parents, called the Bordeaux Six, who are also keen to find out what happened to their daughters. Enzo is unwilling to take on their cases, as he sees them as insoluble, but when his daughter and her partner are kidnapped, things change.
The Bordeaux Six remain a constant thread within the story, leading Enzo and Dominique to the hiding place of one of the missing girls, hidden within plain sight.
I have not read the previous Enzo stories so felt a little disadvantaged, but the story was enough to tempt me to continue reading and eventually find out just whose cast iron alibi would crack.
Set in southern France the feel of the area is decidedly real, with chateaux, villages, forests and motorways in the background. Enzo picks away at his investigations, uncovering details left unsaid, stories left unreported and things hidden from the original investigations. He visits a murderer in prison, the man jailed for killing some of the other girls, but this only adds to another thread in his detailed investigation.
There are leads all over the place, connections and secrets unwilling to be revealed. May cleverly insinuates people around Enzo, even his daughter's lover, causing them to come under suspicion, so the reader will like me be mesmerised until the truth is revealed at the end.
Fran Knight

A quiet kind of thunder by Sara Barnard

cover image

Macmillan, 2017. ISBN 9781509810987
(Age: 14+) Highly recommended. Opposites attract, but sometimes kindred spirits with shared challenges, are more likely bedfellows. In this YA romance, the narrator is an elective mute. Stephi has recently been making progress for her ongoing anxiety, particularly at school, with the help of medication. Enter Rhys, who cannot hear at all. When Mr Stafford, the head of year level, asks Steffi to take the deaf boy under her wing because she does know a little BSL (British Sign Language), Rhys' outgoing nature inspires Steffi to be louder and more present in the world. At first they complement each other. Interestingly, her other relationships evolve too - with her best friend Tem, her parents, her classmates. The one constant is her part-time job working with dogs, where she has always been communicative and content.
Steffi grapples with university aspirations not shared by her parents. After a misadventure with Rhys, she too starts to question whether her world isn't in fact shrinking because of a romance that is too intense, too quickly. A quiet kind of thunder is a thoroughly readable cross between YA Romance and the Bildungsroman genre, but sprinkled with insights about our ubiquitous challenges: grief, broken families, mental health, adolescent sexuality, our affinity with dogs; not to mention the revelational insularity of the deaf community.
The text plays with alternate texts - mostly in the form of chat exchanges and SMS messages. Sara Barnard is one of those writers who knows you and explores her character's feelings and thoughts in ways you never imagined anyone else could understand. Her debut novel, Beautiful broken things, is likewise cathartic for most teenagers, who are by default engaged in self-discovery. Many youtube vloggers have reviewed A quiet kind of thunder. Xina Hailey, for example, melds review and personal recount with artistic flair in her book trailer.
Deborah Robins

Me and you by Deborah Kelly and Karen Blair

cover image

Penguin Viking, 2017. ISBN 9780670079247
(Age: 4+) Recommended. Family. Self awareness. With soft pastel illustrations full of warmth and humour, the family goes about its everyday events, each offering interaction between family members all done with lots of wit and love. The arty-crafty days sees Dad sit with the kids on the floor, having fun with paint and glue, while the next page shows the result of their glueing, a pirate costume. Yummy-scrummy days sees them in the kitchen with Mum, and pedal-pushing days sees them riding their bikes to the park, where more adventure happens. On sandy-sandwich days they are all at the beach, slippery-slidy days at the playground, grubby-garden days outdoors with the grandparents, leading through the days to stretchy-yawny days where all the family wants is to relax and read a book.
In funny rhyming stanzas the activities are shown with a lot of movement and adventure.
All types of activities involving the family are offered, things kids will easily recognise, others needing more explanation. Each page underlines the family doing things together, the warmth that a family offers, the closeness that comes with being together. Reading aloud will add fun to the activity of the book.
Fran Knight

Fancy pants by Kelly Hibbert

cover image

Ill. by Amanda Graham. Raising Literacy Australia, 2016. ISBN 9780994385352
'Once a year the Outback Dance is held near Bunyip's Bluff
Where animals in fancy pants arrive to strut their stuff...'
Dingo loves to dance under the desert's night sky but he doesn't have any fancy pants - just his regular coat and while he pretends not to care, deep down he really does.
Meanwhile all the other outback creatures are preparing for the big night, although not without some difficulty. Poor Emu is more suited to scarves - pants are not her thing while Bilby's britches are still on the line and Kangaroo falls over in his and tears a big hole in them! Wombat seems to have gained some weight since the last dance, Koala has too many choices and makes a big mess and poor Cockatoo is just bamboozled about how a bird can fit into pants! Only Frill-Neck Lizard seems comfortable, looking like something straight from 'Priscilla, Queen of the Desert'!
But eventually everyone gets themselves sorted, meeting together near Wombat's place - and then Dingo turns up in just his coat. At first the animals are concerned for their safety but then when he says that his coat is all he has, Kangaroo breaks the hush that has fallen...
This rollicking, rhyming yarn will not only entertain young readers with its humour and bright pictures, but will also allow them to hear the sounds and rhythms of our language and join in the delight that stories give.
Who hasn't had the dilemma of what to wear to a party and then found that their choice doesn't work - it's too small, it's in the wash, it has a scratchy tag, it's ripped, it's just not right somehow? And who has felt awkward and awful about not having a costume when everyone else is in fancy dress? Not only will young readers resonate with the situations in this story but it will also help think about Dingo and how he might be feeling and how they might respond if this was one of their friends. Would they poke fun, making him feel more miserable than he already is, or is there a better way? And what if they were Dingo with no fancy pants to wear? Would they decide to stay home or wrap themselves in a cloak of resilience and go anyway?
Team it with the 1988 classic Animals should definitely not wear clothing by Judi and Ron Barrett and have them design their own fancy dress for the story by giving them "paper doll" cutouts that they have to dress, encouraging them to think about size and structure and fit. Talk about why humans wear clothing, why our clothes are so different, national costumes, fashion, and a host of other related topics.
While illustrator Amanda Graham has many books under her belt, this is the first work of an experienced primary school teacher and to another teacher's eye it reflects so much of what we know attracts youngsters to the printed word including a strong underlying theme that opens up lots of discussions that will help children think beyond the words and pictures on the page. A book that will be read again and again and which enables a new pathway to be explored each time.
Barbara Braxton

Love, ghosts and nose hair by Steven Herrick

cover image

UQP, 2017. ISBN 9780702228780
(Age: 12+) Highly recommended. Love, Sex, Death, Family, Humour. The author of 22 books the first of which was published in the early 1990's, Herrick is well known for his performance poetry and verse novels which touch on the ordinary in a most extraordinary way. Love, ghosts and nose hair was first published in 1996 with loud acclaim, and its reissue along with sequel A place like this, exposes a new generation of readers to his words of wisdom, encapsulated in fragments of sentences, while giving another life to books which demand another outing.
Jack, plain Jack, narrates the story of his family: dad a journalist, often away from home for long hours, sister, Desiree, who has left school and works in a bookshop, Jack sixteen and hungry for things to happen in his life: love (sex), dealing with his mother's ghost still wondering through the house and his problem of nose hair.
Through a series of sometimes terse, often funny poems, Jack tells the reader about his family. In doing so, he tells more about himself and his dreams, especially those concerning Annabel Browning. Along the way we hear of their mother's death from cancer, including one of the most poignant lines written about a family in despair:
'They said the pills eased the pain - they only gave them to Mum' followed by the image of Desiree in her bedroom examining her breasts, and the ghost in a red evening dress who now visits their house. Dad drinks each night and seven years on has a date which ends with him telling the woman all about his wife who is still there. Finally Jack takes Annabel out and they become lovers, evincing a talk with his teacher, ending when Jack tells her he prefers orange condoms. It is pithy comments like this that send a message without being obvious. And another example that needs airing: Desiree has no boyfriend 'because she has perfect eyesight and all her brain cells'.
Some of the poems are written by Dad and a few by Desiree and Annabel giving a different perspective through the tale, but all are about Jack and how he sees himself. We know he will be alright when he begins to see that he no longer needs the ghost in his life and looks forward to what ever will happen next despite the work of the vocational guidance officer.
A superbly written series of poems makes up this tale of Jack and the ending of his childhood, and the sequel, A place like this, takes us along on his journey after leaving school. I loved it first time round and thoroughly enjoyed reading it again.
Fran Knight

Matilda by Roald Dahl

cover image

Puffin, 2016 (1988). ISBN 9780141369365
(Age: 10+) Highly recommended. School, Family, Humour. With dad a used car dealer, not averse to putting sawdust in the engine to stop it being noisy, or winding back the odometer, Matilda finds it hard to understand just where she fits in. Her brother is the apple of everyone's eye, destined to follow in dad's footsteps. When Matilda offers opinions or heaven forbid, answers arithmetical problems, she is derided. Mum cannot abide a clever girl and tells her she will not be able to get a husband. But Matilda is determined to think for herself. Making use of mum's afternoon absences at bingo, she finds the library where a helpful librarian feeds her with books, allowing her, after she has read all the children's book, to read her way through the adult library as well despite being only five years old.
Going to school means that Matilda is way ahead of all other students, and kindly teacher, Miss Honey, suggests to the headmistress, that she should be advanced from grade one. The woman in charge, the redoubtable Miss Trunchbull already enamoured of Mr Wormwood who has sold her an excellent car, takes an instant dislike to Matilda, and is determined to make her life at school as unpleasant as possible.
So follows a very funny account of how their lives interact, and how Matilda with the help of meek Miss Honey and several other students who have felt Trunchbull's wrath, eke out their revenge.
This wonderful tale has been in print since its first appearance in 1988, and with the stage show open around the world, will be sought after again.
Fran Knight

Monsieur Chat by Jedda Robaard

cover image

Five Mile Press, 2017. ISBN 9781760405007
(Age: 4+) Recommended. Loneliness, Cats, Friendship. When Monsieur Chat comes into their lives, the long days for Pierre and Josephine become less lonely. The cat joins Josephine for breakfast, then goes upstairs to Pierre's flat for dinner. Each of the neighbours is happy with the cat in their lives, little realising that Monsieur Chat visits each of them in turn. But one day he does not appear. Josephine and Pierre search the apartment house where they live. They go around the building, up and down the stairs, out into the cold and wet night, but the cat is nowhere to be found. Without warning they find him together and so the two are lonely no longer and have all their meals together with Monsieur Chat with them for company.
A simple story nicely told will have readers enrapt as they follow the cat's exploits in bringing the two together. As they search the cat can be seen on the pages by the audience, who will shriek with laughter at knowing something the other two do not. The cute water colour illustrations give a good impression of an apartment building in Paris, and children will learn a little of city life in the story.
The lift the flaps publication will intrigue readers longing to lift the flap on each page to see what is hidden beneath.
Fran Knight