Ill. by Julie Vivas. Nature Storybooks. Walker Books, 2017.
ISBN 9781925126396
(Age: 5+) Highly recommended. Australian animals, Koalas, Australian
bush, Habitat. In the fork of a tree a young koala wakes. He goes to
his mother, wanting to get back into the safety of her pouch but she
repels him. He is abruptly turned out into the world and must now
learn to survive on his own. We follow his story as he learns the
necessary skills of self preservation: finding trees suitable for
his needs, fending off humans and other dangers, avoiding the
dangerous male koalas when they are searching for a mate, finding a
tree not marked with another's scent. He has a lot to learn without
his mother and the story takes the reader through his early
achievements complimented with glorious watercolour illustrations
showing children exactly how a koala looks and what its habitat is
like.
This is not the koala usually presented to readers: this is one on
his own, learning to avoid the danger of an aggressive male, a
bushfire, snake and humans.
This story of a koala in the first few lone months, one in the
series called Nature Storybooks, contains factual
information. In a different font, the facts are given along the
bottom of the pages, supplementing the story above. Each word in the
book is factual, giving the readers not only an engaging story of
survival, but knowledge about koalas and their habits, habitat and
behaviour, and a brief index at the end is perfect for younger
readers to learn how to make use of this tool. Preceding the index
is a page of further information designed to intrigue and inform.
Readers will be engaged making a note of all that they learn about
koalas at the end of the reading session, and the book lends itself
to being read out loud, as two children could take the two sections,
the one with the story, the other with the facts.
And this story could lead children to ponder on the skills they
would need to learn to make their way through childhood.
Fran Knight
A is for Australian animals: a factastic tour by Frane Lessac
Walker Books Australia, 2017. ISBN 9781925381009
(Age: 6+) Highly recommended. Factual picture book. Australian
animals. This is a unique alphabet book that will enlighten and
entertain any child or adult who reads it. Filled with Lessac's
signature drawings the reader is given lots of information about
each of the animals in the alphabet. In fact, as one peruses the
book, it is very easy to forget that it is an alphabet book, and
become immersed in the strange and in-depth facts that are given in
bite size sections of one or two sentences spread among the
beautiful illustrations.
Each of the letters in the alphabet is given a page and often there
are a number of animals described and illustrated on the page. For
example one double page spread has Cockatoo on one side and
Crocodile on the other but both crocodiles and cockatoos are
illustrated in a beautiful green river setting, with gum trees which
house the cockatoos. There is even a crocodile trying to bite a bird
with the information that Crocodiles can leap over two metres
out of the water to catch their prey in the air.
At the front of the book is a large map of Australia showing where
some of the animals, birds and reptiles live, with general
information about what makes them unique. The last page show maps of
animal distribution that gives the reader immediate information
about where animals and birds featured in the book can be found. The
illustrations are in deep blues, greens, browns and ochres
reflecting the colours of the Australian landscape.
This would be an excellent addition to a library or classroom and
would make an ideal gift for children.
Pat Pledger
A Monster Calls (film) book and screenplay by Patrick Ness
Focus Features, 2016, released in Australia 2017
(Age: 12+) Highly recommended. Fantasy, Monsters, Death, Cancer, Bullying, Acceptance. Conor (Lewis MacDougall) screams as he falls out of bed, clutching a hand slipping from his grasp. The clock shows 12.07 and he knows it is the old nightmare. His mum (Felicity Jones) is still asleep when he leaves for school the next morning, and he drags his feet knowing what waits. The bully is relentless, but it is Conor's invisibility which is most hurtful. No one speaks to him, and his teacher talks in a soft voice, offering help. But no one can. Conor's mother has cancer and sleeps most of the time. When her mother (Sigourney Weaver) comes to stay, Conor does not welcome this bossy interfering woman. Conor becomes more angry when his absent father (Toby Kebbell) arrives from America, full of promises. But when he must live with his grandmother on Mum's return to hospital, his anger builds.
The only thing that knows how Conor feels is the monster who fills his room at night. The yew tree by the church, the same one his mother watches from the window, tells him three stories, each drawing Conor to seeing both his father and grandmother in a different light, and to admit to himself the truth of his mother's illness.
The book, first published in 2011, written by Patrick Ness after an idea sketched out by the late Siobahn O'Dowd, won the Kate Greenaway Medal for its illustrator, Jim Kay, and the Carnegie Medal. Now directed by J A Bayona (Orphanage and Impossible) the film radiates with repressed anger. Conor is unable to admit the truth. His anger manifests itself in smashing his grandmother's front room, and putting the bully into hospital.
Ness has written the screenplay for this film, concentrating on the four main characters and the monster, the yew tree, as it reaches into the dark recesses of the mind, coping with the imminent death of someone very close. The brooding presence of the yew tree, pulling up its roots and striding into Conor's bedroom is mesmerising, his fearsomeness tempered by his voice (Liam Neeson), at once solicitous and fatherly as he tells Conor the stories. The claustrophobic feel of the film, intensified by the acton restricted to four rooms, Conor's house, Grandmother's house, the school room and the hospital room, while going outside the chilling presence of the monster fills the screen. The viewer hardly breathes, intent on seeing what is behind the stories, and how Conor will accept it.
A highly emotive fantasy thriller about a boy's guilt at his mother's disease, the film has further developed the brooding atmosphere of the book, and would suit an audience of teens and adults.
Fran Knight
Tell it to the Dog, A Memoir of Sorts by Robert Power
Transit Lounge, 2017. ISBN 9780995359505
(Age: 15+) Highly recommended. This remarkable collection of stories
is often deeply emotionally disturbing, yet it is one of the most
beautifully composed reflections on life that I have read. Subtitled
a 'memoir of sorts', he includes mostly very short tales, his use of
'memoir' suggesting some degree of ownership.
Using poignant quotations from famous writers to begin each chapter,
Power further subtitles each short reflection to reflect these words
in the telling of the stories. Some stories appear to be his own,
told by 'the boy' in the first person, some in the second person but
about himself, and some about what he has observed. Power uses these
distinct narrative forms, while always inferring a personal history.
The separation of the narrator from himself, told in this way, seems
to enable him to reveal the often dark side of the life he has
lived, and thus explores his reflections on that life and on the
lives of others. He infers the intimate details of those lives that
he has observed, sparingly told at times, while at other times
revealed in greater depth.
His skill in holding our attention through both the lighter and the
deeply emotional stories is evident as he switches between holding
us gently in the lighter tales then plunging us into the dramatic,
dark stories. He appears to draw us into his own life in some
stories, yet at other times he takes us briefly into the lives of
others, in sad stories. He controls every narrative tightly, telling
only the bare short story in some, keeping to a brief 10 lines.
Deliberately varying the story-telling method, he creates some
stories as told through personal observation, while others are told
through impersonal observation, and some by reflection. At other
times he composes a more regular, short but complex narrative. The
presence of pain is a recurring theme, and violence is often subtly
inferred, yet at other times it is brutally described.
Power's lyrical, captivating style seems to demand a recognition of
the presence of troubling human emotions. He moves continents, time
and theme, in revealing the sense of loss, hurt, and dislocation in
the reality of the characters, be that of his own life or that of
others. One of the reflections, 'In the Shadows', under the chapter
heading that refers to 'happy families', that, he writes, according
to George Bernard Shaw would suggest 'an earlier heaven', features a
boy who states that he would 'scratch his face' to prove his
statement, both shockingly suggesting that we might otherwise not
believe his words and that the violence he endures is implied in the
option of the self-harm!
Elizabeth Bondar
The secrets she keeps by Michael Robotham
Hachette Australia, 2017. ISBN 9780733638015
(Age: Adult - senior secondary). Recommended. Psychological
thriller. I always pick up a book by Michael Robotham and this one
is every bit as compulsive as previous novels. It is a stand alone
crime, told in two voices: Agatha who works in a supermarket
stacking shelves and Meghan, a wealthy mother of two who has a blog.
Both have secrets which they have to conceal.
Agatha is very jealous of Meghan, who appears to have everything
that she has ever wanted - two healthy children, another on the way,
a successful husband and beautiful home. Meghan's life appears to be
perfect to Agatha, but everything is not as it appears, her marriage
is strained and her third pregnancy was unplanned. Then Agatha meets
Meghan in the supermarket, making a bond as they are both pregnant
and things escalate from there.
This is a psychological thriller that will keep the reader gripped
to the end, as they follow the lives of Agatha, Meghan and Baby Ben.
Robotham has successfully got into the minds of the two women,
especially Agatha's as she is desperate to have a baby and a
husband. The secondary characters of Jack, Meghan's broadcaster
husband and Hayden, the sailor that Agatha hopes to marry are fully
realised as they become embroiled in the disaster.
Many twists and turns and secrets uncovered create a suspenseful
read while the reader is able to empathesise deeply with the two
women even though they are very flawed characters.
Pat Pledger
Zombelina school days by Kristyn Crow
Ill. by Molly Idle. Bloomsbury, 2017. ISBN 9781619636415
(Age: 3-6) Recommended. Themes: School life, Zombies, Dancing,
Rhyming stories. Kristyn Crow's fun rhyming story Zombelina
School Days is a perfect picture book for sharing with a
younger audience. This story is filled with spooky jokes, funny puns
and easy to read rhymes. When she scans her body in her daddy's
X-ray machine, after her breakfast of lizard eye gruel, her mom
calls her drop-dead gorgeous!
Zombelina the gorgeous green zombie loves to dance; she has
practised her special moves for show-and-tell. Something interesting
happens as she twirls, her body parts go flying, with her arms or
hands landing in some funny places. In a class full of human pupils,
Zombelina is just one of the team. When Morty a new student arrives,
the little zombie and her best friend Lizzie help him settle in,
teaching him new dance moves and playing bug detective at recess.
Molly Idle's cute colour pencil illustrations bring Zombelina, her
family and class mates to life. Her artistic style with sharp lines
and bright colours are a perfect match for Crow's poetry. Where will
Zombelina's arm, hand or leg fly off to when she dances? There is a
musicality and fluidity of movement here that adds to the fun and
excitement of Zombelina School Days. Crow's understated
messages of acceptance, encouragement, friendship and having a go
promote inclusiveness.
Rhyllis Bignell
My lovely Frankie by Judith Clarke
Allen and Unwin, 2017. ISBN 9781760296339
(Age: 12 +) Highly recommended. Catholic church, Priesthood, Love.
Tom has retired from the priesthood, a vocation he entered at
sixteen, and has now come to live in the town where Frankie, another
boy in his seminary, lived. But Frankie disappeared twelve months
into their training, and although Tom loved this boy, he has not
looked for him until now.
A wholly atmospheric and contemplative book, Clarke stirs our
feelings about love and all it means, as Tom comes to see Frankie as
the light of his life, the best thing that has ever happened to him.
But he is aware of the prefect, Etta, watching them. Tom catches him
looking with a face of hate, taking notes in his Book of Little
Things, watching Frankie with a fearful intensity.
Frankie believes in a heaven around him, he opens Tom's eyes to the
beauty of their surroundings, of the basic goodness in all they see,
in humanity, all of which is in dreadful contrast to the harsh and
restrictive life they lead at the seminary. Here some boys are not
yet ten, and Tom aches hearing their stifled sobs at night. Despite
the Great Silence, in which no one can speak between lights out and
morning mass, Tom is in awe when Frankie sings them a lullaby.
Their life is regimented, they are to forget those outside who are
beneath them, and concentrate on their lives given to God. This
fearful view of religion, of people spying, of hunger and cold, of
any vestige of humanity stripped from these boys is hard to read
about, as love is made subordinate to faith, a regimen similar to
that of an army, sect or terrorist group, stripping the new recruits
of all their outside links. Tom, confiding in his best friend, Miri,
talks through what happened to Frankie, at first believing him to
have run away, but with hindsight and experience reaching a
different conclusion.
An extraordinary book that made me sad that Tom never said anything
to Frankie, cross that people like Etta gain preference within such
a hateful system, angry that children so young can be given up to be
trained as clerics. Clarke gives us sketches of their early lives
and why the decisions were made, and it is with relief that one
small boy is eventually removed by his parents. The conclusion Tom
comes to concerning Frankie left me thinking about what Tom's next
steps might be for a long while.
Fran Knight
Anna by Niccolo Ammaniti
Text, 2017. ISBN 9781925498561
(Age: Middle secondary +) Recommended. Science fiction. Dystopian
fiction. A virus has killed the adult population of the world in
this future dystopia. The only survivors are children who inevitably
die when they reach puberty. All the expected conveniences of
contemporary life have gone too, including electricity, transport,
medicine, and systems of government. The children who have survived
are aged between five and fifteen and increasingly have no knowledge
or memory of life before the virus. Anna is a survivor but is
approaching adulthood. She lives in Sicily with her young brother
whom she hides from gangs of wild children. Her guide is a Book of
Important Things written by her dying mother. The Book includes
instructions about everyday matters, how to find food, how to store
water and a command that Anna teach her brother how to read. They
live in a remote farmhouse that is surrounded by corpses of people
and their animals, but the children are so used to death that they
treat it very matter-of-factly. Their first concern is to eat and
they survive on cans of food and bottled soft drink supplemented by
pills and alcohol. Looting is an essential skill, and Anna is a
skilled and tough forager. On one of her excursions she fights a
starving Maremma dog that consequently attaches itself to her.
Forced from their home by a marauding gang the three of them, Anna,
her brother Astor and the dog, walk to the coast to try to escape to
the mainland where Anna hopes there may be adults who have survived
the virus. They encounter children who have formed strange religious
cults in the hope of being saved, and finally children who live with
little knowledge of language or old customs. Anna is aware that time
is running out for her as she reaches puberty on the journey. She,
Astor and the dog desperately embark on the crossing between Messina
in Sicily and Calabria. On arrival they don't at first find any
adults but there are several small signs that offer hope for the
future. The novel is dystopian; civilization is doomed, and humanity
with it, as the children cannot reproduce. However it is not as
shocking or bleak as other books in this genre are, for example
Cormac McCarthy's The Road. The children are very
matter-of-fact about death. Eating is more important than grieving,
and the children are practised foragers as well as being innately
hopeful. The deterioration of town and cityscapes is realistically
described as are the attitudes of the children. Anna is strong and
determined, and perhaps a little too resourceful but this is
acceptable in a work for young adults. The novel is a
thought-provoking addition to the genre of science fiction. It is
recommended for middle level readers.
Jenny Hamilton
The secret of the Mona Lisa by Rosie Smith
Ill. by Bruce Whatley. ABC Books, 2017. ISBN 9780733326059
(Age: 5+) Recommended. Art, Mona Lisa, Leonardo da Vinci. Presented
in graphic novel form the funny tale of Danny da Vinci and his
friend, Mick Angelo, will intrigue, delight and inform readers as
the pair hunts around for a subject to paint. The Duke of Milan
holds an annual art exhibition, and Leonardo, Danny's uncle has been
asked to paint his portrait, but is finding it a little difficult.
Danny and Mick search out a subject for their work, but everything
is rejected. All the special people are being painted by other
artists, and when Danny's sister, Lisa offers herself as the sitter,
they dress her up in an array of costumes, and place her in a
variety of positions to make her look more interesting. In the end
Danny simply paints what he sees and the final portrait draws
admiration from the crowd at the art exhibition.
All the while readers will learn more about Leonardo da Vinci and
Michelangelo as asides through the story.
The wonderful illustrations by Whatley, inform the reader as well as
he emulates many famous drawings and paintings from the times and
includes some of da Vinci's work throughout the book. Readers will
be able to use the two pages at the end of the book to gain more
information about Leonardo da Vinci checking the illustrations they
have seen in the book with the summary.
This is a funny look at the painting of the most famous painting in
the world, the Mona Lisa, and will enthrall the readers who pore
over the text and illustrations with relish.
Fran Knight
The high note by Harmony Jones
Girl vs Boy Band book 2. Bloomsbury, 2017. ISBN 9781408878279
(Age: 11-15) Recommended. Themes: Music Industry; Boy bands; Music;
Relationships; Fame; Friendship. Lark Campbell is the talented child
of a Music Promoter and a Country Music Back-up Musician, who are
recently separated and live far apart - one in LA, the other based
in Nashville. She lives in the same house as her mother, a bizarre
housekeeper and the two British boy band members, Max and Oliver.
The boys are more like older brothers, but the third local boy band
member, Teddy, stirs her heart and her song-writing. She has also
written songs that will propel the Boy Band, Abbey Road, to stardom.
Her own talent, although hampered by stage fright, is also worthy of
attention by the world, thanks to her friend Mimi whose skills at
film-making have caused a You-tube sensation for Lark, aka
'Songbird'. And Lark is only 12 years old!! Most of this book is
about the impending Boy Band tour and the growing friendship between
Lark and Teddy and the impacts of fame and a music career on the
very young.
Anyone who has discovered Nashville - the Country-Music
based TV series, will see this book as a Junior version of the
'interesting' world of the Music industry. In a world of Social
media pressures, the mindless screaming and attention of a young
female fan-base and the strange world of life in the spotlight, we
are taken inside this life from the perspective of the performers
themselves. They need to negotiate normal teen dramas and moving
from 'like to love' in the eyes of a large crowd. Lark stills
manages to attend school, submit assignments and avoid the pressure
of 'mean' girls, while discovering if a Music career is also what
she wants.
This book will be enjoyed by a female reader aged 11 -15. I did feel
that the dramas and relationship issues perhaps seemed more likely
for a slightly older character, but a Middle School student will
connect with the early romance issues in a school environment, as
well as the friendship ebbs and flows with a Best Friend. There is
nothing unwholesome in this book, and it will be devoured by young
readers who will love the romantic journey.
Carolyn Hull
The Forgotten Sisters by Shannon Hale
Princess Academy book 3. Bloomsbury, 2015. ISBN 9781408855416
(Age: 11-15) Highly recommended. Themes: Adventure; Honour; Royalty;
Fantasy; Heroism. My one regret in reading this book is that I had
not discovered this series earlier. This is a wonderful fantasy tale
of love, loss and princesses and courtiers that is exciting and full
of warm, intelligent and interesting characters as well as an
element of danger and humour. The central character, Miri,
demonstrates bravery and intelligence as well as the powerful skill
of speaking the language of the stone cutters and stonemasons of her
home village - a language that does not require words, but is able
to convey great secrets and thoughts and emotions across great
distances. Her profound wisdom is needed to save a kingdom from
great disaster, and to educate and rescue the forgotten sisters who
are living a life of great hardship, but are doing so with amazing
fortitude. Her relationship with the young man Peder needs to be put
on hold as she has been given this Royal duty - a challenge that
will eventually stretch both of them.
Shannon Hale has created wonderful strong female characters that are
feisty and intelligent. She has also woven an exciting plot that
incorporates the romance of the teen years, with the action and
intrigue of war and with the survival skills needed in a frontier
locality (with caiman and snake attacks possible!). There is nothing
about this book that would not make it immediately loved by young
readers aged 11+. Even those who discover it without having read the
previous two books in the series will be delighted, and will not be
able to put it down.
It would be a good companion text for those who loved A Single
Stone by Meg MacKinlay or even The Hunger Games by
Suzanne Collins.
Carolyn Hull
The ones that disappeared by Zana Fraillon
Lothian, 2017. ISBN 9780734417152
(Age: 12+) Recommended. Esra, Miran and Isa are three children
trapped by human traffickers, and forced to spend every day tending
to drug plants in a basement for the cruel and merciless Orlando,
the leader of the Snakeskins. They have been branded with the
Snakeskin brand so that there is no escape, they can always be
identified and tracked down, and even if one of them does escape
they know that the ones remaining will be brutally beaten. Someone
will always pay, possibly with their life.
Fraillon's story is very evocative in the depiction of the terror
the children feel, the horror of punishment, and the sense of
entrapment; there is nobody they can trust - even the police could
be linked to the traffickers. Even more than that, is the feeling
that the children have of losing their identity and their sense of
humanity, slowly being groomed to enslave others. Esra feels how she
craves Orlando's approval, feels how desperate she is for care and
attention, to be rewarded, but knows she has to hang on to a sense
of who she really is. She has to stay strong, and be a speaker for
the dead and the living. Misran is a great source of comfort, with
his riddles that challenge their intellect, and his stories that
inspire hope and memories of another life. But on a fateful night
when Misran urges Esra and Isa to take their chance to run, he is
the one that is caught and has to pay.
Hiding in a fox's cave, Esra and Isa are befriended by a boy full of
jokes and chatter, running from his own set of family problems. The
three of them have to find a way to stay safe, and to rescue Misran
before it is too late.
Fraillon's story while incorporating a sense of adventure and
aspects of fantasy reveals the very real plight of human
trafficking, something that is happening even today in Australia.
The author's note at the end of the book states that there are over
30 million people currently enslaved, and more than a quarter of
those are children. Her book brings the spotlight to an issue that
many are unaware of, and the story is a call to find the disappeared
children and help them to be heard.
Helen Eddy
A dog's tale by Barry Jonsberg
Ill. by Tom Jellett. Mates series. Scholastic, 2017. ISBN
9781742991399
(Age: 6+) Highly recommended. Dogs. Animals. Friendship.
Another in the Mates series, a wonderful range of stories
designed for the young, newly competent reader, with short chapters,
a smattering of illustrations and larger print, A dog's tale
is full of wit and humour for all readers to recognise and chuckle
over.
Michael desperately wants a dog. He systematically works through all
the reasons his parents bring up not to have a pet. He has worked
out that one from a rescue home would be ideal and pins a picture
from the home on the fridge for all to see, negating his father's
thoughts about puppy farms.
He glues his old toy puppy to his unloved skateboard and takes the
dog for a walk several times a day to show how responsible he is at
looking after a pet. He feeds his baby sister, and even changes her
napkin, when presented with the idea that dogs need their poo
cleaned up. He is remarkably responsible in all the things he does
trying to convince his parents of his abilities. But to no avail.
Children will laugh out loud at his devious plan, and cheer him on
in trying out different ways to overcome his parents opposition.
When at Christmas something leads him to believe they have relented,
the funny twist will delight the readers, knowing that his parents
have not given up the idea entirely, leaving Michael with the option
of getting a dog in the future. Persistence has almost won out.
The single-mindedness of Michael will cheer the readers, as they
recognise that he has gone about making his position clear through
subtle determination.
Another level of humour is reflected in Jellett's wonderful
illustrations showing wry looks on the parents' faces as they
endeavour to deflect Michael's request, or the looks on Michael's
face as he changes his sister's nappy. Each page brings a laugh and
the story will be eagerly shared by the new readers, eager to show
off their new reading skills, as well as their sophistication at
understanding both textual and visual jokes.
Fran Knight
That stubborn seed of hope by Brian Falkner
University of Queensland Press, 2017. ISBN 9780702259289
(Age 13+) Highly recommended. Short stories. This is a fabulous
collection of stories that will appeal to a wide range of people.
Falkner's tales will scare the readers, make them think, feel good
and wonder what is going to happen next.
The first in the collection is 'I am s
seventeen' and is very
frightening to ponder. Falkner has captured the horror of old age as
a seventeen year old boy wakes up to find himself in the body of a
very old man. He demands paper and pen and writes down his thoughts.
Falkner keeps up the suspense until the twist in the conclusion.
Another that really gripped me was 'Lockdown', where a school
bully is convinced that another student is coming for him in revenge
for his cruelty. This is a very tense portrayal of what it would be
like to hide during a school siege.
'Smile' was heart wrenching as a young medical student tries to
find a way to communicate with his brother who is in a vegetative
state in hospital. In 'The kiss' a teen discovers that her
boyfriend may have a life-threatening virus just after she has
kissed him, something that is forbidden in her society because of
the fear of contagion. The other stories are all equally as powerful
and memorable.
In his introduction Falkner talks about how he was going to write
about fear, but that the theme of hope emerged strongly in the
stories. Other themes include belonging, resilience, perseverance
and acceptance. At the back of the book he has given author's notes
about each of the stories that would be a boon for teachers if they
were using this in the classroom and are an interesting adjunct for
the ordinary reader. Excellent teacher's
notes are also available.
This would be an ideal collection for a class set or literature
circle text.
Pat Pledger
Go, green gecko! by Gay Hay
Ill. by Margaret Tolland. Starfish Bay Children's Books, 2017. ISBN
9781760360337
(Age: 4-7) Highly recommended. Geckos. Lizards. Animals -
Food. Gay Hay is a New Zealand school environmental officer
passionate about sharing her love of animals, their diets and
habitats with a young audience. New Zealand artist and teacher,
Margaret Tolland's richly detailed paintings perfectly capture the
green gecko's landscape and search for food. The striking front
cover with a glossy overlay on the green gecko and bold title with
an inquisitive eye staring out from the letter 'O' draws us into
this informative picture book. Each double page spread follows the
gecko's journey from the treetops, along the branches, scrambling
through the rich red rata blossoms, always on the lookout for
danger. Tolland captures the sinuous movements of the lizard, as it
hides in the green foliage, purple tongue ready to catch a dragonfly
or beetle.
The author's simple text is considered and captivating, there is an
action, place and food to find, followed by an admonition to watch
out for danger. 'Scuttling along branches, snatching at flies,' the
green gecko's daily journey is all about seeking nourishment. We
follow its passage and look out for the hidden danger as well. Time
needs to be taken with each turn of the page, after reading the text
to explore the illustrations. There is an anticipation built into
the story, and young readers can predict what is about to happen
when the foldout page is reached. The winding forest map drawn in
tones of grey, highlights the green gecko as he scurries to safety. Go, green gecko, is an excellent resource for the Early Years
Science curriculum - Biological Sciences. In Year 1, 'learners
explore and investigate how living things live in different places
where their needs are met'. Information written inside notebook
boxes at the conclusion allows for a more in-depth study of the
Wellington Green Gecko, a threatened New Zealand species.
Rhyllis Bignell