Reviews

Witch fire by Laura Powell

cover image

Burn mark series, bk 2. Bloomsbury, 2013. ISBN 9781408815236.
(Age 13+) Recommended. Paranormal. Witches. Glory and Lucas return in their second adventure following Burn mark. Both are witches. Glory has known since childhood that she was destined to be a witch but Lucas from a family of Inquisitors, is finding it difficult to prove himself. Sent to an expensive private boarding school in Switzerland to investigate rumours about a terrorist organisation, they find that they have much to learn about themselves and each other.
Once again Powell has written a riveting tale of witchcraft in modern times. Her alternative world is original and very well conceived. Her descriptions of the covens and the criminals that lead them are fascinating as is the idea of an Inquisition that hunts down renegade witches. Once again her description of Glory's dream of a witch being burnt at the stake is horrifying.
The action is fast paced and kept me riveted with scenes of Glory and Lucas sky jumping from building to building and chasing down criminals in Cordoba, a small South American country that is vividly described.
Powell brings depth to her characters as well. Glory is struggling with the fact that her mother left her when she was a child and is overwhelmed when she learns that she may be alive. Lucas has to come to grips with the fact that the pathway that he thought he was destined for no longer exists. Minor characters are also well rounded and come alive for the reader, especially the driven inquisitor, Derek who makes another appearance in this book. The growing attachment between Glory and Lucas is also a pleasure to read.
This series is certainly different from much of the urban fantasy around and will appeal to readers who enjoy paranormal stories, action and adventure.
Pat Pledger

Pigeon Post by Arthur Ransome

cover image

Vintage, Random House, 2013. ISBN 9780099582540. pbk., 514pp.
Pigeon Post which won the inaugural Carnegie Medal in 1937 from CILIP, the UK library association, is part of the Swallows and Amazons series written in the early 1930s by Arthur Ransome. Set in England's Lake District it continues the adventures of John, Susan, Titty and Roger Walker (Swallows) and their mother and baby sister, as well as Nancy and Peggy Blackett (Amazons) and their uncle Jim, commonly referred to as Captain Flint. 'Swallows' and 'Amazons' refer to the names of the dinghies the children sail around the lake waters, with the Swallows being 'explorers' and the Amazons 'pirates'.
The children are once again on school holidays and this time when they learn of a lost gold seam in the hills above the lake, they decide to look for it because of the lack of success Uncle Jim has had in his prospecting trip in South America. Although their home base is the Blackett's farm at Beckfoot, they move from camp site to camp site using a pigeon to send a message back to Beckfoot each day. During their search it appears they have a rival and when strange things happen after they do discover 'gold', there is an interesting conflict. However, the drought has meant the countryside is tinder dry and a fierce fire changes the direction of the story and interesting things are revealed.
Despite being written about 80 years ago, the Swallows and Amazons series is one that has endured and is considered a classic in the adventure genre. Even though at first it might seem a little old-fashioned within a few pages the reader is absorbed into the story and enjoying a good read while also learning about life for children in another time, a time when pigeons were used because there were no mobile phones.
This re-publication is part of a series of classics being released by Random House for just $9.95, and which deserve a place on the library's shelves because they have proven to be stories which appeal and endure. While they may not appeal to all, I believe that students should be able to have access to them just because they come under that heading of classic children's literature. I could imagine a lot of interest being generated with a display of 'Books your great-grandparents told you about' (because I'm a grandma and they were before my time) and even doing a comparison between the lives of the children in the times of the stories and life now. Asking whether a pigeon might be more reliable than a mobile phone could be the basis of a great debate, and may even lead into an investigation of how pigeons have been used over time, particularly in war time, sparking a new avenue of reading for some.
Barbara Braxton

The zigzag effect by Lili Wilkinson

cover image

Allen and Unwin, 2013. ISBN 9781743313039.
(Age: 13+) Recommended. Mystery. Magic shows. Sage is really happy when she gets a job working for the magician, The Great Armand. It means that she can pay for the photography course that she is desperate to do. The job sounds interesting and the fact that Herb the stagehand is cute is also a positive. Then Armand disappears and Herb and Sage get locked into a storeroom overnight, and Sage must weave her way through secrets and magic tricks to uncover the mystery that surrounds Armand's disappearance.
Lili Wilkinson always manages to surprise and delight with her feisty heroines and original stories. The background to The zigzag effect is absolutely fascinating and anyone who is interested in magic tricks will be riveted by her research into what happens to make magic tricks work on the stage. The petty jealousies surrounding the secrecy of how tricks work and the effort that the beautiful assistants put into the show form a unique background to the mystery that Sage is faced with. Superstitions like Bianca believing that breaking a wand on stage will bring bad luck provide suspense and add to the eerie things that seem to be happening in the theatre.
I love the development of characters that Wilkinson shows in this book. Sage is a smart, clever girl who shows initiative and intelligence. She is prepared to find a job to pay for her photography course and looks after her little brother. Her romance with Herb is realistic and often funny. Bianca the magician's beautiful assistant is a well rounded character as well, and Sage's parents are portrayed in a sympathetic light.
This is a book that will appeal to readers who want something different, clever and suspenseful, with lots of funny dialogue scattered throughout.
Pat Pledger

Grumpy Grandpa by Kate Forsyth

cover image

Ill. by Annie White. Scholastic, 2013. ISBN 978 1 74283 175 6
(Age: 4+) Warmly recommended. Picture book. Grandparents. Grandpa frightens the girl when she visits the old man with her mother. He always asks the same thing, 'are you grizzling or are you singing?' which intimidates her even more. He takes her into the garden where he loves to dig, but she likes to be clean and tidy, while he prefers to dig the dirt, and get all sweaty and muddy. Once inside he sleeps in his arm chair but the noise of his snoring rattles the windows and causes the chimney to smoke. When he wakes he is even grumpier but in answering 'O'm singing' to his question asked yet again, a broad smile breaks out on his face and all is happy.
A beautifully deft rhyming story of a young girl's fears at her Grandfather's house, of his different ways of doing things and his invasive questioning. She takes a while to get used to this grumpy man but once she answers his strange question, they become the best of friends and all fear is gone. The wonderful illustrations fill each page with soft washes of colour and the little girl is shown in various awkward positions on each double page: blown away by his sneeze, coughing at the smoke form the chimney, baulking a the offered worm, shuddering at the mud on her skirt, all giving sorry impressions of her day with Grandpa until the last pages where they find some common ground. A wonderful tale of acceptance, of finding an ally, of the difference between the age groups, this will be most useful in classrooms where grandparents are being discussed.
Fran Knight

Turning points ; chapters in South Australian history edited by Robert Foster and Paul Sendziuk

cover image

Wakefield Press, 2012. ISBN 9781743051191.
What did I expect from this book before I read it? A different opinion on South Australian history. I had read several textbooks, fictional accounts, and even early settlers diaries. I was pleasantly surprised when the introduction informed me that this book was a selection of public lectures, given originally in 2011. Each author writes addressing the theme "Turning points in South Australian history". Thus we have chapters varying in style from standard scholarly histories, to more free form reflections on topics they chose. This makes this book much easier to digest, with each piece having its own flavour.
After the introduction by the editors, each chapter follows on the previous in time. We start with "The Adelaide district in 1836'' by Bill Gammage. This is a well illustrated synthesis of his book "The biggest estate on Earth" in which he argues that the Aboriginal people managed their environment to create that parklike landscape which the colonists found in 1836. The next chapter by Henry Reynolds investigates the issues of the 1830s, namely the policy towards the Indigenous people. He says 'My suggestion is that South Australia lay, in a figurative sense, between Van Diemen's Land and New Zealand in the way it would deal with these questions of policy towards property rights and whether the indigenous people had human rights in a modern sense.' The chapter by Paul Sendziuk was very interesting in that he exposes the convict element in South Australia, in 'No convicts here: South Australia's Foundation myth'. Chapters 5 and 6 were very politically oriented. Chapters 7 and 8 were the authors' personal histories about their families and where they lived. Chapter 9 About the Don Dunstan era made me think back to that time of social democracy with some fondness. The last chapter by John Hirst is a reflection on South Australia. He ends with 'I began with South Australia as a distinctive colony and ended by describing it as a small state. But under the leadership of Playford and Dunstan South Australia punched well above its weight. I hope it can find ways to keep that tradition alive.' A book to be dipped into if the topic interests the reader.
Giselda Grunwald

Calculated in death by J.D. Robb

cover image

In death series. Piatkus, 2013. ISBN 9780749959357.
(Age: Adult) In the 34th book in this series, a woman is found dead at the bottom of a flight of stairs. It looks like a mugging gone wrong but Eve Dallas knows better. The victim is an accountant, Marta Dickenson, and she doesn't seem to be the type to be murdered for her personal life so it looks as if it has something to do with the accounting work that she was doing. Eve, helped by partner Peabody and her husband Roake, delve into the seamy life of crooked accountants.
I had missed quite a few in this series and was pleasantly surprised to find that I managed to pick up the background to past events without too much bother. Robb has created a very smart, likeable main character in Eve Dallas. Her partner Peabody is a perfect foil for her and of course Roarke is not only gorgeous but very rich.
However it is the mystery, which is compelling and which kept me reading this to the end. I enjoyed the ins and outs of the operations of an accountancy firm as it at first appeared to be an unlikely place for a hired killer to be operating from, and it was fun trying to work out who the villain was.
This is a very enjoyable read and fans of this series will not be disappointed.
Pat Pledger

Light Horse boy by Dianne Wolfer

cover image

Ill. by Brian Simmonds. Fremantle Press, 2013 ISBN 978 1922 089 137.
(Age: 9+) Warmly recommended. World War One. ANZAC. Animals. In a handsomely produced hard cover book with a large number of photos from WW1, Wolfer tells the tale of young Jim, joining his older friend, Charlie on the big adventure overseas, taking their horses along with them. Australia's involvement in the European war has been declared and the two present themselves to the local recruitment tent for the medical.
With stunning illustrations by Simmonds, each page is a treat. Many pages are presented in the form of pages torn from a diary or pages of letters from family, each shown as carefully folded and worn to give a better impression to the reader of what war was like for the ordinary man and his family, opening and closing the few treasured letters many times. Numbers of photos show the range of animals kept by the soldiers as mascots, while others reflect the plight of the horses taken from Australia to the Middle East in particular.
Jim and Charlie are part of the 4th Light Horse Brigade, and so the story follows their actions, showcasing for the reader a small part of the whole war, enabling younger readers to get some sense of the conditions in which they lived, the constant fear, the privations, the loneliness amid the friedndships.
There has been a bag full of books published in the past twelve months or so on Australia's involvement in the wars since the Boer War. Each has taken a different perspective, be it a young boy signing up in Alan Tucker's Gallipoli, or Jackie French's The girl from Snowy River showing the impact of war on a rural community, or The horses didn't come home by Pamela Rushby, the tale of the fate of the 130,000 Walers sent to war, and To brave the seas by David McRobbie, about the men who served on the Merchant Navy during WW2, each has a different tale to tell, impelling our younger readers to think more deeply about war and its impact.
This book is hard to put down, its illustrations and spare prose will grab the readers and keep them reading. Information at the start of the book verifies the tale of the one horse that did make it back to Australia, and the map and acknowledgments at the end show where some of the photos have come from, making the book most useful if looking at war in the classroom. With the centenary of World War One looming in 1914, and the centenary of the landing at Anzac Cove the following year, these books are the first of many, offering a perspective which will appeal to a wide range of readers.
Fran Knight

Building stories by Chris Ware

cover image

Random House, 2012. ISBN 9780224078122.
(Age; Senior secondary) 'Books' are no longer books; groups of words and sentences arranged in a usually pleasing fashion on a set of papers bound together in a neat package. This is an era of ebooks, graphic novels, audio books, and books as pdfs, kindle and various other arrangements. The bottom-line is that in a book the words, phrases and sentences work together to tell a story, to inform or to educate. This 'book', Building Stories by cartoonist, Chris Ware, breaks many moulds. To begin with it is a box; a large, colourful box with intriguing images and lettering showing clever and careful design. On opening the satisfyingly solid box one encounters an even more intriguing assortment of books, pamphlets and papers of different sizes, weight and organisation covered with detailed and intriguing graphics. Through this medium this impressive work tells the stories of residents of an apartment block in Chicago.
As the residents go through their daily lives we are made privy to their thoughts, dreams, actions and most intimate activities. Every graphic is part of the larger story and leads the reader to make connections across the 'text'. The book is part puzzle, part graphic, part narrative and always engaging. It brings to mind the classic movie Rear Window, where James Stewart spends his wheelchair bound days watching his neighbours, discovering their secrets.
Chris Ware is highly talented cartoonist who shows a Dickensian feel for the minutiae (and misery) of ordinary life. Much of this book is about loss - loss of ideals and dreams, youth, partners and even body parts. For me, it is this which ultimately made the book so depressing. The voyeurism of this type of text reveals the intimacies between couples which many will feel belongs solely within a trusting relationship. These qualities lead me to recommend this book only to senior secondary students with the maturity to understand the complexity of people's motives and actions.
Diana Warwick

The great pet plan by Rebecca Johnson

cover image

Juliet, Nearly a Vet series. Puffin Books, 2013. ISBN 978-0-14-330704-4.
(Age: 8-10) Recommended. Juliet is a 10 year old girl who knows her mind. She wants to be a vet just like her Mum. So eager is she to study veterinary skills, she keeps a Vet Diary.
You can often read her diary notes throughout the book. They are informative, reporting facts about different animals such as their care and behavior.
With the help of her best friend Chelsea, Juliet decides it would be a good idea to have a 'Pet Sleepover', offering a free health check and grooming session as well. Of course this has to be a secret from their parents. What could go wrong?
This is an easy to read smaller novel with less than 90 pages and is interspersed with small drawings and diary entries.
The story is both humorous and educational and will appeal to 8 to 10 year olds.
The next is this series is entitled At the Show.
Jane Moore

Somebody's house by Katrina Germein

cover image

Ill. by Anthea Stead. Walker Books, 2013. ISBN 978
(Age: 4+) Picture book. Families. Houses. Neighbourhood.With rhythmical flowing lines, Katrina Germein creates a refrain of 'Who do you think is inside?' on each double page, adding a level of mystery to her powerful introduction to the neighbourhood and the occupants of the houses in the long looping street at the bottom of the town. Each double page shows a different house, orange, green, yellow, blue and red with the following double page showing the people living inside and some of the things that they do. So the yellow house, for example, has a bright yellow exterior, with animals living in the branches of the tree outside, while inside we see yellow carpet and dad and the children, along with sheep and a cow. Children will love picking out the yellow things in this house, and watching the sheep knit a scarf from its wool, and wonder at the number of animals that reside in the yellow house. Each house is markedly different, underscoring the range of people and places that live in one neighbourhood, expressing the uniqueness as well as the similarities of all who reside there.
The illustrations entice the reader to look critically at each page, picking out the things offered by Anthea Stead, recognising everyday objects, and seeing some things anew, enjoying the hidden depths on each page as they read it again.
For any child the story is most satisfying, relishing in the warmth of the house that is theirs, knowing their neighbours and the street in which they live, learning their colours and the names of animals along the way. A treat to be shared.
Fran Knight

Night watch by Phil Cummings

cover image

Ill. by Janine Dawson. Working Title Press, 2013. ISBN 9781921504365.
(Age: 3-6) Recommended. Animals. Cooperation. Courage. Giraffe, Hippo and Baboon live happily by a lake. They are not friends, but they do co-exist happily. One day Giraffe spots the shadow of a lion in the mountain and knows that their peaceful existence is threatened. He tells the other animals and Baboon comes up with a cunning plan to bamboozle the lion and keep their territory safe.
This story just begs to be read out loud. The beautiful language with its rhyme, rhythm and repetition ensures that young children will respond to the story with glee. I loved the alliteration (Spish, Spash! Burp!) with its touches of humour and I especially loved the picture of the lion that the words 'Prowling ... creeping .. stalking ... sneaking' created in my head. The simple message of cooperation, even if it means working with people who are not your best friends, is one that young children will be able to understand. Children too will understand that it takes courage to stand up to a lion, even if Baboon has come up with a very clever idea.
Janine Dawson's soft watercolours bring the countryside to life. Each animal has a distinctive personality and her pictures add depth to the story as well as enhancing much of the humour. Beginning readers will also appreciate that the pictures give wonderful clues to the written word.
This is a book that I will be giving to my granddaughter, who is soon to start school. It is a fabulous story, has illustrations that children will love, print that could help a beginning reader as well as a subtle message about bravery and people working together.
Pat Pledger

Middle School: My Brother is a Big Fat Liar by James Patterson and Lisa Papademetriou

cover image

Young Arrow, 2013. ISBN 978-0-099-56786-8.
Recommended for 10 to 13 year olds. Georgia Khatchadorian is following in her brother Rafe's footsteps by attending Hills Village Middle School.
Rafe was not the most successful student; in fact he made a lot of enemies. Georgia wants to prove she is not like him and plans to be a huge success. Unfortunately her plans are continually thwarted by Rafe's reputation.
Her problems are greater than the negative preconceived opinions of the teachers. She has to contend with 'the Princess Patrol' a group of perfect but judgmental girls, an unusual new friend Rhonda who has problems of her own and her new role as a guitarist in a girl band.
To top it all off Rafe has secretly arranged for the band to play at the next school dance.
This latest book in the Middle School series deals with the issues of being different and wanting to fit in, a common problem for young adolescents.
James Patterson has collaborated with Lisa Papademetriou to write a female perspective to his Middle School stories.
Humorous drawings, scattered throughout the pages add to the appeal of the book.
A small book trailer is available at
http://www.youtube.com/watch?v=BgREGn8y-X4
Jane Moore

Larrikin lane by Kate Darling

cover image

Ill. by Ben Wood. Mates series. Scholastic, 2013. ISBN 978 1 86291 989 1.
(Age: 5+) Recommended. Australian stories. Another in the Omnibus series, Mates: Great Australian Yarns, will immediately appeal to those who are looking for a short chapter book with illustrations that will engage their minds and delight their eyes. This series has proved popular and are often found bunched together in a box in the library for easy access, if they are not already checked out. For teachers wanting a set of reliable stories, illustrated by witty and erudite artists, then this is a great series to have in the classroom, providing a group of books for kids to read, a series to promote or a group to show parents some of the most recent literature for their offspring.
Using themes set in the past or in a rural setting, with words some kids may not have come across before, the books showcase some of the things which may not be readily accessed by our city bound kids, growing up in suburbs which have little open space.
So with Larrikin Lane, the illustration on the opening page contrasts markedly with the illustration on the next. The first shows a farmhouse with animals and sheds, and a dead end road out front. Over the page we see the farmhouse today, surrounded by houses that look all the same, the sheds, windmill and dead end road, gone, the only vestige left are the magnificent trees. In Larrikin Lane, the next door neighbour does not like the family in the old farmhouse keeping goats and sheep. He is meticulous about his garden but the goat nibbles the rose bushes. His complaint to the local council means that an ultimatum is given, but events occur which change everyone's mind. A neat resolution rounds off a wry look at suburbs today.
Fran Knight

Big swamp beasts - Monstrously muddy swamp beasts facts by Michael Cox and Chuck Whelon

cover image

Bloomsbury, 2013. ISBN9781408835760. Paperback. 96p.
Highly recommended for 8-10 year olds. Themes: Swamps, Water animals, river habitats. This information book convincingly connects the reader with a plethora of scary, slimy, slithering swamp creatures living in the Amazon, Africa, America and Asia.From exploding toads, crushing anacondas, sizzling electric eels to bodacious bullfrogs the young student is able to access a myriad of facts. The introduction invites the reader to come in to the scary, mysterious and treacherous swamps to meet the most awesome beasts!
Shorty punchy paragraphs, lists of funny facts and comments directed to the reader are engaging and thrilling. Michael Cox's writing style draws the reader into the scary world of swamp creatures, the use of alliterative phrases add to the excitement. Punchy headings and captions - Africa's Most Notorious Serial Killer -The Hippo adds richness to the narrative writing style. Each double-page spread is appealing with the bold lime green background, fascinating photos, fun captions, cartoons (a crocodile hitching a ride home) and cutaway illustrations.This fast-paced read includes animal statistics, maps, habitats, diet, lifecycles even bite power.
This book focuses on both animals in the wild and from zoos. It includes facts about their conservation. The Zoological Society of London has teamed with Bloomsbury Publishing to produce this exciting, informative book about the strange and amazing creatures that live in the world's muddy swamps.
A great classroom resource for Science, habitats and conservation and writing animal reports.
Rhyllis Bignell

The Storm Makers by Jennifer E Smith

cover image

Headline, 2013. ISBN 978-1-4722-0144-7.
Recommended for 10 to 13 year olds. Ruby is the first of the twins to see the mysterious stranger at their farm. His secret arrival heralds the beginning of an amazing adventure for both her and twin brother Simon.
Their life on a farm, far away from their city past heralds a new beginning for their family. Dad wants to invent and Mum paint but the farm is struggling because of the persistent drought. This whole book is centered on weather and as the title suggests, with humans who have a special gift that can control it.
Simon discovers he is one the youngest Storm Makers but there are others who can help and guide him. He must decide who he can trust as his special powers could be deadly.
Ruby tries to guide Simon to make the right choices and together they embark on an unbelievable journey into an unknown world where people have both extraordinary powers as well as human frailties.
This story, set in Wisconsin, takes some time to develop but is well worth the investment. I feel independent, motivated readers will enjoy this novel. Recommended for 10 to 13 year olds.
Jane Moore