Reviews

The silly book of side-splitting stuff by Andy Seed

cover image

Bloomsbury, 2014. ISBN 9781408850794.
(Ages 9+) Highly recommended. A must read collection of humorous and interesting facts for all ages including the young at heart! Take a walk through history with Andy Seed as he looks at the funny side of historical facts, wacky and unbelievable inventions, nonsensical poems, silly sports with their blundering commentators, mishaps and glitches, the worst films titles ever, live T.V blunders and shockers, subtitles that went bad, games that bombed, preposterous names, silly careers as well as splendid obsolete or archaic words to name just a few.
Find out what Hollywood has taught us, who's on the list of most annoying people and why, the most disgusting foods from around the world, yucky survival foods you probably won't want to try, hilarious one liners that are still used today, ways to get yourself out of a jam, along with the crazy laws made by the most silliest rulers and the eccentrics of history.
Andy Seed looks at some of history's greatest accomplishments and the things that worked, as well as the things that didn't go so well! There is also something for those who are interested in building their vocabulary! Find out what buildings were built in the most unimaginable places.
If you are the type of person who likes Horrible Histories, you'll love this book and its collection of history's funniest and amazing people, inventions and other crazy stuff. Andy Seed has something for everyone's fancy no matter how young at heart you are!
Christina Sapio

In the Memorial Room by Janet Frame

cover image

Text Publishing, 2013. ISBN 9781922147134.
(Age: Adult and mature secondary readers). Beautifully produced with a dust-jacket in hardback format, the cover design of Janet Frame's In the Memorial Room enigmatically evokes its title and contents. The Cote d'Azur is reflected in one illustrated spectacle lens, while the other lens is clouded. These hint at several elements of this dense, extraordinary satire.
New Zealand writer, Harry Gill, has won the Watercress-Armstrong Fellowship, an incestuous award administered by Frame's insufferable minor characters. This award is supposed to be a living memorial to real poet, Margaret Rose Hurndell who lived and worked in Menton, France, where Harry is expected to work in a tomb-like room. Janet Frame also received a Fellowship to France so we can assume that some of Harry's appalling experiences might resemble her own. Some of the award trustees unsubtly signal that their son, Michael, should be the recipient of the Fellowship. He looks much more like a writer and even has an artistic beard.
Partly due to his poor eyesight, Harry is timid and bookish; he misses the best of things and seeks 'intentional invisibility'. Frame's descriptions of his retreat and obliteration using imagery, surrealism and fear-of-hyphens is impressive.
English teachers could incorporate a number of Frame's literary techniques to create lessons or lesson breaks: metonyms, metaphors, similes and anticlimax; speaking or writing primarily using verbs; verbal versus written conversations in real time and deconstructed letter writing.
Joy Lawn

Karana, the story of the father emu by Uncle Joe Kirk, with Greer Casey and Sandi Harrold

cover image

Ill. by Sandi Harrold. Scholastic, 2014. ISBN 9781743623138.
(Age: 4-6) Australian animals, Aboriginal themes. The story of the emu playing a definitive role in the hatching and bringing up of the emu chicks is told in this tale by Uncle Joe Kirk a Brisbane and Wakka Wakka elder to tell younger readers of the strength that family has in society.
The emu builds a nest all the time watching out for the female emus coming by. In rhyming couplets, the story is told of how the emu sits on his eggs through heat and cold, until he finally feels movement beneath him and the eggs hatch. He then shows them what to eat and drink, swallowing small stones to help digestion, and flattening their bodies on the long grass to avoid the threat posed by eagles, snakes, dingoes and goannas. Once he has taught all he knows for his offspring to survive, they go off by themselves, and he builds a nest ready for the next female to come by.
A story which reinforces the role of the male within the family and of a family teaching its young how to survive, the lessons learnt will make a neat platform for discussion in the classroom, using an Australian animal as the role model as well as showcasing a story used in Aboriginal families.
Fran Knight

Dead dog in the still of the night by Archimede Fusillo

cover image

Ford St Publishing, 2014. ISBN 9781925000344.
(Age: 14+) Reluctant readers. As the son of Italian immigrants growing up in Melbourne, it is no surprise that Archimede Fusillo's work often features an Italian flavour and with more than a nod to his own adolescence.
About his first book Sparring with Shadows Archie wrote 'I have tried to show that boys do have emotions, are vulnerable, and that it is acceptable to express their feelings. There is a constant duality of feeling one way and having to appear another.'
His new book with the eerie title continues this theme and once again focuses on a character struggling to come to terms with many conflicting feelings. Primo is the youngest son of a family with strong personalities, long held resentments and simmering sibling rivalry. His domineering and womanising father is reduced to an old man suffering dementia and in a nursing home, though still exerting his influence on the family. Primo's mother is trying to come to terms with her long-suffering of her husband's many infidelities, his middle brother has become embroiled himself in an ugly separation due to his own indiscretion and also facing the wrath of his mistress and her drug dealing brother, his older brother wants to sell off the old man's mechanical workshop and take possession of his prized classic Fiat 500 and Primo is dealing with his final year at school and a disintegrating relationship with his girlfriend, Maddie.
The immaculately preserved scarlet Fiat becomes a focal point of the story. 'I want to buy a car. A special one. A Bambino. Red. Red for speed. Red for the sex.' While Primo's family might think this statement of their father reflects upon his philandering, it becomes apparent that this one thought had sustained him from his peasant childhood until its fulfilment. For Primo the car represents adulthood and independence as well as being his father's prized possession. For older brother Santo, it is a classic cash cow - ripe for the picking.
When Primo 'borrows' the car to impress his girlfriend and then prangs it, he is desperate for money to repair it before anyone finds out. Brother Adrian's peccadillo with his adultery provides an opportunity for Primo to warn off the scorned lover, Crystal, with the promise of payment for services rendered albeit not in the way Adrian had envisaged. Tangled and intricate, the plot unravels with miscommunications, wrong perceptions, hidden emotions and gritty realistic episodes. While the media release suggest this book is suitable for readers 10 and up, my own recommendation would be for older boys - perhaps 14 and on. There are numerous references to drugs, sex, violence, strong language and adult concepts. Heaven sent for some of my own reluctant Year 10 readers.
Sue Warren

The secret maker of the world - stories by Abbas El-Zein

cover image

UQP, 2014. ISBN 9780702250071.
(Age: Yr 11-Yr 12, Adult) Recommended. I resisted this collection of adult short stories at first and then I read several stories in rapid succession. I found the stories elegant but did not feel engaged. The stories while diverse featured a similar theme a man who unknowingly awaits his fate and whose self absorption has stood in his way of perceiving the truths around him. I found the stories to be packed with beautiful lines but at times wished the writer had 'killed his darlings' more often.
However the memory of the stories linger and play with my mind and two in particular have subsequently gripped my imagination. Red carpet is the story of a corrupt politician, as he waits in his office for his aide, mulling over his rise and rise, and preparing for the speech that will define his success. He is unaware that in the ten minute walk to deliver his speech his life will unravel. The killer blow lays in the last line.
Birds eye tells the story of the wise scholar who is oblivious to the undercurrents around him and who procrastinates and makes increasingly foolish choices as the medieval city Merv is about to be conquered and sacked. In a preface it is explained that this story is based on historical events and figures.
There is a vivid imagination and the stories leap across time, cultures and continents. I feel it will enhance any collections of short stories gathered for Years 11 and 12.
Michael Jongen

World War 1, unclassified by Nick Hunter

cover image

Bloomsbury, 2014. ISBN 9781472905253.
(Age: 9+) Warmly recommended. World War 1, Archives. Another book produced with the authority of The National Archives in Britain, this is a fascinating introduction to the events and times of World War 1 and will be a boon to those looking at war, as it gives access to a range of documents, photos, diaries, postcards and maps usually not seen in the text books.
Looking at the contents page gives an overview of what is inside, and it includes some topics which can prove elusive to the student. The opening chapter shows life in the trenches, then the book harks back to the reasons for the war occurring, each double page covered with a meaningful brief text, photo, maps, and quotes, with a WW1 fact file containing an interesting piece of information. The expected chapters are there, Digging in, Trench life, Beyond the Western Front, Home front, each with a plethora of information, followed by chapters on topics such as Treating the wounded, Munitions factories, The war at sea, New weapons and War with words. The last chapters, Armistice, The cost of war, and Lest we forget, bring this whole to a sombre close.
The book concludes with a double page timeline, a double page glossary, and then two pages of extra references and resources, with a well stocked index at the end.
All in all a fascinating introduction to World War 1 for the younger child, and an admirable text for the older primary student. I am sure it will be well used in the library and classroom. I was particularly taken with the postcard on page 15, an example of what the men sent home. A wish or Christmas with a soldier pointing his gun at the recipient! On the following page is a photo of a trench system before and after bombing, and it beggars belief that people survived in the trench. A photo too of a horse drawn ambulance on page 29 got me thinking about transport on the battlefield, while
the photo on page 44 of a wounded man being carried off the field n 1917, brought home the difference between the land at the start and finish of the war.
Even though I have taught this topic for decades I found this an interesting and evocative book about a war which began one hundred years ago.
Fran Knight

Prince of shadows by Rachel Caine

cover image

Michael Joseph, 2014. ISBN: 9781921901881.
(Age: 14+) Recommended. Such is the skill of Rachel Caine in recreating the life and times of Verona that the reader can't help but believe this is a true account of the back-story to Romeo and Juliet.
In this adventure, the hero is Benvolio, the Prince of Shadows (the greatest thief in Verona) who gives his own account of the events that surround the well-loved Shakespearean Tragedy. Caine stays true to the details of the play but cleverly interweaves other stories and introduces other characters while also providing insights into minds and hearts of the ones we know so well.
Women, in this novel, show spirit, power and intelligence, as Benvolio states, 'In their own way the girls of noble families were soldiers - merely armed with different weapons'. p95. Benvolio's grandmother rules her household with an iron fist, in fact she is referred to as 'the iron lady'. Veronica, his sister, is definitely no blushing damsel, and is not afraid to wield her power, though not always for good. But it is Rosaline, with her calm and sensible approach, who gains the respect of the reader and as it transpires that of Benvolio also.
As in the play, violence abounds in this story as the Capulets and Montagues continue to battle out their feud on the streets of Verona. Tybalt is still a violent and dislikeable character who even takes out his temper on his sister, Rosaline - something neither the reader nor Benvolio can forgive. Mercutio, at least at the beginning, is the lovable rogue but his sexual preferences are a portent for tragedy. Balthasar continues as the loyal and trusted servant, who always has his master's back, whether that be in the form of the noble Montague or the Prince of Shadows.
Caine provides an interesting twist to Mercutio's dying words, 'a curse on both your houses' providing both an unexpected twist for the reader and a last challenge for Benvolio.
Prince of Shadows incorporates enough Shakespearean expression, even with some reference to other plays, to add authenticity to this satisfying tale.
Barb Rye

A house for Donfinkle by Choechoe Brereton

cover image

Ill. by Wayne Harris. Walker Books, 2014. ISBN 9781921720536.
(Age: 4-6) Warmly recommended. Building, Friendship, Humour. When Donfinkle wants to build a house of his own, he goes ahead and does it. His mud brick walls and brick porch, his wonderful uplifting door and beech windows are just what he wants.
But then friends come along with suggestions. They do not like what he has done and pick faults with his construction, making plans for other things to be added or changed. Flooble whines that his roof is too bare so to placate him, Donfinkle adds constructions to his roof. Then of course the walls are not strong enough, according to Flooble, so poor Donfinkle attaches string and grasses to the walls. Along comes Goozle with different ideas, He feels that there is no security and so Donfinkle adds thorns to his house to keep intruders away. But the next visitor, Blooble adds some bright paint. By this time however, the house is not anything like the house that Donfinkle built, and so he tells his friends that he will tear down all their additions so that it is just what he wants.
Shamefaced, his friends help him, and when all is finished come inside for a cup of tea by the fire.
A lovely tale of friendship, of doing what you want to do, using the offers from friends without allowing them to take over, the tale could be well used with siblings or with classes where standing on your own two feet is an issue amongst friends. But I am sure kids reading it by themselves or with a friend will get the message loud and clear and laugh out loud as well. The illustrations are superb, Harris has playfully depicted the friends as all sorts with bits of many different animals making up their appearances. Kids will love looking at all the different animals shown, and work out what they are, while reading the book out loud will enhance the music behind the rhyming stanzas and the rhythm of the names of the friends. A wholly satisfying read.
Fran Knight

Maxx Rumble Soccer series by Michael Wagner

cover image

Ill. by Terry Denton, Black Dog Books, 2014.
Shocker, bk 2. ISBN: 9781922244819.
Grand Final, bk 3. ISBN: 9781922244826.
(Age: 7-9) Themes: Soccer, Sports, Competitions, Brothers. After nine years author Michael Wagner has finally added another sporting series to his much loved Maxx Rumble Cricket and AFL Football books. This time Rexxy, Maxx's younger brother is old enough to play for the Stone Valley Saints Soccer team in a knockout competition.
True to formula the competition is fierce, devious and up to no good. Wagner delights in choosing puns for team players, there's Oliver Sudden, Buster Hamstring and Lou Nartick on the field for the Outhouse Rodents. In Shocker Boofa the opposition captain uses a deadly weapon, his beautiful sister Jennifer Boofersoon who casts a love spell cast on poor Rexxy who is smitten and totally not focussed on the game. As the reader knows the final minutes are key to the Saints success and Maxx is always on hand to come up with the last minute save.
In Grand Final the Saints come face to face with the Plankluvin Pirates the 'rottenest' team in the competition. Unfortunately, there are only four Saints fans supporting Maxx's team whilst the Pirates have a huge following. Tensions mount as the crowd's noise level interferes with hearing the referee's whistle. Another tense game is played and the reader will be delighted to read of Maxx and his team's determination to pursue the prize.
Terry Denton's cartoons capture the key moments of the soccer games and his humorous style of drawing adds to the enjoyment of these books. This new series is suitable for younger readers, especially soccer fans.
They are great middle primary class novels for readers from 7-9 years.
Rhyllis Bignell

Delilah's dream by Ian Trevaskis

cover image

Ill. by Janine Dawson. New Frontier Publishing, 2009. ISBN 9781921042232.
(Age: 3-5) Recommended. Picture book. Ambition. Adventure. Chickens. Delilah the chook has a dream, she wants to fly. She doesn't want to be like her sisters and just scrabble around for scraps, she wants to fly and have adventures. The other chooks scoff at her, deriding her dreams and telling her not to be silly. While the other chooks sleep, tucked away from Delilah, she keeps on dreaming of soaring like an eagle, of being amongst the stars.
One day a fox is seen in the vicinity of the chook yard. The chooks huddle together in their henhouse, their heads in the straw, not knowing what to do. Only Delilah takes steps. She climbs across the roof of the hen house, onto the tree and leaps across the gap between the chook house and the farmhouse, until she gets to the bell hanging in the verandah. She swings from side to side, waking the farmer, and so saves the day. She has flown after all.
A fable about following your dreams, this will be a delight to read out loud to young children. They will recognise the moral of the tale immediately and talk of other books which have a similar theme. Discussions will follow about their dreams and what they aim for in their lives, be it simply where they will go after school, to what they hope to do for a holiday to a bigger dream like that of Delilah.
The illustrations show the hen house on the farm with its cyclone fences, windmill and corrugated iron roof. The chooks and other animals will delight younger readers as they see how each group reacts to the threat of the fox, and their renewed friendship with Delilah.
Fran Knight

The other side of nowhere by Steve Johnston

cover image

Hardie Grant Egmont, 2014. ISBN 9781742976907.
Looking forward to a sailing cruise to an island only three hours off an unspecified part of the Australian coast, teenager Johnno and his younger brother Matt journey by bicycle to the town of Shell Harbour to meet up with old friend and yacht owner Nick. Unknown to Nick, Johnno has organised for his cousin Georgina to join them on the venture and the awkward revelation at her arrival causes some embarrassment for all present.
A tension between Johnno and Nick is gradually revealed, based upon the fact that whilst the pair had been inseparable companions as youngsters, their friendship has changed since family circumstances led to Nick moving from the city, to live with his father on a farm.
The sailing trip had been an eagerly anticipated opportunity get together and enjoy adolescent male fun in the form of unsupervised boating and camping. Nick recovers the situation by accepting and making welcome Georgina and the group soon makes way. This follows warnings from Nick's father to make sure he heads immediately to the island to make safe anchorage prior to possible weather changes. The members of the group are very young and only two have sailing experience, causing the reader to query the wisdom of allowing the significant venture.
An unexpectedly vicious storm seizes the vessel and the crew shows courage and ingenuity to try and save the boat yet the situation becomes so overwhelming that they are glad to escape with their lives. Surviving the storm was harrowing but the group's ordeal continues on the island when they realise that no rescue is imminent, contrary to previous expectations, and their supplies of food and water are extremely limited.
All are hungry and exhausted and Johnno's anxiety is increasing from self analysis following his desperate actions during the storm. Seeking shelter, the group encounters threatening criminals and must apply themselves in extreme situations to try and evade them.
The angst of friendships which have been altered by time, changing circumstances and then tested by trauma, as well as fraternal rivalry and confused romantic yearning are important influences upon how the group deals with challenges and threats.
Rob Welsh

Into the still blue by Veronica Rossi

cover image

Under the never sky series, bk 3. Atom, 2014. ISBN 9781907411076. (Age: 13+) Recommended. Dystopian. Survival. The final in Under the never sky series, following Under the never sky and Through the ever night, Into the still blue finds Perry and Aria in a desperate bid to save the Dwellers and the Outsiders by entering into the elusive Still Blue, where the Aether is calm and where they can set up a settlement free from storms and destruction. Both Perry and Aria have been tested in the first two books and it takes all their leadership skills, determination and sacrifice to fight their way to a satisfying conclusion. An engrossing read, Into the still blue brings a very good series to a somewhat rushed but very rewarding conclusion. The growth and depth of the characters stand out. Both Perry and Aria have to make sacrifices and to think about what is best for all the survivors, even if they are at odds with each other. Roar is helped through his grief and desolation by Aria's understanding and Perry's friendship. The role of the villains, Sable and Hess, is explored more fully as the group stages an attempted rescue of Cinder and the reader begins to understand their motivations. Cinder is crucial to everyone's survival and Perry stays by his side as they try to navigate through the Aether, even though it may mean death for both of them. Soren becomes an essential part of the story and grows into a much more likeable character who is prepared to use his skills for the greater good. The action is thrilling as Aria and Perry fight to gain access to the craft that will take them into the Still Blue. There is bloodshed, sacrifice and a touch of romance, all of which combine to make this an enthralling story as the reader breathlessly follows the group's attempt to gain safety from the Aether. Fans of The hunger games will delight in this series, with its interesting ideas, compelling dialogue and heartbreaking moments. Pat Pledger

Spooky house by Sally Rippin

cover image

Billie B. Brown series. Hardie Grant Egmont, 2013. ISBN 9781742976518.
(Age: 6-8) Recommended. In this, another starring the very popular Billie B Brown, Billie and her friends form a Secret Mystery Club and their quest for mysteries to solve leads them to the spooky house at the end of her street. Just who lives there? Unfortunately, Billie's imagination is a bit too much for her friends and they threaten to leave. Undaunted, Billie is determined to find out and sets up a plan - one which puts her in a very awkward situation with her family! Trying to dig herself out of that hole means visiting the spooky house, accompanied by her friend Jack for security but what happens there sets up a heart-thumping situation, and teaches Billie a sound lesson about friendship.
This book is the first in a new series featuring Billie B Brown, a character familiar to many already through the Billie B. Brown series. It is probably best described by teachers as a "beginning chapter book". With its short chapters, large font and monochrome illustrations, it is a perfect bridge between the structure of the instructional reader and a novel, enabling independent reading. The storylines of that series are engaging and at the right level for the 6-8 year-old girl. They could imagine being in Billie's circle of friends and empathise with her. Now that Miss 7 is becoming more independent with her reading she is loving this series and was thrilled that this was a new one to explore.
The Billie B. Brown series is a must-have on your library shelves to cater appropriately for those 6-8 year-old girls who are still little girls and this spin-off series will be eagerly anticipated.
Barbara Braxton

The Stone Lion by Margaret Wild

cover image

Ill. by Ritva Voutila. Little Hare, 2014. ISBN 9781921894855.
(All ages) The stone lion crouched on his pedestal guarding the entrance to the town's library. Lifelike in size and appearance, he was 'so real, so fierce and cold that small children scuttled past at the sight of him' and in stark contrast to the warm, inviting environment that the concept of a library portrays. Only Sara, homeless and alone, weeping gently and cuddling a small bundle that is her baby brother snuggled into his paws, while Ben the librarian leaned against him at lunchtime while he ate his sandwiches and read, laughing occasionally. Even though the gargoyle perched on the portico above his pedestal explains Sara's distress and Ben's delight, the stone lion has no understanding of such feelings. He just wants to come alive so he can run and prowl and leap - to just move. He imagines himself strolling along the street in front of the library and running in the park across the road.
'Sometimes, stone animals are granted a chance to become warm, breathing creatures' the gargoyle tells him, 'But it is for a very short time only, and they must desire it greatly, with a generous heart.' Even though the lion does desire it greatly with no apparent ability to feel, it seems like a dream that will be unfulfilled. Then winter comes and it hits hard. Snow falls and lies deep, and once again Sara comes to the lion's feet, sinking onto the steps and going limp. A snowflake falls on the baby's nose and he wails, waving a tiny fist, and a stab of pity pierces the lion's heart . . .
This is a picture book for all ages with many levels of complexity. Accompanied by evocative pictures created with oil pastels on grey velour paper which portray the mood and atmosphere perfectly, this story is a mixture of fantasy, fairy tale and fable. The lion at the end of the story is not the lion of the beginning, much like the key characters in The Selfish Giant and The Happy Prince opening the way for in-depth and comparative studies of these texts. How can a single act of kindness make such a difference to so many? Teaching notes are available at the publisher's website.
Barbara Braxton

Run by Gregg Olsen

cover image

Hot Key Books, 2014. ISBN 9781471401855.
(Age: Teens) Gregg Olsen knows how to create a page turning crime thriller mystery but in Run the main character is fifteen, an unlikely hero for this genre. Somehow he makes it work. What could be improbable becomes probable, the unbelievable believable.
The novel starts at a zipping pace and doesn't let up. Rylee comes home from school and finds her father dead with a knife through his chest, her mother missing and the word RUN scrawled in blood on the floor. Far from breaking down Rylee heeds the advice and together with brother Hayden flees the scene. We learn through Rylee's flashbacks that 'running' is part of her everyday experience - her family has been running all their lives. This fact helps the reader accept Rylee's actions throughout the story. Her mother has taught her 'not to trust anyone' as well as a few other not so legal means of surviving.
At the beginning of each chapter Rylee lists the state of her situation: Cash, Food, Shelter, Weapons, Plan. This clever device provides the reader with the changing nature of Rylee's circumstances. Very early in the story Rylee leaves Hayden with a newly discovered Aunty and becomes the chaser instead of the runner as she searches for her mother and the man who has taken her. The plan becomes 'find mum, kill dad'.
The novel then turns to one of vengeance and retribution, with gruesome results, many of which are committed by the young girl who we first met when she was contemplating whether to have spaghetti for dinner and counting how many texts she had received from her boyfriend. Yet we still support her: she has justice on her side.
Needless to say there is resolution to this story but not without a few twists at the end which explore, though not deeply, the actions of Rylee's mother and the motivation behind the man she has discovered is her real father.
A disappointment of the novel came right at the end when Olsen so blatantly sets the stage for a sequel or even a series with his last lines, 'The people who understand where I come from are the people who matter. The ones . . .  I can help'. Do we now have a new super-hero in the making? The probable has now become the improbable - however I can see such a series having wide adolescent appeal.
Barb Rye