Reviews

The screaming staircase by Jonathan Stroud

cover image

Doubleday, 2013. ISBN 9780857532022.
(Age: 11+) Highly recommended. Supernatural, Humour, Adventure. The first in a new series, Lockwood and Co., this is a world in the here and now where things have got out of hand and ghosts have appeared. Their arrival has meant wholesale changes to society; curfews, fear of the dark, and the rise of ghost hunters with their guidelines and marketing strategies. Into this mix comes a new firm of rather disorganised ghost hunters, Lockwood and Co., young and eager but spied on with suspicion by the older more well known firms, lest they fail and so undermine the other companies, or succeed and take their customers.
The company's newest member, Lucy, recently dismissed from her post as psychic investigator at another firm is keen to do well, partly so she can live but also to dispel the stories about her that threaten her livelihood. She joins Anthony Lockwood and his employee, George, who takes an instant dislike to Lucy, trying everything he can to undermine and humiliate her. So the stage is set for tension to rub between the three as they endeavour to solve people's ghostly problems. Their first big case however, results in the burning down of a house, and the subsequent suing for compensation sees them take on an investigation which could result in their deaths. With the creepiest house to stay in for the night, a ghastly employer and a plethora of horrors awaiting them, the trio sets in for the night which could see their fortunes made or their lives cut short.
An auspicious start to a hair-raising adventure into the supernatural world, this series will have a legion of avid followers. There are plenty of strings to follow: just who is Anthony and why does he have this enormous house to himself? where has George come from? and just what is behind Lucy's abilities?
Fran Knight

East of the sun, west of the moon by Jackie Morris

cover image

Frances Lincoln Children's Books, 2013. ISBN 9781847802941.
(Age: 11+) Warmly recommended. Fairy tale retelling, Fantasy, Princes, Freedom. With the fairy tale of Beauty and the beast hovering in the background, this beautifully told story is more than a retelling, as the author adds layers of setting and characterisation, plot and motive to the original tale.
A large white bear asks the girl to go with him. There is no question that she will go, she has always known it, but her mother is distraught. She loves being with the bear, is amazed at the palace where he lives, and what he does for her, to the point of giving her a treasured photo of her family, lost when they fled their country.
But each night she is aware that someone creeps into her bed, lying beside her leaving in the morning. She longs to see who it is but the matches will not strike. When she misses her family, the bear takes her home for a month and a day, but warns her not to be alone with her mother.
On returning, mother has given her new matches and so one night she strikes one, enabling her to see the person who lies in her bed. His shocking story is revealed, and by striking the match she has destined him to marry the ogre's daughter, never to return.
She then sets out to search for him, to right the wrong she has made and in her search finds true love.
The retelling of the story is languid and poetic, descriptions are matched by the mythical water colour illustrations as they drape across the pages, adding to the pleasure girls will have on reading this tale.
The small size is appealing and handy to hold, adding to the pleasure of the read.
Fran Knight

The shiny guys by Doug Macleod

cover image

Penguin, 2012. ISBN 9780143565307.
The shiny guys is a bold, abrasive and surprisingly funny novel, akin to Ken Kesey's One flew over the cuckoo's nest in terms of subject matter, and worthy of similar praise.
The story concerns a 15-year old boy who has been admitted to an asylum during the 1980s, a time when the treatment of mental health patients was still radical but beginning to be questioned.
From the first page, each word seems hand picked, like a meticulously compiled string of sentences. Despite the strength of the writing, each word has an irresistible urgency and secrecy, as though betraying too much of it to another would be breaking some intimate vow.
Doug Macleod presents teenagers with a genuinely smart, genuinely funny and genuinely hard-hitting piece of collage writing. He combines normal contemporary prose with letters, transcribed conversations and other styles. This format is wildly eclectic and effective, allowing for the disjointed characters and dialogue to be presented in a way that serves rather than stifles their quirks.
The mixed-up writing almost recalls Beat Generation poetry, whimsical and dark, equally edgy and translucent.
The shiny guys is a strong, nostalgic and never accusatory literary nod towards the treacherous mental health system of times gone by, but more importantly the fragile health in question of young people. It poignantly recollects and highlights the institutional damage inflicted on those who are already damaged.
An intelligent read recommended for teenagers looking for something with bite, but enough heart to balance the dark.
Henry Vaughan (Student)

Scarlet in the snow by Sophie Masson

cover image

Random House, 2013. ISBN 9781742758152.
(Age 12+) Highly recommended. There seems to be a real fashion for updating fairy tales in recent times. Of course, over the years there have been many retellings of traditional tales, but this latest foray seems to be concentrated in presenting new versions in more adult formats vis-a-vis cinematic offerings such as Snow White and the huntsman or Mirror mirror or books such as Moonlight and ashes (also by Sophie Masson).
Sophie Masson presents a new styling of the old 'beauty and the beast' traditional tale (La belle et la bete), first published in 1740, and gives it a new and engaging twist that will be sure to captivate the girls looking for something with rather more substance than the general pulp fiction in the romance genre. Carefully employing many of the original elements of the story - a once rich family reduced to poverty, the enchanted forest, a mysterious mansion occupied by an apparently invisible owner, tables laden with magical food, and most importantly a beautiful rose plucked innocently without any malice - Masson weaves a complex but beautiful rendering of the story breathing real life into the characters and their circumstances.
Tragedy, revenge, intrigue and love triumphant are crafted into an unravelling of the story in which Masson has combined selected motifs of the many hundreds of versions of the original tale. Taking her setting from Russia and drawing most heavily on the version retold in that country, the author has created highly believable and very human characters in Natasha, Ivan and even Old Bony. There is a definite tone of steampunk in the later settings/incidents in the book which this reader found highly engaging.
With teaching notes available from the publisher this would make a terrific book for lower secondary students engaged in shared reading or a book group. Highly recommended for able readers 12 and up - especially girls.
Sue Warren

The river charm by Belinda Murrell

cover image

Random House 2013. ISBN 9781742757124. pbk., 320pp., RRP $A15.95
(Age: 10-14) Historical fiction, written well, can provide a greater insight into the life and times of a particular period better than any website, textbook or other non-fiction resource. Historical fiction, written well and woven around actual people, places and events can bring the past to life and enable students to really appreciate the contrasts between life in a particular timespan and their own enabling them to reflect on not only the changes that have occurred, but, often, why they have. Such is The river charm by Belinda Murrell.
Based on the author's own family tree which includes Charlotte Barton (Atkinson) the author of the first children's book to be published in Australia A mother's offering to her children, by a lady, long resident in New South Wales, this story tells of the challenges facing Charlotte's family in the 1840s. Set initially in the NSW Southern Highlands where many of the landmarks mentioned still exist (the Hume Highway crosses the Medway Rivulet at the Three Legs O'Man Bridge) Charlotte and her children live in a glorious mansion wanting for nothing, presumably well-catered for by the legacy of her first husband and the children's father. However, being a single female, even a widowed one, was not acceptable in those times and so Charlotte's destiny is in the hands of the executors of James Atkinson's will. A series of events, disclosed later in the story, leads her to marry local George Barton, a mistake she lives to regret for the rest of her life.
Barton is a violent drunk determined to spend and drink his way through his new-found riches, and so Charlotte gathers the children and they flee in fear for their lives to a remote outstation (near the Cambewarra Mountain). Life here allows the reader to appreciate the courage and resilience of those who settled such remote areas, particularly women, such as being two days ride from a doctor who decides the cure for Louisa's croup is to bleed her using leeches, giving her a potion which makes her vomit and then rubbing caustic soda on her neck so that it burns and blisters the skin!
Circumstances take them to Sydney to live, but too poor to live in town, they rent a cottage in a nearby fishing village called Double Bay. However, worse than being a single female, is being a married one who chooses to leave her husband despite his being known as an angry drunkard, and so their situation worsens and Charlotte continues to be involved in a battle with the executors, the lawyers and courts. It is an intriguing tale that will enable the reader to appreciate the journey that women have travelled and endured.
Told to Charlotte's modern-day descendants by Aunt Jessamine with whom they are holidaying, and seamlessly slipping between the generation gap drawn together by a pebble from a river on a charm bracelet, this is a title that should be on the library's shelves. Even though the key character is Charlotte's eldest daughter, also Charlotte, we are introduced to Louisa, the youngest, who went on to become a leading naturalist of her time, evidence of her mother's belief that education was as critical for girls as boys and her total commitment to this.
This book would make a valuable resource to support the History strand of the Australian National Curriculum (there are teachers' notes ) but above all, it is just a strong, engaging read written with the sensitivity and respect that characterise the author's works.
Barbara Braxton

The watcher in the shadows by Carlos Ruiz Zafon

cover image

Text, 2013. ISBN 9781921922527
(Age: 13+) Recommended. Thriller. Automaton. Widow Simone takes work at a rambling mansion at Blue Bay near Mont-St-Michel in northern France. She has recently lost her husband so work as a housekeeper to Lazarus Jann, a retired and reclusive toymaker, is fortuitous. Her children, however, in walking to the mansion on their first visit find some of the automatons, in the garden and the house, unsettling. A letter from an unknown person opens the book, and this we find is one of many such letters, written but never sent. So begins a tightly plotted, complex and highly unsettling thriller.
We hear more about Lazarus as Simone's children, Irene and Dorian, become part of his small community, and about his seriously ill wife. While his servant Hannah befriends Irene, she soon finds that Hannah's cousin, the unusual Ismael, more interesting, even though his thoughts are only of the sea.
When Ismael and Irene go to the sea cave, Ismael tells her the tale of the frowned woman, and finding her diary, Irene is enthralled, reading of the shadow which emerged years ago, the spectre forming a backdrop to what then happens. With Hannah found dead, the two have a mystery to solve, but find it is very close to home. Lazarus Jann takes Simone from her bed to his factory where a doppelganger, a replica of Simone is being made.
This is a breathtaking read, full of shadows, with the characters' names adding deeper levels of meaning to an already rich and enthralling tale. The built angel is one of the scariest inventions I have read of, and will amaze the readers just as it did me.
Fran Knight

To get to me by Eleanor Kerr and Judith Rossell

cover image

Random House, July 2013. ISBN 9781742758831. RRP $19.95.
(Age: 5+) Recommended for younger readers. This delightful new picture book combines very popular themes which teachers of young children will no doubt find very appealing and useful. Peter invites his friend Ahmed to join him on a trip to the zoo. Judith Rossell's colourful illustrations reveal to the reader that Ahmed quite clearly does not live in Australia. Peter's explanation to his friend of how 'to get to me' is accompanied by a very attractive world map, complete with iconic landmarks and fauna.
Using a variety of modes of transport Ahmed travels right around the world to Sydney to meet Peter at Taronga Zoo. On his way Ahmed passes scenery which cleverly incorporates small sections of newspaper text in the illustrations - changing from Arabic script to English. The text is simple and includes onomatopoeic 'transport' words which young children will delight in as it winds up and down hills, through tunnels, and across the sky and the sea.
As a springboard to discussing intercultural relationships or accompanying a unit focussed on methods of transport, this will be a valuable addition to any school library.
Sue Warren

The fearsome, frightening, ferocious box by Frances Watts and David Legge

cover image

ABC Books, 2013. ISBN 9780733328916.
(Age: 4+) Warmly recommended. Picture book. Humour. Poetry. A box falls from a truck and is left on the roadside, where a variety of animals comes and inspects the box, saying that they would look inside. But as each animal comes by, bragging that they will not be frightened, they are. First a monkey looks inside and hears the thing inside moan and tell a little tale of its life. The following double page shows the area in which it lives, and the reader is invited to search for the six things hidden on the two pages. Then a crocodile happens along and he hears the thing inside groan with a similar poem over the page inviting the reader to find the six things hidden this time in an arctic landscape. And on it goes, each animal being scared off by the thing inside and the reader invited to find six things in a different environment, until finally the lid of the box is lifted.
A fun involving story with things for the reader to do on each page will entertain those who pick up the book. Legge has successfully shown each animal in distress as it peers inside and the environments shown with their hidden animals will entice younger readers to be involved.
Fran Knight

All the Green Year by Don Charlwood

cover image

Text Classics, 2012. ISBN 9781922079428.
(Age: Junior - mid secondary) All the Green Year by Don Charlwood, along with Sydney Bridge Upside Down by David Ballantyne are two of the titles from the Text Classics series for adults which will find a YA readership, particularly in English classrooms. All the Green Year was studied by 13 to 15 year olds for two decades. It may not generate quite as much interest in the twenty-first century but its episodic structure makes it ideal for close study of one or more of the events in protagonist, Charlie's adolescence.
The book is set in 1929 in a fictionalised small town on Port Phillip Bay on Melbourne's fringe. The waterside setting and early Depression era atmosphere and tone resemble The December Boys by Michael Noonan. The boys in All the Green Year are not visiting orphans, however. Seemingly reared as much by place as their parents, their relationships with fathers and men are fraught; beatings are commonplace and sternness easily escalates into violence. Charlie and, particularly, Johnno are the targets of teacher, Mr Moloney's have to flee in Charlie's boat from the repercussions. The gripping last quarter of the novel (beginning on page 203) could even be read as a novella.
As the Introduction states, this story is an evocation of Australian childhood and an exploration of boyhood, especially of male friendship. It is also important because of its insight into a slice of Australia that should not be forgotten. Teacher Notes are available.
Joy Lawn

Ten tiny things by Meg McKinlay

cover image

Ill. by Kyle Highes-Odgers. Fremantle Press, 2013. ISBN 9781921888946.
(Age: 3+) Recommended. Picture book. Walking. Environment. When the machine breaks down the children must walk to school. Grumbling, they miss their machine which is warm when they want warmth, cool when they want it to be cooler, and gives them a smooth, swift ride there and back again. But on walking to school, they notice things: they see a bright shiny object which Zachary admits he has seen from the machine, but only as a blur. Further on they see shells and birds and trees, and when at school, they realise that they have seen ten tiny things which they would not have seen when in the machine and they have had the sun on their backs to keep warm. When mum comes to school at the end of the day with the newly fixed machine, the two prefer to walk home to see the secret things, the hidden things, which they cannot see in the faster machine.
The illustrations with their few colours and abstract forms draw the eyes to look more closely, seeing what the illustrator includes in his sparse pictures. The spindly legs and arms of the children contrast with their body shapes, and their clothing with its rich array of patterns contrasts again with the triangular representation of trees and buildings. Using wood panels on which to paint with acrylic and wood stain, the impression is given of American indigenous art, while the overall theme of walking not driving is given a broad push in the whole book. It is not surprising to read on the end paper, that both the author and illustrator are proponents of walking, and disdain the use of machinery where possible, although I'm sure a coffee machine is well used while pondering a new book.
This book is intriguing and will beguile young eyes to look more closely at its ideas are presented. This book will serve the teacher well in introducing environmental issues such as the use of machinery and its impact upon the environment in which we live.
Fran Knight

Otis Dooda by Ellen Potter

cover image

Omnibus Books, 2013. ISBN 9781742990200.
(Age: 10+) Otis Dooda is a fun filled story, describing the adventures of Otis during his first week in New York City. I thoroughly enjoyed reading about his 'true' adventure and most children will be hooked from the first page.
Imagine being cursed by a plant, putting up with a smelly horse (disguised as a dog) and attacked by pooping, mechanical birds. All that in one week!
Otis Dooda is a quick moving story, guaranteed to get independent readers aged 10+ reading - especially boys. Readers will meet Otis's rat loving brother, his energetic mother and his chip eating dad. They will be entertained by the crazy antics of Otis's new friends and they will giggle at the funny illustrations.
Kylie Kempster

The playground problem by Sally Rippin

cover image

Hey Jack series. Hardie Grant Egmont, 2013. ISBN 9781742975436.
The Hey Jack series is a collection of short novels aimed at boys aged 7+. The text is large and easy to read with quick moving stories incorporating a different moral or problem faced by school aged children. They are also good for older boys with a low reading level as they look like a novel rather than a picture book. The main character is Jack and he is faced with a problem. Jack's best friend, Billie, is away and he has no one to play with. Who knew he could have a fun day by taking a chance and talking to Alex, another boy in his class. The Playground Problem is a short story about mixed feelings over who Jack should play with. If he plays with Alex, Billie will be upset and if he plays with Billie then Alex is upset! If he works out what they all have in common then the problem is solved. This is a common problem faced by many children and would be a great discussion topic in Child Protection as it is a short and quick read.
Kylie Kempster

My superhero by Chris Owen

cover image

Ill. by Moira Court. Fremantle Press, 2013. ISBN 9781921888977.
(Age: 3+) Picture book. Parents. Families. Animals. With rhyming stanzas on most pages, interspersed with the superhero cries of kaboom and kapow, the storyline of just what makes a superhero is easy to follow, wonderful to read aloud and comes to a finish with an 'aw shucks' moment melting the hearts of all kids and readers.
The reader is introduced to a range of animals which exemplify the attributes of a superhero. They are usually tall and very muscly, blessed with wonderful good looks and catch crooks, as shown by the picture of a large bear with a mask. Over the page the rhyme tells us how they don some armour, the better to enable them to repel missiles, and the picture is of an armadillo with a mosquito attempting to break into its outer shell. Further on we are shown a fallow deer with a rabbit on its back, fleeing a wolf, and the refrain tells us that some superheroes have the skills to save maidens in distress and smash rocks to smithereens. And on and on, the refrain giving a neat concoction of what a superhero does with the illustrations visually reflecting the refrain.
The bright in your face illustrations rendered in charcoal, acrylic paint and pencil, have a collage effect as the animals seem to leap out from the page. A glossary at the end gives more detail about the animals represented, making this a highly visual tale of some of the world's animals to present to young children.
Fran Knight

Time to shine by Susannah McFarlane

cover image

E.J 12 Girl Hero, Scholastic, 2013. ISBN: 9781921931383.
EJ12 remains a popular series with the 7 - 9 year old girls looking for more in the adventure genre, so this, the 16th in the series, will be a welcome addition to bookshelves in libraries and homes.
Emma Jacks alias EJ12 and her friends are all looking forward to working together as agents of SHINE, the secret organisation that has recruited them all, and even Nema suspected as being an agent of the evil SHADOW agency is being nice. But when Elle announces that she and her family are moving to London Emma is devastated.
With encouragement from her mother Emma reflects on the change a maths test brought to her life. As we discover it was success in a maths test she was dreading that resulted in her joining SHINE and the training drills and tests that gave her a chance to shine.
As there is always some form of animal involvement in EJ12 books, it is interesting to note that rescuing seals and other sea creatures from an oil spill is part of this adventure, and of course the amazing charm bracelet has just the right gismo to help.
The message is unmistakeable throughout that change can lead to positive outcomes. By facing her fears and remaining calm and thoughtful there is a chance to shine. Sounds a bit like a song title to me, but I'm sure fans of the series will continue to follow the ongoing adventures of agent EJ12 and her friends.
Sue Keane

Word hunters, the curious dictionary by Nick Earls and Terry Whidborne

cover image

Word hunters series. UQP, 2012. ISBN 978 0 7022 4945 7.
(Age: 11+)Recommended. Fantasy. Words. Dictionaries. Books. Historical novel. Finding a dictionary tucked into the shelves of their library, twins Lexi and Al tumble down history to locate words that are losing their place in the language. The first word hello, proves elusive as they wander from Eddison's laboratory in 1877, where the first word heard on the first telephone is hello, then to a whaling ship in the Atlantic Ocean in 1835 where they hear halloo, then to the New Forest in 1100 where they witness the murder of King William, and hear the word harrow. All is intriguing and mysterious and when the children suddenly return to the present day, Al borrows the book from the library to find out what is going on. The pair sketch what they remember of the places they have been, and their father is shocked at the drawings, reminding him of those his father did. But he disappeared thirty years before, so the twins, seeing a connection between them and their unknown grandfather, resolve to find what happened to him. They ready themselves to travel once again, this time with better preparation.
Each place they find themselves in gives them a change of clothes and the keys Al carries tells them the date and place they have landed, as well as providing a key to the portal which they need to search for. Their quick survey of the setting gives an amount of historical detail to the reader which will involve them in what is about to happen. I found myself reaching for history books to corroborate the situations given, just as Al does when he gets home.
This is an engrossing time travel tale, taking modern readers to places outside what they have learnt, but nevertheless giving a substance to the story that will readily hold their interest. This is the first of a series.
Fran Knight