EK Books, 2018. ISBN 9781925335774
(Age: 5-8) When he is at home the stories running through his head
keep him awake at night - stories about dragons and rainbow eggs at
the bottom of Grandma's garden; his teacher being eaten by a
gruesome ogre; unicorn detectives chasing robotic pirates up alien
volcanoes. The wonderful, magical ideas just keep flowing and he
writes and writes and writes. It's all about the adventures and not
about the writing rules.
But at school, the adventures dry up because the writing rules rule.
And the red pen is everywhere,
"But at school their are too many riting rulz and with all the rulz
I can never find my dragons."
At school he doesn't like to write
Until a new teacher comes - one who is a storyteller himself and
knows writing is about the story and not the rules.
In the 80s I was lucky enough to be deeply involved in the process
writing movement where we truly believed that writing had to be
about the ideas and the adventures and that the processes of
reviewing, editing and publishing came later once there was
something to work with. Children were just happy to express
themselves and as teachers, it was our job to guide them with
spelling, punctuation and grammar, semantics and syntax, so that if
one of their ideas grabbed them enough that they wanted to take it
through to publication then we would work together to do that. Words
were provided as they were needed in context, and punctuation and
grammar tackled on an individual's needs rather than
one-size-fits-all lessons. And if the effort of writing was enough
and the child wasn't interested in taking it further, then we had to
accept that - flogging a dead horse was a waste of time. In
pre-computer days, how many nights did I spend on the typewriter
with the big font so a child could have the joy of their own
creation in our class library? Children enjoyed writing for
writing's sake, were free and willing to let their imaginations roam
free and were prepared to take risks with language conventions for
the sake of the story.
But when publicity-seeking politicians whose only experience with
the classroom was their own decades previously declared that
"assessment processes need to be more rigorous, more standardised
and more professional" (a quote from "Teacher") we find ourselves
back to the red pen being king and our future storytellers silenced
through fear. While the teachers' notes tag this book as being about
a dyslexic child, it really is about all children as they learn how
to control their squiggles and regiment them into acceptable
combinations so they make sense to others, a developmental process
that evolves as they read and write rather than having a particular
issue that is easy and quick to label and therefore blame. We need
to accept what they offer us as they make this journey and if they
never quite reach the destination, or are, indeed, dyslexic, then as
well-known dyslexic Jackie French says, "That's what spellcheck and
other people are for." So much better to appreciate their effort
than never have the pleasure of their stories.
So many children will relate to this story - those whose mums have
"to wade through a papar ocean to wake [them] up" - and will
continue to keep writing regardless of adults who think they know
better. But who among those adults will have the conviction and the
courage to be like Mr Watson? Who among the powers-that-be will let
them do what they know works best? If the red pen kills their
creativity now, where will the storytellers and imaginative
problem-solvers of the future come from?
Barbara Braxton
Just breathe by Andrew Daddo
Penguin, 2018. ISBN 9780143573623
(Age: 14+) Highly recommended. Who doesn't love a modern-day Romeo
and Juliet? A schoolboy athlete, Hendrix has no social life, thanks
to his father's ambition for his son to win both the State and
National titles. Paul isn't just Drix's coach but a drill
sergeant, demanding 100 percent dedication to: training, diet and even
clandestine oxygen therapy. But Dad didn't bargain on a distraction
like Emily.
Emily and her mother Anna are from Benalla. They are only living in
the big smoke temporarily, so that Emily's medical condition can be
monitored closely by a Melbourne specialist. It's Emily's new puppy
Lucky, who brings the unlikely pair together. First love proves to
be so intense that escaping overprotective parents occupies most of
their time. The alternating narrations in Book 1, quickly dissolve
into one single all-seeing narrator in Book 2. This strategy works
well to strengthen the connection between the main characters.
With Hendrix's phone confiscated, reunions after even a few days
separation, only heighten their attraction.
"They didn't even kiss. They just stood on the platform together as
one. Hendrix thought she was laughing because she was jiggling so
much, and when he pulled his head back to look at her she burrowed
deeper into his shoulder. That's when he knew she was crying. The
way she let go loosened the tap for him as well. By the time the
platform had cleared, Emily and Hendrix had practically melted into
each other. Anna hung back inside the station, watching. 'Thank
you', she whispered to no one in particular'."(p 298)
As romances go, this one is not intentionally sentimental, likely
due to the amount of detail about athletics training. Adding depth
are a number of other complex issues eg father/son and
mother/daughter relationships, the city/country divide, bioethics
and more. Andrew Daddo has penned his best YA novel yet, with this
heart-rending romance that should appeal to both sexes.
Deborah Robins
Splat the fake fact by Adam Frost
Ill. by Gemma Correll. Bloomsbury, 2018. ISBN 9781408889503
When it comes to free reading choices, young boys, particularly,
tend to go for the non fiction titles about sharks, dinosaurs, motor
vehicles and the "Guinness Book of Records". They are fascinated by
the world of the weird and wonderful that they can pore over and
learn so much from in discussions with their friends as they examine
the pictures even if they can't read the text yet. They are laying
their foundations of the basic concepts of information literacy but
their interest is driven by the illustration rather than a need for
specific information. Splat the fake fact takes this interest up a notch, encouraging
the reader to actually think about what they are being told,
discover the correct answer through some research and then do
something about it. On every page there are incredible, hilarious,
unlikely facts that are completely true... and one fact that
isn't! The reader is invited to find the imposter fact and reveal it
before it goes out into the world - and then take some action like
scribbling on them, lasering them, drawing silly hats or crossing
them out. While that might not be the recommended action for a
community library book, nevertheless the combination of humour and
cartoon presentation will engage young readers into understanding
that not everything they read is true; that there is real "fake
news" and the need to verify what they see and hear through some
basic research.
While this would make an ideal read for that young person moving on
to independent reading and research, it could also have a place in
information literacy levels with each page being a jump start for an
aspect of the information literacy process. Starting with "What do
we already know?" and "What more do we need to know?" and "Where
could we find that information?" students can be led on that journey
of lifelong learning, developing those core concepts in a way that
connects to the interests of the age group.
While many teachers like to use websites like Save the Pacific
Northwest Tree Octopus to have students to learn to test what they
are reading and evaluate the validity of it, Splat the fake fact
is a few steps before this with its accessible language, funky
illustrations, and graphic layout. Each fake fact is identified,
often in another crazy puzzle that requires more learning to
decipher, but more complete explanations are given at the end of the
book.
Some students might even like to use the puzzles as models to create
their own fake facts, setting up a weekly challenge for library
users to investigate, learning to use the library's resources as
they do.
What looks like a book that might be used as a child's Christmas
stocking stuffer, might just be the best investment you make in your
library collection this year!!!
Barbara Braxton
Front desk by Kelly Yang
Walker Books Australia, 2018. ISBN 9781760650469
(Age: Young adult - Adult) Recommended. Front desk is
inspired by Kelly Yang's personal experience immigrating from China
to America, and her journey of running motels with her parents from
when she was eight to twelve years old. Many of the events that
transpire in Front desk actually happened in Yang's life. The
story follows ten-year-old Mia Tang who after moving to America with
her mother and father has to help out in running a motel, all while
overcoming the issues of language barriers, discrimination, and
finding courage and confidence to make a difference for herself and
her family.
This was a well-written and easy to read novel that really focused
on Mia's journey growing up, and facing and overcoming tough issues
for a ten-year-old. And while Kelly Yang did not shy away from
expressing the harsh truths of discrimination, she balanced it out
with heartwarming moments that made the story flow smoothly. While
the themes explored are heavy ones she addressed them in a way that
made you really think about them. I myself sat down after reading
this book wanting to know more about what it was like for immigrants
coming to America from China in the 80's and 90's. Kelly also wrote
about Mia's character in a way that made her attitude seem older
than that of a ten-year-old, especially considering the issues she
went through in this story. Lastly, I found that Kelly's use of
metaphors throughout the story to be very clever as Mia seemed to
use them as motivators throughout her journey.
I would recommend this to young adults and adults as the themes
explored in this story are important but also not too heavy.
Kayla Raphael
The mystery of the squashed cockroach by R. A. Spratt
The Peski Kids series. Penguin, 2018, ISBN 9780143788812
(Ages: 8-12) Recommended. Themes: Spies. Brothers and sisters.
Country life. Missing persons. When a gun-wielding masked woman
kicks in the front door, siblings Joe, Fin and April's lives change
dramatically. Their palaeontologist mother is missing, caught at an
Eastern European border crossing with a USB hidden inside the ulna
of a stegosaurus. Professor Maynard, their mother's boss needs to
quickly move the children to safety away from the clutches of the
evil Kolectiv hit team. There's no going back when the Professor
blows up their suburban house.
Their horticulturalist father who left the family when April was a
baby lives in a tiny country town called Currawong. The quirky
townsfolk are obsessed with cockroaches, holding the annual
cockroach race. Given a new surname, the Peski kids are left with a
father they don't know, a lifestyle unfamiliar to them and a town
filled with cockroach obsessed people.
After a disastrous first day of school, except for Joe's surprising
aptitude for lawn bowls, the children decide to try and fit in.
Searching for cockroaches to enter into the race, involves breaking
into a neighbour's house with the help of a teenage whirlwind
Loretta Viswanathan. When Loretta's expensive Madagascan cockroach
is found dead in its aquarium, the Peski kids set out to solve the
mystery. When the competitors for the annual race start dying off as
well, Joe, Fin and April accompanied by Pumpkin the ankle-biting dog
become detectives searching for clues. The mystery of the squashed cockroach captures the reader from the
prologue. Joe, April and Fin argue, bicker and generally get on each
other's nerves, however they pull together in times of crisis. Each
of their skills is needed to uncover the villain. Currawong's cast
of characters are unique and unusual adding humour to this
fast-paced adventure. R. A. Spratt's witty writing style and
fast-paced plot make this an exciting new series. Life will never be
the same, what adventures await in the next Peski Kids' adventure?
An exciting class novel for middle primary students.
Rhyllis Bignell
The 104-storey treehouse by Andy Griffiths
Ill. by Terry Denton. Pan Macmillan, 2018. ISBN 9781760554170
(Age: 6+) Highly recommended. Themes: Humour. Join Andy and Terry in
their wonderfully wild and wacky 104-storey
treehouse. Andy and Terry and friend Jill return for another wacky
adventure as they add another storey to their treehouse, making it
104 storeys tall and full of fantastical inventions and creatures.
The storey is introduced at the beginning of the book, with all its
wonderful inventions. A money making machine is sure to appeal to
all, except when Terry hits the wrong button and it turns into a
honey making machine, and the drawings of the trio climbing the
never ending staircase will have readers giggling. Poor Andy has a
terrible toothache and the different remedies to pull the tooth
suggested by Terry will resonate with young and old alike as they
recall losing a tooth. There are bears, joke writing pens and Mr Big
Nose who expects the latest book to be delivered on time.
As popular as the previous ones in the series, I had to wait in line
to read The 104-storey treehouse, as both grandchildren and
visitors to the house devoured it and had no trouble recounting the
plot lines in detail. The jokes at the bottom of the page were
funny, and often groan-worthy, and make a wonderful addition to a
family's joke repertoire.
This is sure to be a hit at home and in classrooms, with young and
old, and will be welcomed by all the creators' many fans.
Pat Pledger
Fergus the farting dragon by Monique Mulligan
Ill. by Veronica Rooke. Serenity Press, 2017. ISBN 9780995410435
(Age: All) Highly recommended. Themes: Dragons. Similarity.
Stealing. Humour. "Fergus is different to other dragons. But when
people make fun of him, he has an ear-splitting, eye-watering,
toe-curling, stink-making response. He farts! When a cheeky knight
in a fire-proof suit steals a precious dragon egg, the other dragons
are at a loss. It's left to Fergus to get the egg back from the
thieving knight." (Publisher)
Fergus is a very unfortunate dragon. Because he can't breathe fire
like all of the other dragons, they tease him. Even though Fergus
can't breathe fire he is really good at farting. Fergus shows the
other dragon that being different is not always a bad thing. When
all of the other dragons fail to save the golden egg, Fergus is the
one who saves the day.
This book has a great message in it, that it is ok to be different.
Just because someone is different does not mean they are not as good
as everyone else.
I highly recommend this book. I think it will appeal to both
children and adults with the fart humour. Activities
to complement the book are available from the publisher.
Karen Colliver
Puddle hunters by Kirsty Murray
Ill. by Karen Blair. Allen and Unwin, 2018. ISBN 9781760296742
(Age: 4+) Highly recommended. Themes: Rain. Puddles. Family. After a
rainy morning, the family goes out puddle hunting. The sky has
almost cleared as Ruby and Banjo find their boots and set off with
mum to find some puddles. There are no puddles to be found in their
garden as the flowers have soaked up all the rain. There are no
puddles on the glistening footpath and once in the park, they hunt
under bushes, beside the path and on the hillside, still without any
success. But walking over the bridge to the river flats they find
all the puddles they need.
Each of the children, sometimes together sometimes alone, jumps into
the puddles they find, making a splash, and squelching in the mud.
What fun!
Perth freelance illustrator, Karen Blair has impressed with her
wonderful illustrations. I loved Granny Gromet and me, all
of her pictures redolent of the great outdoors, reflect her
childhood on a farm.
Her illustrations for Puddle hunters are delicious, showing
two small children and a quick thinking mum taking their walk
through the puddles in the park. Full of movement, each picture
reflects the love and familiarity between the three as they do
something which in the end renders them all wet and muddy,
necessitating a bath when they get home.
This engrossing story will be fun to read aloud and act out. Its
repetition will engage, its movement both in the story and in the
illustrations on each page will delight all the readers, young and
old.
Fran Knight
Bonesland by Brendan Lawley
Text Publishing, 2018. ISBN 9781925603583
(Age: 15+) Highly recommended. Explicit content. Shortlisted, The Text Prize, 2017. A multi-layered
coming of age story about family, mates, bullies and maybe hooking
up with the hot American exchange student. Set in country Victoria,
Banarang is a fictional town.
But it's not pretty when you live in it every day. If you don't
escape Banarang straight after Year Twelve, you've got two options -
you make a bunch of kids with your high-school girlfriend or you
smoke ice all day and start pub fights at night. There are plenty of
guys who manage to juggle both.
In the first chapter Bones demonstrates that Banarang is a short
commute to Melbourne. Bones is suffering from OCD, likely because
his mother left. Given his oversexed mates with whom he shares the
exact same urges, this inner monologue is hilarious. The boys don't
pull any punches and the misogynistic dialogue and euphemisms are
very explicit. But that's not the reason readers can't put it down.
Every character is capable of redemption - even Dad, the loser and
Shitty, the bully.
By contrast, Naya, the UNICEF "do-gooder" exchange student, seems to
have more going on in her top paddock, as does the Muslim girl,
Aaleyah. Despite his problems, Bones is soon fantasising about the
cosmopolitan yet altruistic Naya. Jimmy is a leader by virtue of his
confidence and cash but is intent on breaking into pop culture by
imitating African American rappers - doubtless, girls will be
offended by his lyrics. All the boys have problems, Leon is Gay and
Bones' brother Trav is tangled up with the town bully, yet the
friends tolerate Bones despite his nerdy obsessions. Tension builds
as Bones is targeted in and out of school. The coward's punch climax
is cathartic for Bones and his family.
"Bonesland" is the most consistently explicit YA title I've sampled;
but somehow the language isn't gratuitous because we all know these
Aussie males at the end of schooling, for whom the only meaningful
education they have garnered is both the best and worst of each
other. An eBook is available and Text Publishing link
to Lawley's playlist while you read a sample chapter.
Deborah Robins
Swallow's Dance by Wendy Orr
Allen and Unwin, 2018. ISBN 9781760297879
(Age: 12+) Highly recommended. Themes: Disasters, Crete - History,
Survival, Ancient Civilisation. This is a very touching story about
one girl's inner strength, and how when faced with life-changing
problems she was able to overcome the odds to keep her family alive.
Leira who was born to be a priestess finds herself in a situation
that was beyond anything she could imagine.
Her home is hit by a huge earthquake that leaves everything she
knows in pieces, including her mother. She is forced to do what she
can to keep her mother alive while waiting for help. Leira then
finds that she needs to take charge and do something otherwise
neither of them will survive.
Leira is reunited with her father and brother who take her, her
mother and elderly nurse on their ship across the sea to the land
where her other brother lives. When they arrive they find things are
not as they seem. When Leira's father and brother set off on their
trading mission she is left to look after her injured mother and
elderly nurse.
Again another earthquake and again things change for Leira.
Throughout the story Leira learns that she is stronger than she ever
realized and she is able to survive against what the goddess can
throw at her.
This book is written in a way that draws you in and you just want to
keep reading to see what will happen next. There are a number of
twists to the story that you will not see coming.
I highly recommend this book 12+. Teacher's
notes are available on the publisher's website.
Karen Colliver
Night Flights by Philip Reeve
Ill. by Ian McQue. The Hungry City Chronicles book 5.
Scholastic, 2018. ISBN 9781742997674
(Age: 12+) Highly recommended. Themes: Science fiction, Steampunk.
Good versus evil. Slavery. In "Night Flights" Philip Reeve returns
to the world of "Mortal Engines", to provide readers with three
short stories about Anna Fang, aviatrix and spy, who is a secondary
figure in the series. Anna Fang's story is fascinating. In "Frozen
Heart", her beginnings are described, first as a happy child on
board her parents' ship, then captured by the traction city
"Arkangel", where she is held as a slave working to dismantle scrap
metal from the ships that the city captures and eats up. Determined
to be free again she catches the eye of the son of the owner and
helps him build a plane and in a daring bid for freedom uses her
wits and intelligence to escape. In "Traction City Blues" an
adolescent Anna lands on London, another traction city and here
faces a Stalker who she wants to recruit as a weapon against the
slaver ship. Finally in "Teeth of the Sea" Anna goes to Pulau
Pinang, where she uncovers a mystery about the disappearance of raft
boats and in the final chapter meets the two children who will be
the main characters in the Chronicles.
All three stories are compulsive reading and would serve as a
fascinating introduction to the "Hungry City Chronicles", although
she is a minor character in those books. Anna is determined and uses
her fine mind to work out strategies for escape and on a practical
level, uses her engineering skills to build an aircraft. She is
faced with disappointment on a personal level and learns to be very
careful of the people that she can trust.
The illustrations by Ian McQue are fabulous, and the reader gets a
wonderful picture of the personality of Anna, as well as the
destructive nature of the predator traction ship "Arkangel".
With "Mortal Engines" soon to be a major film directed by Peter
Jackson of "Hobbit" fame, it won't be difficult to find new fans of
this excellent, challenging and exciting series.
Pat Pledger
Old hat by Emily Gravett
Two Hoots Books (Macmillan), 2018. ISBN 9781447274001
(Ages: 4+) Highly recommended. Themes: Hats, Appearance, Confidence,
Fashion. Harbet had a hat that he loved. It was knitted for him by
his grandmother and he always wore it. That is until his friends
laughed, telling him it was an old hat. He set about to find a new
hat, one like the ones his friends were wearing. He bought on and
paraded it. It had all the features necessary for a new hat: but it
became rather bedraggled and old. His friends by then had changed
their old hats for the new look, and laughed at Harbet in his old
hat. He went out and bought a new one. But still they laughed. He
camped outside the hat shop making sure that he was first in line
for the latest hat in fashion, but still he was laughed at.
By now readers will have understood what the book is about and
sympathise with Harbet on his quest to be 'with it' and fashionable.
They will laugh out loud at the pile of hats that he has tried
without success.
And the ending will make them laugh out loud even more, as Harbet
reveals why he wears a hat in the first place, now setting a trend
that his friends cannot follow.
The simple lesson of being yourself, will not be lost on the readers
as they will come across examples every day of peers trying to
conform with the latest fashion, be it in clothing, the latest phone
or film, language, car or holiday.
And the expression 'old hat' could be a useful lesson in sayings and
idioms for a class.
I love the illustrations depicting Harbet's whimsical look as he
tries to please his friends, not himself, or the references to hats
in the pages, or the different hats shown. Each page has a different
image to pore over. I love the references to Grandma's hat on
several pages, the endpapers showing an array of hats and the last
page which uses the story to promote another of Gravett's books.
Fran Knight
Mirror Mirror by Cara Delevigne (with Rowan Coleman)
Trapeze, 2017. ISBN 9781409172758
(Age: 16+) Highly recommended. Red, Naomi, Leo and Rose are four
misfits who become the closest of friends upon the formation of
their band, Mirror Mirror. Band rehearsal is an escape for all four,
giving them momentary freedom for the hardships they face in their
regular lives. Red has an alcoholic mother and often absent father,
Leo's criminal brother encourages him to follow in his footsteps,
Rose uses alcohol and boys to numb her painful past and Naomi runs
away from home to finally be free. Just as the band are coming to
terms with their group-identity and feel as close as a family, Naomi
goes missing and subsequently turns up half dead in the Thames. The
police believe that she did this to herself but Red begins to find
clues suggesting that things are not as they seem. The trio decide
that they must take matters into their own hands to truly find out
what happened to Naomi.
A tale of determination, mystery and friendship in the face of
adversity, this novel reminds its reader that they are stronger than
they know and can make a difference in this world. In her debut
novel, Delevigne presents realistic characters, deep emotional
twists and an all-around inspiring story. Through Red, the reader is
brought on a journey of self-discovery while learning some powerful
messages along the way. A beautiful yet sorrowful story that truly
captures the turbulence that is our teenage years.
Daniella Chiarolli
Fart monster and me : The new school by Tim Miller and Matt Stanton
ABC Books, 2018. ISBN 9780733338939
This book is about Ben and Fart monster going to a new school called
Stone Beach Primary.
I thought this book was funny because it's all about farts. The two
main characters were Ben And Fart Monster, they do everything
together. At Stone Beach Primary Fart Monster will only eat baked
beans, cabbage or fried eggs which always makes him fart. I wonder
if he will fart in Ben's new classroom?
I give it 5 out of 5 because it is a funny book.
Aston (aged 8)
The art of taxidermy by Sharon Kernot
Text, Melbourne, 2018. ISBN 9781925603743
(Age: Middle secondary) Highly recommended. Aged eleven, Lotte falls
in love with death. She admires the beauty of a dead gecko, and
keeps it. She and her soulmate Annie find beauty and death linked as
they ramble through the country surrounding their home. Lotte soon
has a collection of bones, skins and feathers in her bedroom. Her
father is tolerant but her aunt, their housekeeper, is appalled by
the smell and the unusual nature of the hobby. As the novel
progresses the reader learns that death has laid a heavy hand on the
family, and that Lotte's interest in death is about preserving both
memories and objects. Lotte's mother died some time ago after the
birth of a stillborn child. Lotte's grandmother is still mourning
the loss of her German-born husband after his internment during the
war in the Loveday camp. There is another grave in the cemetery,
that of Annie, who the reader learns died aged six in a local dam.
Lotte's father has preserved his wife's clothes just as they were
and Lottie's imagined adventures with Annie are an attempt to keep
her memory alive. Lotte's concerned relatives give her a kitten and
a camera as distractions. Lotte's love for the kitten is a
life-affirming emotion; her love for the camera is both
life-affirming and an expression of her need to preserve what she
has. The time comes for her to make choices about a career, but her
aunt is appalled by her interest in taxidermy and suggests that
being a teacher or nurse would be more suitable. However, Lotte's
father takes her to a museum where a taxidermist explains his art.
Lotte is more firmly intrigued and convinced that this will be her
career. She believes that taxidermy is a celebration of life and a
preservation of beauty.
This is a simply written verse novel which covers many issues
without seeming didactic. The attitudes to emigre Germans during
World War II, the difficulties of the Stolen Generation and beliefs
about the role of women in society are minor themes while the main
one is the effect of death and grief. The story evolves quite
dramatically and holds the reader's attention. The poems are easily
read and the descriptions of the natural world are evocative, the
writer having a keen eye for details of shape and colour.
The novel is highly recommended for Middle School readers.
Jenny Hamilton