The Internot is an entertaining rhyming story focusing on children and the world of technology. Written by award-winning director, Oscar nominated screen writer and actor Josh Lawson, this book tells the story of young Lizzy who is addicted to her screen time on multiple devices. Lizzy refuses to listen to her worried parents and even the offer of a pet does not tempt her. Then one day the Internet crashes and Lizzie is fraught with angst. She does not know what to do. She goes outside to try to find the problem, discovers a kitten who follows her around and meets a neighbour called Matt. He is reading a book and tells Lizzy all about it and hooks her in. So much so that she forgoes her devices once the Internet is reconnected.
The illustrations by Sydney-based book designer Sofya Karmazina are bright, colourful and appealing and she has cleverly captured the emotions Lizzy is feeling throughout the story. This book will be an enjoyable read-aloud for all age groups.
Themes Rhyme, Internet, Devices, Reading, New Friends, Humour.
Lauren Tobia is an experienced English illustrator who brings us her first solo effort in this wordless picture book.
Oscar has arrived to stay at his Nana’s place while his mum must go away for a little while.Nana lives in a tower block and although he loves it there, he really misses his mum.To pass the time Nana decides to harness Oscar’s interest in gardening and they plant lots and lots of seeds.The best part of the story is what he decides to do with them when the plants start to overtake Nana’s flat.
This heartwarming story is presented in a mixture of full page and small panel illustrations in which Laura shows us the story of Oscar’s remarkably successful gardening efforts.The illustrations are colourful and the detailed vignettes convey all the emotions and activities that make this book one that can be “read” again and again.Talking and noticing are an essential part of learning to read so wordless picture books are an important contribution as they provide a fantastic medium for adults and children to talk and make stories come to life.
A Ruth Galloway mystery is always a treat to read. In The woman in blue Ruth’s friend Cathbad sees what he believes is a vision of the Virgin Mary, a woman in a blue cloak standing in the cemetery. The next day a woman wrapped in blue is found dead. Ruth’s friend Hilary, an Anglican priest, has been receiving poisonous letters and Ruth believes that the two incidents may be related.
The setting of this novel is intriguing. The medieval town of Little Walsingham is a centre for pilgrims and a Good Friday Passion Play. It is also the place where a group of female Anglican priests, including Hilary, have come to a conference about training to be a bishop. The town and its architecture, churches, cemetery and religious activities are so skilfully described that I felt that I was there, and indeed would love to visit the real town.
Griffiths deftly weaves murder against a background of religious beliefs, opposition to women priests in the Anglican world, jealousy and the familiar interplay between DCI Nelson and Ruth to make a very easy to read, stimulating mystery. Fans of mysteries would perhaps be better introduced to Ruth Galloway in her early books, especially book 1, The crossing places, but after that it is not difficult to read them up out of order.
Lured in by a big friendly red dinosaur on the cover, being chased by a small girl on a scooter, children will be sure to enjoy this rollicking tale of a dinosaur who stole Granny and ran away with her. Told in fabulous rhyming language and with the refrain of 'Stop that dinosaur!', this book begs to be read aloud and is sure to have children chanting the refrain over and over. The little girl is frantic, desperate to rescue her Granny. She chases the dinosaur down the street, across the playground, through the long grass and into the wood, all the time calling out 'Stop that dinosaur!’ When she trips and falls over, crying noisily for her gran, the dinosaur relents, saying that he really wants a gran of his own to look after him. Children will have fun predicting what the little girl and her gran will do in answer to the dinosaur’s pleas.
The illustrations are bright and eye-catching. Cort perfectly captures the fear on the little girl’s face as her Gran is kidnapped, and the determination that she has as she chases after the dinosaur. Gran looks like a modern grandmother, wearing a striped skirt with her hair cut in a bob, while her face shows the love and kindness that is part of her personality. The dinosaur, coloured in vivid red, is a real character too, and kids will identify with his need for someone to help his loneliness.
Themes of love, resilience, stealing, and acceptance are woven throughout and could lead to some interesting discussions. But it is the humour, great rhythm and gorgeous pictures that will win the reader over and make it a story that could well become one that is read over and over again.
Allen & Unwin, 2021. ISBN: 9781760526825. (Age:12-17) Recommended.
Mini does not know much about planning an Indian wedding. In fact, she does not know anything at all. But she is determined that her big sister Vinnie will have the big Bollywood wedding her mum would have wanted. Neither Vinnie nor their father have the time or resources to help so Mini is on her own, determined to deliver a perfect day. With less than two months to go, Mini has no time for distractions or complications, particularly those that come in the form of the good looking and mysterious Vir, who has an uncanny ability to appear whenever Mini is in need of help.
Sister of the Bollywood Bride is a fun and light-hearted read for young adults. Mini is an extremely likeable and sympathetic character and an unusual lead for a young adult romance. It is refreshing to read a story highlighting a first generation immigrant Indian family in the United States. While the premise of the novel – a teenager organising an elaborate wedding almost singlehandedly – may be a little implausible, it is an interesting focus around which to showcase Indian culture and traditions.
Sister of the Bollywood is not a complicated read but Bajpai does touch on the continuing after effects of grief and what that can do to family relations. The novel is also a shining example of what can be achieved when communities rally around to help one of their own. The straightforward writing, appealing romance and climatic third act will ensure that this book is enjoyed by teenagers of all ages.
Themes Weddings, Indian Culture, Family, Romance, Community, Grief.
You're the best Mum is a joyous book. Part of the internationally best selling series featuring Little Wombat, You're the best Mum!, like the rest of the series, exudes warmth in the rhythmic pace and soft watercolour illustrations. Little Wombat is full of open delight and his experiences with his mum are all about security as she takes him everywhere to experience and learn about the world.
In every illustration, Little Wombat displays open hearted joy and delight. His mother is always with him as a very physical presence. The typesetting comprises two large and fun fonts which catapult about the book matching the swirling fun of the action of the story as Little Wombat swings in the air, dances in the rain and learns to love "... all the living things."
Children will enjoy finding new things in every picture so You're the best Mum will withstand multiple rereadings. It's happiness provoking and the experience of having this read by a loved one will ensure that this book will be requested again and again.
In the Australian context, I'm not sure that a wombat is seen often in the snow and Halloween is an introduced American custom - not really Australian. However, perhaps this is forgiven as it could be part of the whimsy of the story.
Gritty atmospheric texts like this one, really show up the inadequacies of plot summaries. On spec, the narrator, is a sensitive teenager and self-appointed carer to John, a returned soldier with PSTD. His father’s state of mind and skill set make John vulnerable to exploitation by a local underworld crime boss. In parallel, the boy’s underworld, is full of primeval symbolism, woodlands survival, food gardening and poetry - wonderfully ethereal imagery to accompany the active events.
Mol, the old stray, becomes the boy’s companion while John is incarcerated. Her loyalty and acceptance grounds the boy who is not mature enough to access more than a sense of the dangers surrounding his father’s predicaments – somewhat lulled by their shared dreams of an escape to the Scottish wilderness reunited as a happy family.
A dark and majestically illustrated novel in three parts, be assured it is encapsulated in the prefaced quote by John Steinbeck. “There is no other story. A man, after he has brushed off the dust and chips of life, will have left only the hard clean questions: was it good or was it evil?”
Part one introduces us to the traumatized, to nature, to love, to memory, to antiquity, and to good and evil. Part two reunites the boy with his father, fresh from prison, testing him, toughening him with a bogus hiking holiday. Lastly, Part 3 finds the pair truly destitute. John both decides to do a job for Toomey and changes his mind, as if orchestrating the only possible end to his own psychological torment.
The key to John’s struggles emerges in his nightmares concerning his platoon’s mascot, a boy who stepped on a mine in Afghanistan – memories his family are ill-qualified to help him salve. The narrator’s uncertain phase between childhood and maturity is reminiscent of Carol Joyce Oat’s cautionary tales, describing the natural confusion, half-truths, misjudgments and misinformation so cataclysmic for protagonists coming of age in stressful situations.
For narrative cadence, gothic visuals and strength of character, this illustrated hardback is the stuff of group study in schools. Shades of the psychological A Monster Calls might lead to film rights for some astute creative? On all levels this author definitely embraces Steinbeck’s grasp of the writer’s purpose – We were wolves has succeeded in “exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement.”
The Bookshop Cat is a wonderfully told story of a gentle book-reading cat who does not quite fit into his busy working family. He says to his family who are always encouraging him to find a job . . . ‘With a book, I can go anywhere and be anything I want.’ And that is exactly what he does. He travels around the town and he eventually finds his perfect job as a bookshop cat. He and his young employer Violet set out to create a warm and inviting reading space. They tidy the shop, make new displays, order new books and soon the Children’s Bookshop becomes a busy and welcoming place. Unfortunately a huge rain storm causes a pipe to burst and flood both the store and the street. Sadly the shop is not visited for days after this. Violet has an idea to take the books and place them all over the town with a map leading back to the store. The family of cats all help as well and soon the shop is up and running again.
The illustrations by Cindy Wume are both vibrant and very appealing. This is a perfect story about the power of books and reading and would be ideal for all bookshops and libraries.
After the successful You can’t take an elephant on the bus (2015), You can’t let an elephant drive a digger (2018), and You can’t call an elephant in an emergency (2020) comes the equally hilarious expose of an elephant and other animals going on holiday. Kids will laugh out loud as they spy the elephant trying to grab the ice cream cone from the top of the ice cream van, or the surfing orangutan, the meerkats playing mini golf, the bison sitting on a very small boat in the English Channel shipping lane surrounded by rather large container ships, or even piranha fish in the backyard wading pool. Each illustration accompanies a verse outlining the plight of the holiday makers having to contend with a strange assortment of animals.
The very funny verses will attract children immediately, putting themselves in the place of the hapless holidaymakers, wondering what might happen when such an animal becomes part of their family holiday. Kids will love predicting the rhyming words, learn some of the verses to read with the adult, and join in with the merriment as the story unfolds. The illustrations will certainly delight as the ostrich tries to sit on a deck chair, the lion’s efforts at being a tour guide fall flat, the rhino finds camping a little messy and the albatross makes a bee line for candy floss.
Each illustration is intriguing, detailed and hilarious, adding to the humour of the book. And the last few pages where the animals group together, complaining that they only want to have fun, putting aside their attempts at a family holiday where after all, they can enjoy all the fun of a fair, signals the next outing of this hilarious story. Can’t wait!
Themes Animals, Holidays, Humour.
Fran Knight
Little Days Out: At the shops by Sally Garland illus.
Catch a Star, 2021. ISBN: 9781922326256. (Age:1+)
Young children will recognise the familiar trip to the supermarket and have fun identifying the different food that can be purchased there. In this brightly coloured lift-the-flap book, Mum gets ready to take her two children to do the shopping. She decides to carry the baby. Children lifting the flap will discover that a little girl is coming too, riding on her scooter. After a walk, the supermarket’s sliding doors will open to reveal the interior. Baby is put in the shopping trolley and opening the flaps the reader will discover that the little girl wants bananas to eat in the fruit section. More shopping for vegetables, freshly baked bread and finally a treat follows.
Toddlers will enjoy this book and will easily recognise the things that are put in the trolley. Their vocabulary will increase as they point out things that they don’t recognise and learn new words and ideas about healthy eating. The book is very sturdy and the lift-the-flaps will last the heavy use of eager little fingers opening and shutting them.
The little family is shown as a loving one with happy faces on the mother and her children and it is obvious from the illustrations that shopping is a pleasant adventure for this family. Bright colours are used to illustrate the different types of food and will draw the reader’s attention. The prose is sparse, just right for young children who are listening and easy to remember for older children who might want to memorise the text.
Themes Shops, Shopping, Supermarkets, Food.
Pat Pledger
Stranger shores by J.M. Coetzee
Text Publishing, 2021. ISBN: 9781922330420. (Age:Senior secondary/Adult)
Coetzee’s early collection of essays, Stranger Shores, begins with ‘What is a classic?’ exploring T. S. Eliot’s idea that civilisation has its roots in Rome, and therefore the originary classic must be Virgil’s Aeneid. Turning then to Bach and the classics of music, Coetzee comes to the conclusion that the classic is that which survives and that the role of criticism is to interrogate the classic.
This sets the context for the essays that follow: essays on classical writers such as Defoe, Richardson, Kafka, Dostoevsky, Turgenev among the more familiar, but also including more modern writers such as Byatt, Rushdie and Doris Lessing.
Coetzee extends his gaze wider than Europe; there are also a number of essays devoted to Middle Eastern and South African writers such as Mahfouz, Mazrui, Pringle, Rooke, Breytenbach and Paton.
The essays would be of interest to students of literature, for criticisms of particular writers, or for a better understanding of the world view of Coetzee himself.
There are two more volumes of essays, Inner workings, and Late essays providing insight into some of the world’s greatest writers.
Themes Classics, Literature, Criticism.
Helen Eddy
One hundred days by Alice Pung
Black Inc., 2021. ISBN: 9781760641832. (Age:14+) Highly recommended.
One hundred days is the story of the claustrophobic relationship between a pregnant teenager, Karuna, and her obsessively demanding Chinese-Filipino mother, Grand Mar to the baby, a driven and highly superstitious migrant worker, struggling to care for herself, her daughter and her expected grandchild. The story is told as a letter from Karuna to her baby, following a casual relationship with her tutor in the local homework help centre. It’s a relationship that Karuna drifts into, not really knowing what she wants, perhaps just seeking something more meaningful in her life.
However the pregnancy becomes a power struggle between Karuna who just wants something of her own, and her mother who becomes tyrannical in the restrictions she imposes, imprisoning her daughter, and regulating every aspect of her life. It is a case of emotional abuse, and the sense of powerlessness that Karuna feels is very real; her mother knows how to present the right story to get outsiders on her side.
Whilst at the beginning Grand Mar seems almost a caricature of the traditional blinkered ‘tiger’ mother, her speech, her fears and warnings all expertly brought to life; Pung rescues her from the stereotype to reveal a backstory that allows us to sympathise more with her situation. The novel becomes a story of gradual understanding and reconciliation between mother and daughter, overcoming the suffering of the past. It is a coming-of-age story, of migrant experience in Australia, sharing some common themes with Tiger daughter by Rebecca Lim, but elaborated for a slightly older reading audience.
This is an outstanding book of a teenager’s struggle for independence amid the hardship of migrant life in Australia, racism, and conflicting social values. Highly recommended for YA readers.
The solid board cover and strong paper ensures this a hard wearing book and it needs to be as it will be read and read again, its message of birth and development one which delights and intrigues all ages.
It starts with an egg.
Inside that egg, Pablo knows this will be his last night in the shell as he knows he is now too big for his shell. After a good night’s sleep and a breakfast of a small croissant and a hot chocolate, he apprehensively pecks open a little hole. He peers out into the world, and wants to see more. He opens more holes: he listens to the wind and hears the crows and the buzz of a fly. He does not want to miss any sounds. Next he makes a hole for his beak and becomes aware of the smell of the soil and the flowers. He feels he wants to move in his new world and makes holes for his legs. He can wander around. He pecks holes for his wings and he can fly. But his shell still comes in handy.
This beautiful story of growing up, of setting out, of being introduced to the world around will bring laughs of recognition from the readers as they recall the first time they did something which is now taken for granted. Many families will recall their child’s first words, or the first steps, or the first laugh, and this book will be a wonderful sharing tool for readers at home and in the classroom.
Discussions may centre around the ideas of learning about a new environment, of the trepidation some feel at having to embrace something new, or adapt to change. The wonders this book evokes are endless. And it all starts with an egg.
But what an egg! Belgian illustrator and author, Rascal imbues the oval shape with emotions as the eyes peer out from the holes it punches in the shell, and all readers will watch as the senses come into play, the chick finding his feet and feeling his wings.
Gecko Press is an independent, international publisher of curiously good children’s books, based in Wellington, New Zealand.
Themes Development, Birth, Growing up, First steps, Humour.
Cosgrove’s aim of making kids laugh hits the mark in this very funny new adventure for Macca the alpaca.
Originally published in 2018 (it seems to have been around for much longer) and followed with Alpacas with maracas, Macca’s makeover, Macca’s Christmas, and A stack of Alpacas (those on my shelf). Each is very funny, causing loads of laughter from the audience, inviting spirited involvement in the verse story and illustrations.
Macca’s bright cheery face invites readers to look further. They will notice his backpack and hat, knowing these are the usual accoutrements of backpackers and explorers of all kinds. So what will Macca do as a backpacker, they wonder as they open the first pages. We are introduced to Macca and his constant companions, all eager for him to achieve his dream of being an explorer. They support him in his endeavours, waving him goodbye, but it is when he needs them most that their support bolsters his efforts.
When his spirits are low he listens to Yak’s soundtrack for inspiration, when his path is steep and muddy he recalls the llama’s words, 'No drama!', when his energy is low, he munches on Rhonda’s healthy snack. At each turn he is able to recall the words and encouragement of his friends, until he finally climbs that mountain, taking a pile of selfies, and sitting down to draw what he sees. But all he sees are his friends, so he retraces his steps and he reaches home where they are all waiting for him, welcoming him back.
This is a deceptively simple and funny look at friendship and what it means: being there when things are less than agreeable, supporting each other through good times and bad. Above all, Macca’s strength and perseverance shines through, encouraging all readers to emulate his behaviour.
Suzanne Lang is an American children’s book author and TV Producer who partners with her husband Max Lang who illustrates her publications.She has written three picture books in the Grumpy Monkey series so far.Grumpy Monkey was the first and reached No 1 on the New York Times best seller list.Grumpy Monkey Party time is the second book and Grumpy Monkey up all night is the third she has written.
In the first book Grumpy Monkey the author tackles the issue of unexplained feelings and how children can deal with them without hurting others.In this second picture book the main character, Jim Panzee, is invited to a party and reveals to his friends that he cannot dance. So, they teach him all the cool dance moves they know to help him fit in.But as the party continues Jim realizes that he does not like to dance and proceeds to tell everyone. To his surprise he finds others that agree with him and they find other things they like to do at the party.The author attempts to uncover ways to enable children speak up if they don’t like something and to demonstrate that they don’t necessarily need to follow the crowd to enjoy themselves.
The bright colorful, funny, cartoon style characters reveal their emotions and reactions throughout the story as the illustrations take us to a fabulous party, including a double-page fold out of the Conga line dance that tips Jim over the line. They capture the true joy of a big party and the many things that are happening which children will enjoy discovering time and time again.
