Reviews

Escape from Cockatoo Island by Yvette Poshoglian

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My Australian story series. Scholastic Australia, 2013. ISBN 9781742832456.
(Age 9+) In 1879, eleven-year-old Olivia Markham is taken from a Newcastle orphanage to the Biloela Public Industrial School for Girls on Cockatoo Island in Sydney Harbour. The pages of a diary, one of her few possessions, reveal the effects of incarceration in an institution characterised by punitive discipline, low expectations, limited educational opportunities and the expectation that inmates contribute to their keep by working.
Yvette Poshoglian's contribution to the My Australian story series explains how one child might have coped with these desolate surroundings. Her narrative is not dramatic but focuses instead on Olivia's emotional and intellectual development. During the six months that Olivia spends at Biloela, her longing for an education and a family are eventually realised, with the support of a teacher who recognises her potential and a childless couple who offer her a home. Her journey enables the author to provide insights into a period of rapid social change. Women dreamed of university admission, Sydney was developing into a modern, cosmopolitan city and growing public concern for the welfare of the disadvantaged led to the reform of institutions like Biloela.
Historical details lend authenticity to the narrative and suggest that Yvette Poshoglian has conducted extensive research into conditions on Cockatoo Island and the daily life of the period. The incorporation of contemporary language into dialogue is one of the challenges of writing historical fiction. Olivia's use of words from Scottish dialect is not explained, but her teacher's insistence that they be replaced with socially acceptable English reflects the attitudes of the era. Readers may find the term 'street arab' uncomfortable in the light of modern sensitivities. Its meaning is not explained in the text but is included in historical notes. Ten pages of this background information owe much to the author's academic training and her ability to identify the broader social implications of Olivia's story.
Escape from Cockatoo Island is an engaging and valuable addition to a series that has been bringing Australian history vividly to life for over a decade.
Elizabeth Bor

Robert Irwin Dinosaur Hunter by Robert Irwin and Jack Wells

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Random House Australia, 2013. pbk., ill., 96pp., RRP $A9.95.
The Discovery. ISBN 9781864718454.
Ambush at Cisco Swamp. ISBN 9781864718461
Armoured Defence. ISBN 978174250910
The Dinosaur Feather. ISBN 978174250927
(also available in ebook format)
'Behind him he heard another sigh, which was more like a snort. Turning around slowly, Robert found himself staring into the face of another australovenator, a smaller version of the earlier scary one. Although, admittedly, this one was still pretty scary! It leant down to give Robert a sniff. This was the first time it had come across a creature like this! For a dinosaur that might have weighed around 350 kilograms, he was surprisingly light on his feet. Robert hadn't heard a thing. His heart thumped hard against his ribcage. He was too scared to breathe. On the one hand, Robert was thrilled - his favourite dinosaur was so close he could touch him . . . on the other hand the australovenator was called the Southern Hunter for a good reason. This was a bloodthirsty carnivorous dinosaur, and even though this one was young, Robert couldn't help thinking that he just might get to feel the strength of the dino's jaws firsthand . . any second now.'
Robert Irwin has been given a trip to Winton in northwest Queensland for his 9th birthday present. The location is Robert's choice because he has a fascination with dinosaurs and many new exciting dinosaur discoveries have been made there recently. It is also home to the only museum in Australia dedicated to Australian dinosaurs and part of the attraction was going on a dinosaur dig with a renowned palaeontologist. It is there he discovers a dinosaur claw which turns out to have special powers . . . and so begins his first back-in-time adventure.
When your name is Robert Irwin and your dad is the world famous Steve Irwin, Crocodile Hunter it might be hard to come out from under that shadow. But in this series of books designed to capture the imagination of the newly-independent reader (or those who adore dinosaurs and demand a dinosaur read-aloud) Robert has shown that as well as being his dad's son he also has a passion and that is for dinosaurs, the ancestors of the crocs which form such a huge part of his life. They say he's been writing to the world's leading palaeontologists since most kids start writing to Santa.
Each book features a different dinosaur (not always Australian) and, in a mixture of great adventure and factual knowledge as Robert documents his discoveries into his voice recorder, the young reader is immersed in a topic that continues to fascinate this age group, long after the dinosaurs have gone. Any teacher librarian will tell you that the 567.9 section of the library is the most popular, particularly with young boys. Illustrated with Robert's own drawings (which are amazing for one so young), this is a series which has huge potential to not only hook those up-and-coming readers but also entice those not quite there yet to keep practising so they can read them for themselves.
Each book has a QR code which unlocks a special message from Robert and there will soon be a website at http://www.dinosaurhunter.com.au You don't really need much more than that really.
This is a series that will find its way to Mr 6's shelf, another Robert Irwin in the making . . .
Barbara Braxton

Warambi by Aleesah Darlison and Andrew Plant

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Working Title Press, 2012. ISBN: 9781921504280. paperback
(Age: 6-10) Highly recommended for readers from 6-10 and as a teaching resource from Years 1-6. Themes: Bats - Life Cycle. Survival.
Warambi the little-bent wing bat is born into a large colony of bats living in warm safe cave. At birth she is no bigger than a bean. Every evening her mother leaves to find insects to eat. When the home of the bat colony is destroyed, Warambi is separated from her mother. Feeling scared and lonely she seeks shelter in a place far from home. Her journey is dramatic, confronted with dogs and humans, scary noises and an unfamiliar environment.
Aleesah Davison's story is emotive, sensitive and draws the young reader in with alliterative phrases - 'she learned to sip from the stream by swooping low'. She mixes this with short informative text to engage the reader in to the bat colonies' plight. She contrasts the invasiveness and destruction by humans with the nurturing protection shown as the story concludes.
Andrew Plant's illustrations really showcase the plight of Warambi and the colony as well as complimenting the story. The darkness of the cave with the blue black shows the caring of the mother bat for her young. The illustrations are striking and powerful, using both a bold and soft palette for the different environments shown.
The endpapers provide many interesting facts on the Little Bent-Wing Bat and are a great resource for Science - life cycles, diet, habitat and human impact.
Rhyllis Bignell

ANZAC biscuits by Phil Cummings

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Ill. by Owen Swan. Scholastic, 2013. ISBN 9781742833460.
(Ages: 4+) Highly recommended. Picture book. ANZAC. Home front. Cooking. Phil Cummings has the knack of combining stories of the past with the warmth of his mother's kitchen, penning a tale so simple, we feel we could all have written it, yet so complex and multi-layered, that only someone of his talent could have imagined it and put it together with such success.
A mother and her daughter are making ANZAC biscuits in their kitchen to send to Rachel's father, serving overseas. Turning the page we see him moving carefully across a battlefield with its lights and sounds. Over the page, we see Rachel paralleling the sounds of war as she pulls pans from the cupboard, while Mum dons an apron resplendent with wildflowers. On the next page we see the soldier, ducking his head from the noise in a field of wildflowers. Then again, Rachel drops the flour from on high, and over the page her father is beset by a snow storm.
Each page following the work in the kitchen by Mum and Rachel, is replicated on the following page by Dad on the battlefield. On and on until the biscuits are received by Rachel's father, we see the horror that he is involved in contrasted with the peace at home, where a woman and her daughter go about their task. Themes of love and family come tumbling through as they do in all of Phil's books.
Complementing the text the understated illustrations glow as Owen Swan visualises the household in shades of muted pastels of yellow, blue and grey with touches of brown, the black cat giving a neat contrast. The pencil outlines filled with washes of colour are simply breathtaking, stressing the place of the kitchen in a loving family home. Each of the other pages is rendered in soft variations of grey and white, giving an impression of the man at war in a colourless background. The design, layout and font size, placement of the text, use of different styles of placing the illustrations on the pages all add to the overall effect, making this a book to savour, to read again and again in classrooms where war is to be touched upon, biscuits made and families of the past discussed.
Fran Knight

Alex as well by Alyssa Brugman

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Text, 2013. ISBN 9781922079237
(Ages: 12+) Recommended. Growing up. Sexuality. Now a teenager, Alex feels more female than male, and refuses to take the medication which suppresses his femininity. Born without specific gender alignment, Alex has been brought up as a boy by sometimes caring but often confused parents, but is determined to make his own decisions. He leaves school where he has been bullied, and enrolls in another school as a girl, wearing a dress and drawing her hair extensions back into a pony tail. She is amazed at how differently she is treated as a girl, and the underlying values attributed to one sex over the other. It is fascinating to see Brugman playing around with sex roles through this novel, exposing for us the different traits credited to each gender through the body of the sometimes capricious Alex.
But things do not go as she expects. Her new life is at odds with the old, she is lonely and unsure of herself. She makes friends but is attracted to one of the girls, while one of the boys is attracted to her. Going to a solicitor to gain a new birth certificate telling the world she is female, she makes her only friend, one who believes her, explores the issues for her and protects her when her parents become cloying.
It is the scenes with his parents that disturb. They come across as totally confused, their relationship in tatters because of Alex and their treatment of him, and they feel that life has treated them unfairly. At times I wanted to yell at them, they never see Alex in terms other than their failed male child, they never sit down with her to talk things through, nor allow Alex to explain how she feels, there is never a counsellor visited or doctor consulted, but the internet and the rubbish advised by 'friends' seems to take precedence, particularly where her mother is concerned.
I was enthralled with Alex's story, wanting her to make it in the end, find her feet and make a stand. This she does, but in accepting that her parents will never be wholly supportive she realises in the end that we are all flawed, especially when it comes to gender and what is expected of us.
Fran Knight

Hunter and collector by S. Carey

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Eerie series. Puffin, 2013. ISBN 9780143306887.
Mrs Hunter is obviously not from the planet Earth and has evil on her mind as she closely observes the people around her before targeting the young boy, William, as her prey. Whilst she is watching him, however, it would appear that he has been tracking her equally as closely. Which is the hunter and which the hunted?
This slim novella is apparently one of thirteen in the series Eerie which are to be released this year. Containing only eight chapters, many with as few as three pages per chapter and a total number of fifty five pages in the whole book, as well as double spaced print, this is the perfect series for the disinclined or struggling reader from even the upper primary classes. With a gory, somewhat manic looking character on the front cover, eyes bulging and pinned to a board via a tack through the chest and dripping blood, this is not a story for the faint hearted junior primary reader. I imagine this series will entice the battling male reader with ease, however. The addition of the little 'flip cartoon' on each page will undoubtedly add to the appeal! Although I can imagine some parents showing concern about having their younger children read these stories, I feel they certainly fill a niche for those who love the Goosebumps style of book but are not confident enough readers to attack them.
Jo Schenkel

It's our garden by George Ancona

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It's our garden by George Ancona
Candlewick Press, 2013. ISBN 9780763653927
(Ages: 6+) Recommended. Picture book. Gardening. School gardens. With a growing number of schools encouraging their students to be part of the gardening world, preparing, planting and harvesting their own produce, this book is timely. It shows a school community in New Mexico where photographer, George Ancona searched for schools where he'd heard this was being done. The little school he found, ... is overflowing in its devotion to their garden and all it entails. With the help of volunteers and donations from the local community a garden has been set up which draws in classes and pupils, volunteers, teachers and parents to help.
Ancona has taken the most wonderful of photographs, full of story, reminding us of the need for the feel of the soil, to know where our food comes from, to work together.
Weekends and the summer break see volunteers coming to the garden to keep it going for when the children return to school. During the term, the garden is an outdoor classroom, where students learn about the garden and what is in it, helping to harvest the food, and preparing a vegetable pizza to cook in the adobe oven built by a parent.
As a guide to why a school garden is a necessity of life, and how this can be built and maintained, this book is a most informative manual, but even more so, the photographs have a life of their own, reflecting the people who have made it theirs. A wonderful website of this photographer can be found at www.georgeancona.com
'As a photographer I can participate in people's lives... producing something that can be shared and has a life of its own' says George Ancona, and this is certainly apt for this wonderful book.
Fran Knight

Nobody by Jennifer Lynn Barnes

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Egmont USA, 2013. ISBN 9781606843215 Hardback.
(Ages: 14+ ) Highly recommended. Family dysfunction. Suspense. Romance. Discrimination.
I like Jennifer Lynn Barnes's writing style and the way she doesn't fit neatly into any one genre. Her first series of books was about werewolves (Raised by Wolves). Last year she published one called Every Other Day, an action thriller in which her main character fought demons from the underworld of hell, and 'every other day' was a vulnerable human girl. It was a genius premise, and Kali's determination and ferociousness about protecting people was really well written.
And now we have Nobody. I don't know what genre to apply to it. It starts off as an assassin book (Nix is ordered to kill Claire for reasons unknown), it quickly morphs into damaged-teens-find-each-other-and-bond story (Claire is lonely and Nix is being manipulated), then they are on the run (this part of the story is pure adrenalin), and of course there is a bit of romance, a bit of conspiracy theory, and a bit of exposing-the-baddies-for-who-they-are. Ultimately it's a happy-ever-after story (thank goodness).
The main two characters, Claire and Nix, both narrate. Claire is a lost and lonely 16 year old, who at times believes she is invisible. Initially this is hard for readers to accept. Would even her parents forget who she is? But Barnes is a deft writer who makes us believe in Nobodies, Sensors, and Normals. Part of Claire's and Nix's skill is to physically disappear, 'fly', and reappear somewhere else entirely. This element moves the novel into sci-fi, but otherwise the kids live in a fairly ordinary world. The book is often repetitive with the two kids telling themselves over and over that 'I am nothing. I am nobody'. Initially it is degrading and weighs them down, but eventually readers come to realise that this mantra lifts and inspires them. Their 'nothingness' gives them power and control in a world that has only used and discarded them. This is highly empowering.
I like books that are quirky and original. Nobody certainly fits into that category. It is also well written, with two protagonists who are able to become world-savers when they find each other and let themselves care and love.
Trisha Buckley

Violet Mackerel's possible friend by Anna Branford

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Ill. by Sarah Davis. Walker Books, 2013. ISBN 9781921977565.
(Ages: 6+) Highly recommended. This is the fifth book in a series of adventures about lovable character Violet Mackerel. She has moved into her new house and is enjoying exploring her new surroundings. When Violet accidentally makes a hole in the neighbour's fence, Violet is initially worried, but her mother has told her a little girl of similar age may live next door, and she starts thinking about ideas and theories that will be helpful for friend-making. She sets her theory of 'swapping small things' into motion - based on the idea that if two people exchange something small, they will become good friends - like her mother and Vincent did when they exchanged rings during their wedding ceremony in the garden. From her box of small things, Violet selects a tiny bell she has been saving for something important and leaves it sitting in the hole in the fence with a handwritten note, apologising for making the hole. When she finds her gift has been replaced by one wrapped in purple paper with an enclosed invitation from Rose - the little girl next door - to visit her house, her plan appears to be off to a good start. But the quest for friendship is a rocky road. Violet finds herself surrounded by big and beautiful things when she visits Rose's home and is completely mesmerised by the loveliest doll-house she has ever seen in her bedroom, all pink and white. And Rose is not only wearing the most perfect dress, but has matching white socks with pink roses. Looking down at her own odd socks and skirt borrowed from her big sister Nicola - pegged at the waist for support - Violet doubts she could possibly be invited to Rose's birthday party. In fact, could Rose ever be more than just a possible friend?
This gorgeous story pays tribute to the beauty and value of small things, ideas, creativity, the natural world, families, reciprocity - and of course friendship. Davis's beautiful black and white illustrations of Violet, her family and friends capture the tender journey of a new friendship beautifully. Violet starts to question whether her simple and humble family life could ever compare to Rose's grand house and beautiful belongings. But her mother puts things into perspective for her: 'A good way of making yourself feel worried is by thinking about what you don't have and can't do... but a good trick for feeling better again is by thinking about what you do have and can do'. Violet is definitely a gorgeous-hearted little girl with many amazing gifts. Violet Mackerel's possible friend is a beautifully-crafted chapter book which will delight young girls aged 6 upwards, and mothers too. I loved it.
Michelle Hunt

Ghost Club: A Transylvanian tale by Deborah Abela

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Random House Australia, 2013. ISBN 9781742758534. 210 pages; p/b. (Ages: 8+)
Children's author, Deborah Abela, has published a large number of books in recent years, is the recipient of many awards, and is highly sought after for speaking tours and workshops.
Deborah Abela has a passion; she loves writing about ghosts. Her latest book, Ghost Club: A Transylvanian Tale is from her 'slightly spooky' Ghost Club series. From its first page, younger readers will find themselves in the midst of ghostly mayhem, and will once again meet up with 'the kids that take care of the mess'.
The ghost club kids, Angeline and Edgar, are as usual, in hot pursuit of ghosts. The latest ghost club member to join them in their quest is Dylan, but he is having trouble accepting that he really wants to be a ghost-catcher. It's okay for Angeline and Edgar who have been spectral gazing for the past four years, but Dylan has been having nightmares of ravaging wolves and sharp-toothed vampires, and when he finds himself travelling to Transylvania to the annual Ghost Club Convention, he is more than just a little nervous. The only factor that brings him a small amount of happiness is that Angeline will be there too.
At the convention there is a glittering array of new ghost catching inventions, disturbing accidents, and to top it all off, a very determined ghostly presence. Surprisingly, it is nervous Dylan who is noticing that things are not as they should be. When unexplained accidents start to happen, it seems someone at the convention might be harbouring a terrible secret. Will the truth be revealed before the convention is over?
For children who enjoy a ghostly mystery, Deborah Abela's latest entertaining tale in her Ghost Club series, will offer up many more ghostly hours of reading. Her uncomplicated prose and straightforward plot development, makes this book suitable for girls and boys, ages 8+ years.
Colleen Tuovinen

Seven Wonders: The Colossus rises by Peter Lerangis

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Harper Collins, 2013. ISBN 9780007515035.
(Ages: 13+) Imagine waking up one morning to discover a white patch of hair in the shape of an upside down V has magically appeared on your head. Thirteen year old Jack McKinley doesn't have too much time to dwell on this puzzling matter because he is in a hurry to get to school and sit a maths test. Little does he realize that his day is going to become even more strange. There is the peculiar looking man with the red beard hanging around outside his house and then the bike accident. Jack wakes up in hospital where his doctor and a chaplain are behaving in a very odd manner. His life is never going to be the same again.
Jack is taken to a secluded island which is home to a secret research facility. Here Jack meets a select group of teenagers that carry a rare genetic marker, as evidenced by the white V-shaped hair. This mutation gives them the ability to behave in superhuman ways however it will also cause death within six months of appearing. The researchers on the island have techniques that can keep them alive but their only long term salvation involves a daring mission. Jack and his friends must find seven magical objects hidden in the ruins of the seven wonders of the ancient lands. Only when these objects are combined do they have any hope of a normal life span.
This is the first book in a series by best selling author Peter Lerangis and will appeal to younger teens. Part fantasy and part history it is a fast paced adventure with plenty of action, cliff hangers and interesting illustrations to enhance the reader's understanding of Jack's new world. This book takes Jack and his friends to the Colossus of Rhodes but things don't go entirely as planned leaving a perfect entree for book two. Readers who don't enjoy getting bogged down by lengthy descriptive passages will find this book to their liking. There isn't much time to draw breath as the characters face a new threat at every turn.
Tina Cain

Desmond and the very mean word by Archbishop Desmond Tutu and Douglas Carlton Abrams

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Ill. by A G Ford. Walker Books, 2013. ISBN 9781406343915.
(Ages: 6+) Picture book. Racism. Bullying. Forgiveness. People reading this book will be in no doubt about why it has been written and produced. Its message sings from the back cover and from Tutu's introduction. Schools with a strong moral focus may find it fills a niche in their programs, and others will find it fits with a growing number of books about bullying.
Seemingly based on Tutu's life, the hero of the story, Desmond, gets a new bike for his birthday. The background of the story, beautifully illustrated by Ford, has the setting in the place where Tutu grew up, the slums of South Africa.
The boy is dismayed when a group of boys call out a very mean word to him as he rides past. When Desmond talks to Father Trevor at school he is told that to forgive is the best thing to do. But Desmond is angry and cannot hold out forgiveness to these boys. So the scenario continues, the Father offering solace and words of comfort and Desmond feeling much the same, until he shouts words back at the boys. He feels awful about doing this until one day he sees the ringleader being bullied by his older brother. Later Desmond tells the boy he is sorry for hurting him,, and receives an apology in turn, and the two become friends.
The words of Father Trevor, that giving forgiveness will make you stronger and set you free are recalled at the end of the book.
An afterword by Archbishop Tutu underlines the work done by Father Trevor in his life and the lives of so many others in his community.
Fran Knight

All this could end by Steph Bowe

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Text Publishing, 2013. ISBN 9781921758447.
(Age: 15+) Steph Bowe's first novel was an absolute gem, with credible characters facing emotional dilemmas. Her latest novel seems more uneven in credibility and characterisation. On the surface, our protagonists (Nina and Spencer) seem to have little in common. Nina's family moves around a lot, living closely in tiny apartments or motel rooms... and they rob banks for a living! Spencer has lived in the same large house all his life but his family are distant; his father is that pillar of respectability, a bank manager.
What brings these two together is a shared sense of isolation. Nina remains aloof from her classmates due to her family's criminal history; Spencer remains aloof out of social awkwardness. Nina can't wait to escape her family's criminal lifestyle but refuses to challenge her mother directly. Spencer feels helpless as he watches his family growing further apart.
Whilst many teens will empathise with Nina and Spencer's uncertainty about their futures, credibility is sometimes stretched in this novel, particularly with Nina's family. Could her father really be so blindly in love with his wife that he can't see why his children should not be living a life of crime? The novel's denouement also seems just a little too easy. Whilst Spencer's final comment may express a lovely sentiment, it hardly seems realistic given what has already occurred.
Some of the characterisation is initially handled awkwardly, too. When Spencer is first introduced we seem to be told a lot about his personality rather than being allowed to see his traits in action. His love of words, for instance, only comes into play late in the novel. Perhaps the fact that his story is told in third person (rather than the first person used for Nina) actually works against his character development.
Despite these credibility strains, there is also a lot to enjoy in this novel (particularly in Spencer's friend, Bridie). There is also a lot to ponder (about parental responsibility, for a start) so fans of Steph Bowe's first novel may well be won over by novel's end.
Deborah Marshall

Fearless by Cornelia Funke

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Chicken House, 2013. ISBN 978-1-906427-26-9.
(Age: 13+) Recommended. Fans of Cornelia Funke's Inkheart trilogy and The Thief Lord will enjoy her latest series called Mirrorworld, which combines the natural human world we all know with a fantastical 'faerie' world which mirrors our own but where magical creatures, fairytale figures and legendary objects of folklore also exist. Fearless is the second book in this new series, following the adventures of the intrepid treasure hunter, Jacob Reckless, as he travels in both of these worlds.
In the first book, Reckless, Jacob successfully saved his brother Will from being permanently transformed into a Goyl, a stone being, but at great cost to himself: he said the Dark Fairy's name and now he bears the mark of a moth over his heart, a curse that will end his life soon, unless he can somehow find a cure. However he has already spent months searching in both worlds for that cure and neither the All-Healing Apple, the Well of Eternal Youth nor the blood of a northern Djinn has worked.
Fast running out of hope, Jacob leaves his unsuspecting brother Will with Clara in the human world and journeys back through his father's mirror to tell Fox, the female shapeshifter who is quickly becoming the most important person in what's left of his remaining life. But it is when he finds her, in the castle of the Dwarf Valiant, that Jacob hears of a deadly crossbow, capable of slaying entire army when its bolt is shot through the heart of the army's leader. It is a prize that is worth a fortune, but that is not why Jacob wants it; it was also once used to kill a dying man and so end his torment, but instead it healed him. It may be Jacob's last chance to end his curse.
The land of The Mirrorworld is a detailed and complex, multi-layered world in true Funke style, drawing on the creatures and objects of traditional folktales and reshaping them into a new creation all her own. Those who've read the first book in the series would presumably find this world more familiar, whereas the second book relies on some prior knowledge of the fantasy world and previous events for clarity. However, the characters of Jacob and Fox are engaging and interesting, including their ever-growing closeness and Jacob's ongoing search for his long-lost father.
Fearless is an action-driven Young Adult fantasy novel recommended for adolescent readers and older. As always, Cornelia Funke creates a great tale of adventure, combining suspense and effective character development.
4 stars out of 5.
Kate Hall

Under the never sky by Veronica Rossi

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Atom, 2013. ISBN 9780349001487.
Through the ever night by Veronica Rossi
Atom, 2013. ISBN 9781907411069
(Age: 14+) Recommended. Dystopian fiction. Romance. Survival. ALA Best Fiction for Young Adults 2013. Aria has lived all her life under a Dome that keeps out the deadly air. Her life revolves around playing games that simulate reality. When her mother goes missing she risks leaving her protected life to find out about her disappearance and eventually is expelled from the Dome. She knows she won't survive in the Wasteland, where the toxic aether attacks. However she meets Perry, a wild young man who is also searching for someone. Their story of survival is continued in the second in the series Through the ever night.
I thoroughly enjoyed these two books. They were relatively easy to read, but only because Rossi is a clever author who has the ability to blend together detailed characterisation, a fascinating setting and an action driven plot to keep the reader glued to the page. Once I read Under the never sky, I immediately started Through the ever night. This is an indication of the compulsive nature of the two books, and I can't wait for the third in the series.
The romance in the book was very well done. Aria and Perry take time to get to know each other's personalities, strengths and weaknesses and courage. Chapters are labelled Aria and Peregrine and relate the story from their point of view, which provides an indepth look at the motivations of each of them and what has been important in their past. Other characters like Roar and Liv and Cinder the boy who could manipulate the devastating aether are really interesting and provide added incentive for the reader to read on to find out what happens to them.
This is a superior series in the dystopian genre. Readers who enjoyed The hunger games will like it and I can see reluctant readers being prepared to try it.
Pat Pledger