Reviews

How I live now (Film Tie In) by Meg Rosoff

cover image

Puffin, 2013. ISBN: 9780141346564.
(Age: 14+) Meg Rosoff's debut novel, first published in 2004 was the winner of the Guardian Children's Fiction Prize and received great acclaim from all quarters. After finally reading this powerful novel, re-issued to coincide with the film released in October this year, I can wholeheartedly concur.  From the very first few pages I was hooked into Daisy's story and indeed read the entire book in a single morning and afternoon commute.
Daisy is a fifteen year old New Yorker with an indifferent father who is besotted by his pregnant second wife, also known as Davina the Diabolical. Daisy's mother died giving birth to her and throughout the book there is an overwhelming sense of the vacuum this has caused in Daisy's psyche. To spite her father, Daisy makes a choice to go and live with her English cousins and aunt, the sister of her late mother, and it is as she initially meets with this very charming but definitely different family, that we begin to read between the lines and learn that Daisy has brought some serious emotional baggage along with her including anorexia and self-harming.
Aunt Penn although briefly appearing, represents Daisy's absent mother figure and her cousins Osbert, twins Edmund and Isaac and Piper quickly become a vital part of Daisy's sense of belonging. In particular, she is drawn immediately to 14 year old Edmund and upon realising the attraction is reciprocal a very deep and passionate physical relationship begins between the two.
The backdrop of a looming war with an unspecified enemy moves quickly to the forefront of the plot and when Aunt Penn is stranded in Oslo on a peace mission, and the invasion escalates the children are left to fend for themselves. The ensuing trauma endured by all of them, including painful separations, survival under the most adverse of conditions, witnessing horrific brutalities and more change their lives forever.
With echoes of the Holocaust resonating throughout the scenes of war, the family torn apart are finally reunited but with inescapable permanent consequences.
A fabulous read for mature readers from Lower Secondary up
Sue Warren

She'll be coming round the mountain sung by The Topp Twins

cover image

Ill. by Jenny Cooper. Scholastic, 2013. ISBN 9781775431725.
(Age: 4+) Picture book, Singing, Verse. The well known song, She'll be coming round the mountain is reprised here for younger students to sing along with the CD provided or read the story and the words as a picture book, or enjoy the funny illustrations.
This is another in the productions offered by Scholastic, which showcase an old song, revamped and recorded by local talent, and illustrated by known and loved illustrators. The series includes My Daddy ate an apple, Do your ears hang low? and There's a hole in the bucket. Each book includes a CD for the reader and class to enjoy, sing along to, develop actions to as they use the book. The books lend themselves to a variety of uses, particularly in the classroom, where music, poetry and singing along are valued.
Jenny Cooper gives this version of She'll be coming round the mountain, a Western feel as the animals all join up in line dancing mode as their numbers swell with the arrival of yet more things coming around the mountain, until the last few pages are full of fun bordering on pandemonium. Kids will love picking out the different animals with their musical instruments and clothing suited to the occasion, and I can well imagine a class yelling out the refrain, 'Singing ay-aye, yippy', till the cows come home.
Fran Knight

Baby bedtime by Mem Fox and Emma Quay

cover image

Penguin Australia, 2013. ISBN 9780670075195.
Highly recommended for 2 years +. From the beautiful blue and lilac tones to the slightly padded and textured cover to the soothing lyrical text, this book deserves a place on the shelf for all little people as one of their very special bedtime reads.
Mem Fox has once again created a simple but very moving rhyming text that flows with such gentleness and is so perfectly accompanied by Emma Quay's exquisite illustrations that the reading becomes a heart-stopping experience.
Mem's own words about how the book came about explain the love with which this book is suffused and even before I had read her comments, the text had revealed overwhelmingly the intensity of love one has for a special new baby.
'I could eat your little ears.
I could nibble on your nose.
I could munch your tiny fingers.
I could gobble up your toes . . .'
Quay's illustrations, created with a mixture of pencil, acrylic and Photoshop - using found op shop items such as lace and so on - have skilfully steered away from a gendered approach by using a mother and baby elephant (and yes, I just love elephants so that was very apt).
I love everything about this book - the feel of it, the look of it, the sound of it, and the emotion of it. For those who may have a special baby in their life (and aren't they all?) this would make a perfect 'welcome' gift. For those of us whose babies are now little people, it will still be a beautiful snuggle-up-before-bed-so-you-know-how-much-I-love-you read aloud.
Sue Warren

Pureheart by Cassandra Golds

cover image

Penguin, 2013. ISBN 9780143204275.
(Age: 11+) Recommended. After Deirdre's grandmother dies, she is left alone in a broken-down block of flats named Corbenic, after the Grail castle of Arthurian legend. One cold, misty night when she is looking out of the window, Deirdre spies a familiar face - Gal, a boy she has not seen for many years. Together, they must uncover the dark secrets of the old building, before it collapses and they are lost forever...
The first word that comes to mind when describing Pureheart is 'dreamlike'. The idea of dreams and reality intertwining is a major part of the novel. There is also a general 'dreamy' atmosphere, influenced heavily by the author's flowing, thoughtful, at times bewildering writing style. Although the beginning of this novel is quite firmly rooted in reality, the story quickly progresses into something more. Before long, this reality abruptly combines with the fantastical, throwing the reader into a magical, enchanting world. Not too much will be written here about the way this story turns, as much of the enjoyment arises from its unexpectedness.
The characters are also fascinating and memorable, and they add just as much to the surreal atmosphere of the novel as the writing style.
It is hard to explain exactly how or why this novel is so good, but one thing is for sure: by opening the pages of this well-written, dreamlike novel, readers can expect to step into an enchanting, beautiful world.
I recommend this book.
Rebecca Adams (student)

The Isobel Journal by Isobel Harrop

cover image

Hot Key Books, 2013.ISBN 9781471402272.
The Isobel Journal is a breathtakingly beautiful and artistic book that would be slightly shamed if it was referred to as a simple picture book. This book contains drawings, sketches, photos, paintings, diagrams, notes and so many more different types of media and material. This really makes the book feel like the journal of an older teen/young adult. Accompanying these stimulating illustrations are the words of Isobel as she rolls through what seems to be almost an inner monologue that gives the book a somewhat story-like vibe and conveys character as well as conveying the personality of Isobel herself. She also tells about some of her hopes and dreams, things she wants to do and things she doesn't. Questions she asks herself are a prominent feature as well as trails of thoughts that end up getting you thinking too.
There is something about this journal that is inspiring and makes you feel like you want to draw, take some photos, maybe do some creative writing, and even go for a walk. This is perfect to curl up with on a cold and blustery day or even just to have a flip through when in need of motivation or inspiration. It serves well if you like to read lightly too or don't have that much time to sit down for hours and get stuck into a book. This book is completely unique and exciting, I've never read anything like this before and I absolutely adore it.
Sarah Filkin (Student)

I love you Father Christmas by Giles Andreae

cover image

Ill. by Emma Dodd. Orchard, 2013. ISBN 9781408330227.
(Age: 3+) Picture book, Christmas, Family, Love, Verse. In jaunty and easy to follow four line stanzas, the poem flows along as the little girl tells of why she loves Father Christmas. She mentions many of the details which people know accrue to Father Christmas and the customs followed at this time of the year, so that in the classroom or at home, children can be reminded of just what happens at this event in the western calendar. All is fun, as Father Christmas brushes his teeth and eats a bit of Christmas pudding before he sets out across the skies bringing presents to children over the world. The narrator reminds the reader that manners must have been used throughout the year, that dinner must have been eaten to the last crumb, friends treated respectfully, parents helped out with doing chores and the bedroom kept tidy. All these she promises that she has done, because she likes receiving the presents at the end of the year.
All through the value of family is presented as the child is part of a loving family, and the last picture shows the child with her family on Christmas morning with her presents. The bold illustrations with their blocks of colour reflect the images of Christmas seen at this time of the year, and reinforce for the younger reader what happens in our communities.
Fran Knight

Clementine's walk by Anne White

cover image

New Frontier, 2013. ISBN 9781921928475.
(Age: 3+)Recommended. Picture book, Animals, Verse, Family, Responsibility. Clementine the family dog is desperate to be taken for a walk, but no one has the time to do it. Mum is painting, Nora is knitting, James is putting together a jigsaw puzzle taken apart by Clementine, Dad is reading the paper. The baby in its pram simply did not understand. Even the chooks do not want to be involved. But just when the whole family finish their tasks, and pronounce themselves ready to go for a walk, Clementine is nowhere to be found.
Told in rhyming stanzas, the reader will be introduced to the ideas behind poetry in this easy to read story. They will predict words that rhyme, select words that may fit the scanning lines, learn parts themselves to be able to say out loud when they reread the book, and simply learn to love the poetic form.
The endpapers with maps of the route taken by Clementine and the family will add to the fun of children reading the book for themselves, and also introduce mapping skills at a first stage.
The jaunty illustrations add to the fun of the story, as White uses watercolour and fine pencil outlines to construct her family and their problem. Clementine is wonderful, radiating a personality for all to see, and each member of the family has their own characteristics for the reader to spot. And I love the last three pages of the whole family, including the chooks being taken for a walk by Clementine.
Fran Knight

How to wash a woolly mammoth by Michelle Robinson

cover image

Ill. by Kate Hindley. Scholastic, 2013. ISBN 9781742760773.
An exuberantly funny look at bath time through one little girl's attempts at getting the woolly mammoth into the bath is displayed through spare text and colourful illustrations. She tries varying methods of getting the large animal into the water, and then has to contend with other problems, of how to wash his hair, for example, particularly avoiding the problem of soap in the eyes.
Told hilariously using the guise of a training manual, each page offers younger readers a fun read, complete with illustrations that add another level of humour, as the mammoth's mood changes according to what is happening to him.
A very funny take on bath time and its inherent problems will be eagerly devoured by younger readers, particularly those averse to taking a bath.
The humour is continued with a range of products suitable for a mammoth bath at the end of the book, making this a joy to read aloud and share.
Fran Knight

The Wool series by Hugh Howey

cover image

Century, 2013.
Wool. ISBN 9781780891248.
Shift. ISBN 9781780891224.
Dust. ISBN 9781780891880.
(Age: 15+) This complex SF trilogy of weighty tomes set in a future dystopia makes compelling reading. Shift, written after Wool, provides the overview, the link with the 'present' (2049BCE) and the political machinations which have gone into setting up fifty underground towers (silos) to preserve humankind from the ravaged surface. Shift skips back and forth in time, covering a span of 300 years. Two scientifically successful applications - cryogenics and a drug enabling people to forget their pasts - create a diabolical combination for the men in Silo 1, as their womenfolk 'sleep' on, and the men are woken for shifts of a few weeks at a time (sort of a grim Groundhog Day effect). Only a few know the full history of the silos, and the story revolves around one who was innocently involved right from the beginning, and what unfolds as he gradually acquires resistance to the drugs of forgetfulness and starts to piece himself and the situation together again.
Wool depicts the story of a silo ignorant of the existence of the other silos, and Dust concludes the trilogy. One is a silo that has collapsed, and the other is a silo in rebellion. Ultimately there is contact with each other and also Silo 1. The reader will stay absorbed by the political intricacy of Silo 1, and the grim survival of Silos 17 and 18, initially ignorant of each other and the reasons for their very existence. Ultimately there is hope, but the reader is kept guessing till the last few pages.
These thought-provoking, well-written and multi-layered novels could appeal to senior students, particularly those who enjoy science fiction. Possible comparisons could be made with books such as Huxley's Brave New World or Atwood's The Year of the Flood.
Anne Veitch

Curse of the Ancients by Matt De La Pena

cover image

Infinity Ring Book 4, Scholastic, 2013. ISBN 9780545386999.
Recommended reading age - for series fans from 8-11 years. Themes: Time Travel, Central America - History, Mayas, Adventure, Friendship.
Every Infinity Ring novel includes a colourful Hystorian's Guide with hints, secrets and codes that access future adventures that provide the reader with a totally unique, story-driven gaming experience. Prior knowledge of the power of the Infinity Ring, of the game, the clues hidden as riddles and the gadgetry is needed to comprehend the adventurers' new historical adventure.
The three young adventurers Dak, Sera and Riq are quickly embroiled in another action-packed Infinity Ring quest where History is broken and The Cataclysm is coming. They travel back in time to Central America with a mission to keep a special Mayan hand-painted book codex from being burned by the Spanish invaders. If they fail to change the past, the future is affected. They are assisted by the local Mayans, whose helpful behaviour is at contrast with the murderous stereotypes the kids had assumed were true. They are confronted with violent storms, marauding invaders, injuries, the damage to the Infinity ring, catastrophic flashbacks as they race through this adventure.
Matt De La Pena's character development and storyline take Dak, Sera and Riq on a slightly different tangent to the previous books. With different authors for each book in the series the main characters develop additional characteristics. Sera is coming to terms with her Mayan heritage and is stepping up, Dak is more gung-ho which leads to his being injured, whilst Riq takes on a leadership role. The plot is at times confusing and it is difficult to work out their friends from their enemies.
Rhyllis Bignell

Picture me gone by Meg Rosof

cover image

Penguin, 2013. ISBN 9780141344034.
(Age: 14+) Highly recommended. Mila goes with her father Gil, searching for his best friend, Matthew, whom he hasn't seen for years and who has disappeared. Together they travel to Matthew's remote cabin, with observant Mila taking note of small details and thinking through some of the anomalies of Matthew's disappearance. How can someone leave their wife, small son and sad dog without a word and why has he disappeared?
This is a clever and intelligent expose of the way that adults keep secrets from their children and from each other and how children have the ability to unravel what is going on. Mila is intrigued with the puzzle of Matthew's life and gradually comes to understand his motives and his guilt. Watchful for what is happening around her, she learns about sorrow and depression, about neglected children and ways of coping. She also learns about trust and betrayal.
This is not a typical book for adolescents. There are no vampires or angels here, but a strong family relationship between Mila and her parents that contrasts with the disintegration that Matthew's actions cause for his family. It looks squarely at marital infidelity, single parent family and depression that might cause suicide. Told through the eyes of a twelve year old, step by step old secrets are revealed and the conclusion is ambiguous. Truly adults do not have all the answers and parents keep secrets from their children.
This beautifully written and intelligent book from an award winning author will appeal to thoughtful, mature readers. A second reading would be fruitful.
Pat Pledger

No matter who we're with by Robert Vescio

cover image

Ill. Cheri Scholten. IP Kidz, 2013. ISBN 9781922120212.
This is a sensitive story about two children who are dealing with an issue that so many of our students do - their parents are separated and they spend time living at both houses. Even though they do different things with each parent, like growing their own vegetables in mum's splendiferous garden or helping dad make spaghetti bolognese, there's a joy that shines through and the most important message that regardless of who they're with they know they are loved and that will never change.
Cheri Scholten's colourful illustrations are the perfect accompaniment as they manage to portray the fun and joy and love the children have, reaffirming and reassuring the young reader that even monumental events like your parents separating can be overcome.
So many children struggle with their parents' separation, and often blame themselves. They believe that if they had been better, then their parents would not have split. And then, on top of that guilt, comes the perceived difficulties of spending time with both parents which often leaves them confused and conflicted. The beauty of this book is that it demonstrates that they can have fun with both parents and celebrate the spontaneity and pleasures of childhood, making the most of what is, rather than regretting what was or what should be. It's a book that needs to be in the library's collection so that our young readers can read about other children just like them, which in itself, can be a powerful healer. It might even be the catalyst for getting a troubled child to write their own story about the good things they do with each parent and realise that they are loved by both and that won't change, no matter what.
Barbara Braxton

The Cinderella moment by Jennifer Kloeste

cover image

Penguin, 2013. ISBN 9780143568216.
(Age: Teens) The Cinderella moment is an insightful and refreshing novel written by Jennifer Kloester about two teenage girls, Angel and Lilly, who are trying to achieve their dream careers. Angel is a young girl who is French by parentage but lives in America with her mum who works as a maid for Lilly's family. Angel works every spare second designing clothes and hopes to go from being a maid's daughter to an internationally known fashion designer. Lilly, on the other hand wants to go into theatre and be immersed in the world of drama. But even the biggest and brightest dreams are hard to make a reality when something as unfortunate and realistic like Clarissa Kane steps in the way. Clarissa along with her mother, Margot Kane, are power hungry women who make a point to only affiliate with the highest standing social group and if they can't get there by charm, claw their way upwards. But, chance is thrown their way and both girls manage to get a possibility at achieving their dream goals. Will they get there when a mix up occurs and revenge needs to be served? Lilly and Angel have to swap identities and pull off the spectacular stunt to make their wishes come true.
Jennifer Kloester writes in such a way that you become immersed in the tangled and twisting plot, being pulled in even further when unexpected happenings occur. This novel is best suited to teens, mainly girls due to the fashion, design and romance themes that are included in this novel. In conclusion, this novel has surprises around every corner and is definitely different to the first impressions conceived of it.
Sarah Filkin

Jellybean goes to school by Margaret Roc and Laura Hughes

cover image

Random House 2013. ISBN 9781848530751.
It is the most exciting time in a young child's life and Jellybean is no exception - taking that big leap and starting school. She wants to read by herself and write by herself and find out why clouds are fluffy and spiders spin webs. But most of all she wants to find a friend, because while she has a baby brother, he's not big enough for her yet.
Finally the BIG day arrives and, in her new uniform, she's ready, although her tummy is so jittery that she can't eat her breakfast. She is SO excited, until she sees the size of the school and the noise of the playground. Overwhelmed, like many on the same adventure, she thinks she might stay with her mum and brother after all. But Miss Benson is used to children with first-day nerves and introduces Jellybean to Alex, who is also not as confident. It's easier to meet the world with a friend. Miss Benson also knows how to engage and enthuse the children for this new experience, easing them into all that is on offer in a way that the best Foundation teachers do.
Author, Margaret Roc has tapped into Jellybean's feelings of apprehension perfectly and so has illustrator, Laura Hughes. At first, when they use the building blocks, Jellybean's imagination has her far, far away in Rapunzel's tower but as she and Alex and the other children explore what is on offer, she gradually moves into the here and now and imagines the possibilities of what this new place itself, can offer. The bright colours and familiar backgrounds will enable other Jellybeans to take the journey with her and gain security and comfort from knowing that all the other children are feeling the same.
This is such a lifelike book dealing with such a familiar subject, and one that is coming closer and closer for many that it is sure to have a wide appeal. Many schools are having transition programs as preschoolers learn what big school is really about, and having a library of these sorts of books so parents can borrow them to share with their child or preschool and Foundation teachers can use them to show that nerves are part of the deal, is one way the library can be involved in these programs as well as starting a productive relationship with the parents. Jellybean goes to school deserves its place in that collection.
Barbara Braxton

Wild awake by Hilary T. Smith

cover image

Hardie Grant Egmont, 2013. ISBN 9781742977706.
(Age: 16+) Recommended for an older audience as it contains material including drugs and sexual content. While her parents are away on a cruise, 17 year old Kiri receives a strange phone call and discovers that her sister didn't die in a car accident, but had been murdered. Going to meet Doug, the man who had phoned, Kiri begins to uncover the mystery surrounding Sukey, the sister that her parents had kicked out of home. Her carefully regulated life begins to break down as she discovers the lies that her parents had told her and has to rethink her memories of her sister. Then she meets Skunk, a large, tattooed boy who repairs her bike and who is strange.
The reader is taken on a roller coaster ride with Kiri as she speeds on her bike, sometimes high on drugs, through the neighbourhood where her sister had last lived. From the obsessive teen, who has a practice timetable taped on the lid of her piano, organising for the International Young Pianist's Showcase, and who plays in Sonic Youth for the Battle of the Bands, we watch her exhilarating spiral down into what Lukas' social worker mother calls monomania. There are thrilling bike rides in the middle of the night, drug taking, music of both the classical and popular and discussions of life - 'The way cannot be cut, knotted, dimmed or stilled' - Skunk's and her favourite line from the Tao. Kiri's life is a mess and so is Skunk's, but together they move forward.
More serious issues of mental health, paranoia and murder are also themes, with questions of what is normality an undertone to the book. It is beautifully written with many striking images and dialogue. It is sure to appeal to reluctant readers and will engender much discussion around drug taking and honesty between family members.
Pat Pledger