Reviews

The little shop of monsters by R L Stine

cover image

Ill. by Marc Brown. Hachette, 2015. ISBN 9780316348522
(Age: 5+) Horror. Humour. Monsters. Two children enter the little shop of monsters and are taken for a tour of the monsters that reside there. Each is deliciously illustrated in soft shades, but with something which differentiates each from the others. The first monster encountered is the Snacker, who snacks all day long, littering his enclosure. The children are warned not to get too close as the thing he loves to snack on most is hands. The next two monsters are unnamed but children will love to work out their names using the hideous pictures and the facts that their names rhyme with jetty and pinky. Then there are the monsters called Yucky and Mucky, Squeeze and Teaser, Sleeper and so on, until the last page is reached and the children warned about the monsters, not that the children will choose a monster, but often the monster chooses you.
A fun story to read aloud and ponder over the illustrations, this book will be a welcome addition to a school library. The funny tale turns on its head at the end, after encouraging the readers to use words differently, use rhymes to understand what the name of the monster might be, and then look closely at the illustrations which reveal more, then look at again.
My favourite is Sneezy and you will need to look at the double page illustrating this monster to get the full effect of his name and why he is so named.
R L Stine gained notoriety some years ago as the author of the highly popular Goosebumps series, which some parents and teachers loved to hate, but not so the readers, as they sold 400 million copies worldwide.
Fran Knight

This little piggy went dancing by Margaret Wild

cover image

Ill. by Deborah Niland. Allen & Unwin, 2015. ISBN 9781760113438
(Ages: 0-4) Recommended. Board book. This is a board book edition of the 2013 publication and is a companion book to This little piggy went singing. It is a playful take on the rhyme This little piggy went to market, with the market trip and the roast beef being substituted by all sorts of activities and meals. The emphasis is on the physical activity and play that the piggies engage in; even the piggy that stays home is busy: dancing, watering the garden, playing, exercising and painting. Rather than wee, wee, weeing all the way home the piggy's zoom their aeroplane, run, skip, stomp, jump, hop and hula hoop all the way home. The reasons why the piggy had none provide scope for discussion, as the pictures tell the story (no carrots growing in the garden, empty yoghurt container, spilt porridge).
The five little piggies come to life across the pages of this book and are distinguishable from each other by their colouring, markings and clothing, each one moving through the stages of the rhyme, first going out, then staying home, eating, having none and then going home. The piggies are happy and enjoying having fun and being creative. In this way, the book captures the simple joy of childhood and encourages self-confidence, play and physical activity.
This title works perfectly in board book form; even the youngest babies will enjoy looking at the piggies and listening to the repetitive and bouncy text. Older children will enjoy talking about the illustrations and reading along.
Nicole Nelson

Stick and stone by Beth Ferry

cover image

Koala Books, 2015. ISBN 9781742761671
Picture book. A stick and a stone! Friends? Unlikely! One is lonely, the other all alone. But when Pinecone comes along, poking fun, stick sticks up for his new friend, and a deep attachment develops... even if they are a stick and a stone.
Together they wander and explore, having lots of fun, until a hurricane blows poor stick away. Stone is all alone again, searching despondently for his friend. Will he find him? Will stick need rescuing?
Will they ever get back together; stand together to become a perfect 10?
The simple, uncluttered illustrations in this warm-hearted children's book, together with easy-to-read text, are sure to delight all who venture here. After all... stones rock!
J Kerr-Smith

The truth about peacock blue by Rosanne Hawke

cover image

Allen & Unwin, 2015. ISBN 9781743319949
(Age: 13+) Highly recommended. Pakistan Social justice, Religious freedom, Imprisonment, Women's roles. South Australia's Rosanne Hawke is an accomplished writer presenting points of view not often heard in children's literature, engaging the reader with stories of children in frighteningly real situations beyond our safe island, presenting the perspective of people of other religions and backgrounds. Her novels overflow with stories of oppressed children in situations so dire that the reader cannot help but read through to the end, comparing their safe life with that of the protagonist.
This is such a read: harrowing, confrontational, pulling no punches, as Rosanne presents us with a fourteen year old girl incarcerated in a Pakistani prison for the crime of blasphemy. Crowds are stirred up outside her prison walls, calling for her death, while legal rights activists and friends try to stir the world's conscience and support this young girl.
This story raises so many issues: the age of a prisoner, her vulnerability to the sexual attentions of guards, her victimistion by those inside prison who see her as a blasphemer, the ease with which crowds become lynch mobs. In Pakistan the government and legal system are not separate from religion, and because she is a Christian in a strongly Muslim country she is especially vulnerable.
The internet proves to be a powerful tool in acquainting the word of her plight. People rally to sign a petition, write letters, and offer support, but when her social justice lawyer is shot and killed, her fate seems sealed.
This is a engrossing story of one girl's plight, based upon a true story and paralleling that of Malala, the young woman shot in Pakistan in 2012, and is sure to raise gasps from those who read with growing unease and incredulity at people's restrictions in this modern age.
Fran Knight

Be brave, pink piglet! by Phil Cummings

cover image

Ill. by Sarah Davis. Hachette, 2015. ISBN 9780734415929
(Age: 3+) Highly recommended. Determination, Bravery, Pigs, Humour. When Pink Piglet is pushed away by mum to go exploring by himself for the very first time, he is unsure. He meets a dog that barks at him, a rooster that crows and a cow that moos. He trots off, hurrying away from these scary creatures. Then he finds some worms, later some berries and then some frogs, each meeting adding a little more debris to his body. By the time he gets back to the farmyard he is covered in dirt and berry juice and slime from the pool where the frogs were hiding.
Unexpected results emanate from his appearance, but his mum sees him underneath his new covering and welcomes him back home.
This is a charming story of bravery and determination, of setting out to do something new, of being determined to have a go. The repetition in the first section where he is frightened by the farm animals will please younger readers and encourage them to predict and read along with the increasingly familiar words. This repetition occurs again as Pink Piglet adds to his finery, and again as he reruns home.
Sarah Davis' artwork will thrill younger readers as they recognise the farm animals and the antics they get up to, sympathising with Pink Piglet's attempts at independence and the safety of his loving mother waiting at home.
This is a delightful read a loud story for younger readers, one that will encourage them to think about how brave they can be in attempting something new.
Fran Knight

Making bombs for Hitler by Marsha Skrypuch

cover image

Scholastic Australia, 2015. ISBN 9781760157234
(Age: 12+) Highly recommended. Captured by the Nazis during the Second World War, two orphaned sisters are forced to take divergent paths. Larissa's story was documented by Marsha Skrypuch in Stolen Child (2010). In Making Bombs for Hitler (2015), the author details the experiences of Larissa's older sister, Lida. This companion novel is a testament to the legions of young Ostarbeiters, mostly Ukrainian; who were captured, worked and starved, during the war.
We learn in the Author's Note that adolescents abducted during raids across the Soviet Union, were forced to work long hours in laundries, hospitals, road works and munitions factories for the war effort. At first, Lida's sewing skills gain her a position in the camp laundry. Unfortunately, for the remainder of the war, her deft hands are utilized in making explosive devices.
Eventually, as the Allies gain the upper hand, Lida & her fellow prisoners become emboldened and sabotage the German bombs. But with the Allied bombs raining down with increasing regularity, the friends are forced to take different paths in order to weather their liberation and its aftermath.
Riveting despite the horrors, Skrypuch has written convincingly in a detached style - much like the mental state these children may have employed to survive. This is an important piece of juvenile literature given that few historians have told the story of these enumerable Eastern European children, whose struggles and deaths were hitherto largely unacknowledged during the darkest years in human history. Though the subject matter breaks new ground, both academic and public libraries have a duty to expound totalitarianism of any kind for the improvement of mankind. Accordingly, Marsha Skrypuch's factional history, describing the incarceration of millions of young slave labourers, is highly recommended for potential teaching moments or as a discussion starter.
Deborah Robins

Kid Glovz by Julie Hunt

cover image

Ill. by Dale Newman. Allen and Unwin, 2015. ISBN 9781742378527
Themes: fable, magic, music, friendship, resilience. The lavishly produced cover of this Australian graphic fable with its embossed musical notes invites the reader to pick it up. Inside Hunt's epic tale with Newman's pencil rendered drawings, reminiscent of Brian Selznick's The Invention of Hugo Cabret, tell a dark story about a boy with a musical gift. His mother sewed her song with a magical thread into his gloves before she died and they are the source of his musical genius. Brought up by a mean guardian Kid Glovz is exploited as a child prodigy: 'at two years of age he played the minute waltz in thirteen seconds' p5. At concert halls and competitions, for a fee, he plays the piano. 'Tonight this brilliant child prodigy will play Rackhoven's Symphony No.3 in E minor with his left hand while playing Fekonhoff's Sonata No. 563 with his right' p6. There is no joy in the music and Kid Glovz is not allowed to play his own compositions. To keep him small he is underfed and made to rehearse all day. One night a thief, called Shoestring, tightrope walks into his room and offers friendship and a way to escape. The ensuing action is complex and involves a gang of thieves, giant goatherds, a hermit oracle and Splitworld Sam, a central character, condemned to live between worlds for robbing the dead, who lures the boys into the underworld. At times the story is a little confusing with a prelude and dream sequences that are not immediately obvious but generally the graphics add another dimension to the story and the characters are particularly expressive and beautifully rendered. Additional readings will reward as subtleties are revealed. The friendship between the boys develops, though each starts out pursuing self-interest in the end looking after each other becomes more important.
Upper primary to middle school students, especially boys, will enjoy the developing friendship but all ages can enjoy the graphics and in spite of the scary bits, like most fables, it would be a good book to read aloud to younger children.
Sue Speck

The Star of the Week by Sally Rippin

cover image

Hey Jack series. Hardie Grant Egmont, 2015. ISBN 9781760124410
This is the final in the very popular Hey Jack series written for those very young readers who are stepping between "home readers" and "chapter books." The best friend of Billie B. Brown now has a 20-book series deliberately written for boys who don't identify with action heroes or spies.
As with the others in the series, Rippin takes a situation that her target audience can relate to and explores it in an imaginative and engaging read. This time, Jack is named "Star of the Week", a much sought-after accolade but he's not sure he can carry the responsibilities of the role particularly as his primary duty will be to introduce soccer star Tim Little at the impending school assembly and he is full of nerves and excitement. But then he discovers Aaron crying in the boys' bathroom because his dog has died and he has a brainwave that might cheer his friend up. It means he won't get to meet the famous sportsman but . . .
Rippin says she was inspired by Dr Seuss, Richard Scarry and Joyce Lancaster Brisley (Milly-Molly-Mandy series) when it came to writing both Hey Jack and Billie B. Brown and she was determined they "would begin in second person, contain the language of a school reader and stick to the simplest day to day occurrences of a six to eight year old," so they would be accessible and appeal to the reluctant reader. She tried them out on her own son, massaging them based on his responses and eventually bringing two series that have been the starting point for so many to fruition. In an interview, she says that she wanted her readers to be someone "who is ready to try their first chapter book. Someone who wants to read about a character they can relate to and who could, very possibly, become their very best friend."
Having watched both family members and students immerse themselves in both Hey Jack and Billie B. Brown and make enormous steps in their competence and confidence, I think she has hit the mark.
Barbara Braxton

Belinda the ninja ballerina by Candida Baker

cover image

Ill. by Mitch Vane. Ford St Publishing, 2015. ISBN 9781925272048
(Age: 5+) Recommended. Humour, ballet, Individuality, Difference. Belinda, enrolled in ballet classes against her wishes strives to tell her mother and her teacher what she really wants to do. Dressed in her tutu with slippers and leotard, but with a ninja belt and headband, she practices her ninja moves on the bar, next to the row of very pretty pink clad girls doing exactly what they are told. Her teacher is not helpful, insisting on the moves for ballet classes, but every Tuesday Belinda says the same thing, that she wants to be a ninja. Towards the end of the term the class is organised for a special performance, and Belinda is dressed in the costume the same as the other girls, but doing handstands across the floor, sees a germ of an idea develop with the teacher.
She uses Belinda's skills in a different aspect of the performance, and while the other girls dance, Belinda is the spider, using her ninja skills to great effect.
This is a glorious little story of one girl sticking to her idea of being different, of not doing what is expected of her, but striving to do what she wants to do. The illustrations perfectly reflect her cheeky grin, her determination and courage to stand up for what she wants. I love the humour in Mitch Vane's pen and ink illustrations, revealing the movement of Belinda's ninja moves and the array of girls within the ballet class. Her drawings underscore the idea of being active, of sticking up for what you want to do and being an individual.
Fran Knight

Seagull by Danny Snell

cover image

Working Title Press, 2015. ISBN 9781921504815
(Age: 4+) Highly recommended. Environment, Marine animals, Rubbish, Pollution. When Seagull's legs become entwined in an old discarded fishing line on the shore, she can no longer do the things she loves: soaring in the blue sky above and floating in the strong winds, hovering over the beach. Children will be dismayed at her plight and hope, as I did, that she finds some relief from her predicament as they turn the pages.
She attempts to disentangle herself, but finds it is stuck fast. As she moves over the sand the line catches on other pieces of rubbish left on the beach and her burden increases. She asks other animals along the shore for help, and each; a mullet, crab and pelican only succeed in loosening the attachment. Worn out she settles down into the sand to rest and a boy comes along to help her.
This is a wonderful allegory for our misuse of our environment and the story will intrigue readers making them both aware of the dangers lurking on the beach for animals and encourage them to take some responsibility for the rubbish left around. Involvement in the plight of Seagull is instantaneous as the gentle words pull the readers into her story, the illustrations reflecting her position. Snell gives us a seagull with character, her eye peering out at the reader on the cover, then looking more and more worried as the story proceeds. The background of the small sand dunes, dotted with tussocks contrasts vividly with the scattering of rubbish left behind by human activity, and children will love noting the different things Snell includes. I love the endpapers with their small clutter of rubbish, the tyre covered in bird poo, the depiction of the seagull as she tries to extricate the burden on her legs.
This is a wonderful picture book, full of meaning, impelling lots of discussion between children, in classrooms and at home, encouraging a closer look at the rubbish thrown away by our society and the impact it has on the animals we see every day.
Fran Knight

Outback rescue by Darrel and Sally Odgers

cover image

Ill. by Janine Dawson. Pup patrol series. Scholastic, 2015. ISBN 9781743623022
(Age: 6-8) Highly recommended. Australian stories, Outback Life, Dogs, Rescue Animals, Search and Rescue. The Pup Patrol series are positively fun Australian stories narrated by Stamp the loveable Border Collie. James his nineteen year old owner is exploring the country in the Fourby the 4WD, with mixed breed terrier Ace. They are in Far North Queensland ready to venture into the outback off to Normanton and The Gulf. Cyclone Julia has caused flooding on some of the roads and when James is forced to detour, they meet some great new friends along the way.
They spend some time with Bobby Corella and his family at Camp Billabong. Ace, of course is ready to get into the action while Stamp knows he needs to be a good example, even though he really wants to herd the free range hens. When Stamp and Ace encounter Burnu and Girra the camp dogs, they are introduced to new perspectives and dog understandings. After farewelling their new friends, they travel down dusty tracks for several days and when Ace needs a break they discover an abandoned car. A real bush search and rescue mission follows.
Darryl and Sally's attention to detail with the dogs' behaviour and their actions, as well as their true accounts of the dangers of the outback create another great Pup Patrol adventure. Telling the narrative from Stamp's point of view engages the reader's interest and the abundance of doggy puns makes this a great book to read aloud to a class. Janine Dawson's pen and ink illustrations, especially the camp dogs singing in the moonlight and Stamp and Ace's interactions and range of expressions add excitement to the story.
Rhyllis Bignell

The cat with the coloured tail by Gillian Mears

cover image

Ill. Dinalie Dabarera. Walker Books, 2015. ISBN 9781922077400
(Ages: 6+) Recommended. Gillian Mears is known for her previous fiction for adults, in particular the award-winning Foal's Bread. The jacket tells us that Mears was inspired to tell this story while travelling through the South Australian mallee country in her converted 'ambo camper'. From the opening page, the reader is fascinated by the ice-cream truck; its shape, and the type of ice creams on offer - Moon Creams. The cat with the coloured tail is especially intriguing - he senses the distress of others and can see when the world is in danger, indeed his tail changes colour. Together Mr Hooper and the cat change lives as they journey with the ice cream van - this story is a fable, magical and lyrical. There are all the ingredients of a fairy tale, given extra liveliness with the gentle and evocative illustrations of muted and coloured shades, some wonderful verse and the song-like descriptions. This is a joyful, lovely little book, beautifully designed in hardback and offering a rewarding environmental message. This would work well as a family or classroom read aloud.
Julie Wells

Herman's holiday by Tom Percival

cover image

Bloomsbury, 2015. ISBN 9781408852088
(Ages: 4-8) In this follow-up to Herman's Letter, Herman the bear and his best friend Henry are off on a camping adventure. They would have liked to go somewhere fabulous, like a luxurious beach or Cake World, but they all cost much more money than Henry and Herman can afford. While Herman has a wonderful time camping, nothing seems to be going right for Henry - camping is just not his thing! Herman, not wanting to see his friend sad any longer, puts into action a plan that will turn the camping trip into Henry's dream holiday. The matte illustrations provide much of the humour and detail of the story, with funny signs, and pictures showing Henry's camping misfortunes (being attacked by fish, struggling to pitch his tent, the bridge collapsing under him). Creative touches like a black cloud raining on Henry when he is upset as well as varied structural elements (thought bubbles, multiple scenes on a page) all help to make this an aesthetically pleasing, and engaging book. The lift-the-flap postcards that Herman and Henry write provide another element of fun that children will enjoy for their sensory appeal as well as their humour. Tom Percival's wittiness here will appeal to children and adults alike, especially fans of his other Herman story.
Nicole Nelson

Bamboozled by David Legge

cover image

Scholastic, 2015. ISBN 9781743620212
(Age: 4+) Highly recommended. Award winner. Grandparents. Wit and Humour. When a young girl visits her grandfather, she feels that something is odd but cannot quite figure it out, and this contrasts amazingly with what the reader sees on every page. Readers will smile broadly at the topsy-turvey nature of the house in which her grandfather lives. No ordinary place, there is lawn instead of carpet, animals in the most unusual places, people seem to lean out of the picture frames on the walls, the inside of the house sometimes feels like the outside, but she still cannot see what is different.
They do the things people do when they visit. They have morning tea with freshly baked cakes and play cards; she helps with the housework and does some gardening with her grandfather. The watercolour illustrations are filled with things for the readers to look at and laugh about, sharing what they see with others in the group. They will laugh out loud turning the pages eagerly to see what else Legge has added to this topsy-turvey place.
This edition republished for its twentyfirst year, will intrigue and delight a new generation of readers as they find all the differences in grandpa's house and ponder over the one difference the granddaughter can see.
A welcome addition is a note from David Legge outlining where his ideas for the book came from, and showing some of his drawings as the ideas developed, including photographs of the people he used as the models for his characters and a photo of himself at work. Children will simply love this house and the gentle relationship between the grandfather and his granddaughter, culminating in her realsising what the one difference is. Along the way, readers will see grandfather looking after himself doing most of the work around the house, a child visiting and helping and the sorts of things people do when visiting. This book contains a lovely image of day-to-day activities set against an improbably hilarious house, one that will keep children chuckling for a long time after the book is read.
Fran Knight

Emu's Halloween by Anne Mangan

cover image

Ill. by David Cornish. Harper Collins, 2015. ISBN 9780732298906
(Age: 5+) Recommended. Halloween. Australian animals. Rhyming story. Emu is worried because he has a Halloween party coming up but he feels it is not scary enough. So his friends, Cockatoo, Kangaroo, Koala, Tasmanian Devil, Red-back Spider, Echidna and Fruit Bat come to the rescue. Each brings along its own invention designed to make things scary. Kangaroo dresses as a zombie, while Tassie Devil is resplendent in angelic white, Koala has nuts and bolts in his neck like Frankenstein's monster, while Red-back Spider doesn't need to dress up at all! Echidna comes as Dracula, and Cockatoo uses a sheet to make him appear as a ghost. When October 31 comes around everything is just as scary as Emu had hoped. Everyone has dressed up, he tells lots of ghost stories, and Fruit Bat bobs for apples. Everyone has a truly scary time celebrating the evening.
Told in rhyming couplets, children will love reading it aloud, predicting the rhyme that matches the first line, and marvelling at how the animals fit into the tale. The story includes many known Australian animals and readers will adore looking at David Cornish's wonderful illustrations of the animals at play.
As the tale proceeds, children will learn many things about Halloween, its date, what children do on the night, how they scare each other, and learn about Frankenstein and Dracula, as well as how to use things close at hand to dress up for the celebration. Not only a wonderful story well told, and sumptuously illustrated, but a model for classrooms to celebrate an Australian Halloween.
Fran Knight