Reviews

Blackthorn's betrayal by Elizabeth Pulford

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Walker Books, 2009. ISBN 9781921529030.
(Ages 9-12) In this sequel to Blackthorn, the reader follows Blackthorn on a quest to become a Trahern warrior. A stranger, Esil, has arrived in the forest requesting that Blackthorn find his daughter Freya, who has been abducted as a baby by the Doane. On a promise that a successful mission will finally seeing her win her coveted goal of becoming a warrior, Blackthorn sets out on her dangerous travels deep into enemy country. Freya's sister, Sepha, accompanies her and they plunge into a perilous journey, surviving traps, freezing conditions and saving an abandoned baby boy on the way to Blackthorn's ultimate betrayal.
This is a thoughtful adventure story with a feisty heroine, who learns much from her mistakes and about herself on her quest. The characters are well drawn and memorable. The moral dilemma of where do you belong, with the family that has brought you up or with your blood relations, is a tantalising one and handled very well by Pulford.
I was drawn into the chilly, heavily forested world that Blackthorn inhabits and intrigued by the warring tribes. The book had the feel of both a fantasy and a historical novel and should appeal to readers who enjoy both of these genres.
Pat Pledger

Nanny Piggins and the wicked plan by R.A. Spratt

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Random House, 2009. ISBN 9781741663174.
(Ages 8-10) Highly recommended. This second book is as amusing as the first, The adventures of Nanny Piggins, and with as many outrageous situations. Mr Green has wedding plans in mind, but the canny Nanny Piggins is unstoppable in her determination to ruin his prospects. The children, Samantha, Michael and Derrick are horrified at the thought of losing their nanny. Nanny Piggins, the children and Nanny Piggins' bear brother Boris have a series of hilarious and unbelievable adventures always involving chocolate. What with a challenge from an armadillo to be blasted from a cannon over Dead Man's Gorge, breaking into a maximum prison and fighting a Gypsy Queen who wants to marry Mr Green, it's a roller coaster ride for them all, including the reader! It's refreshing to see a story written in a zany, fun way with almost ridiculous plots, yet most enjoyable and superbly entertaining.
Sue Nosworthy

Hopscotch: Medusa stone by Ian Trevaskis

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Walker Books, 2009. ISBN 9781921529115.
(Age 10+) Hannah and Jake steal an enchanted stone and a vellum from Kostas the Greek and find themselves in the middle of a frightening game played by the Greek gods. They draw a hopscotch pattern and follow the instructions on the vellum:

Cast your stone upon the square,
Leap and dance across the air.
At the end a door awaits,
Be prepared to meet the Fates.

The book opens with an exciting and bloodthirsty scene where Hannah witnesses the soldiers coming out of the wooden horse at Troy. Hannah is an intrepid heroine who uses her wits and determination to overcome all the odds. Separated from Jake, she is determined to find him and meets many of the legendary Greek characters as she carries out her quest from Kostas to 'bring back the winds of Aeolus, the winged sandals of Hermes and the coin from under the corpse's tongue.' Pg80. Jake is also an engaging character, more thoughtful than Hannah. The Greek heroes they meet on the way are well rounded characters who bring the old legends to life.
Complete with appendices at the back with Authors notes about Ancient Greek myths, Glossary with words explained and Notes about Ancient Greece, this book would be an exciting introduction to Greek myths and could lead the reader on to discover more about these wonderful stories.
Pat Pledger

Undercover by Beth Kephart

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HarperTeen, 2009. ISBN 9780061238956.
(Age 12+) Recommended. The cover states that this book was a nominee for the US National Book Award, and as such I knew I would be reading quality fiction. Elisa is a lonely girl, who like Cyrano De Bergerac, writes love notes for the boys at her school. When Theo asks her to write a letter to Lila, a popular but often nasty girl, she is disappointed because she likes Theo and knows that Lila is not good enough for him. Lila is vicious about her growing friendship with Theo, and things are tough at home as well. Her father is away on an extended business trip and it looks as if her parents' marriage is rocky. Elisa buries her feelings by skating on a lonely pond and in her writing.
I became engrossed in Elisa's story, following her growing feelings for Theo and her fear of family breakdown. Her efforts to excel at ice skating and bring her family together are compelling. This is a wonderful coming of age story and I found myself cheering Elisa along as she learnt how to skate, write beautiful poetry and find love.
The beautiful language of the book, the poignant poems that Elisa writes and her book of words and their definitions are inspiring. This is a book that would be a boon to the English teacher who wants a class book that features literature as its centre piece. It is also one that librarians should hand sell, especially to children who are gifted in the language arts area.
Pat Pledger

Malcolm and Juliet by Bernard Beckett

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Text Publishing, 2004. ISBN: 9781921520327.
(Age 15+). Highly recommended. Malcolm is 16, fascinated by sex, and keen to do well in his up and coming science project. Hence the decision to make sex the subject of his assignment! Juliet has received a ransom note - demanding $1000 for silence on a secret she thought no one would have known about. Kevin is in love with Brian who is in love with Juliet. Charlotte is in love with Malcolm: if she was brave enough to mention it to him, she wonders what he would think. The science project takes the group on an interesting and often hilarious journey.
Original, with a fresh voice for teenage readers, Beckett has created a wonderful array of interconnecting characters. There are candid discussions of sex and some occasional strong language, but the story and the lively friendships played out, override any concerns here. This title is highly recommended. A winner of numerous awards in New Zealand, this clever book follows the success of the more serious and thought-provoking Genesis by Beckett.
Julie Wells

Liar by Justine Larbalestier

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Allen and Unwin, 2009. ISBN 9781741758726.
(Ages 14+)Recommended. When Micah hears of Zach's death she is stunned. Not for her the tears and running to the toilet block as do the other girls in her senior class, but she asks questions of her biology teacher about how long bodies take to deteriorate. Her classmates stare at her, fascinated, wanting the information themselves but shocked at her callousness. Some take it further, resorting to the name calling they spat out when she first arrived. Back then when word of her lies spread around the school like a cloud, other students felt impelled to stare, ask questions and call her names. Now, the whispers and looks have come back, as some braver than the rest, mouth the word murderer as she passes.
So it is up to Micah to prove she did not kill Zach. She has seen a white boy hanging out in Central Park where she and Zack used to run, but fails to find him. She becomes closer to Sarah and Tayshawn, Zach's friends and they go to places where Zach used to hang out in search of some greater understanding. But Micah's self is changing and in that change her parents question her and attempt to place some controls over her. School is worse, with people staring and shunning her, only Sarah and Tayshawn showing any interest in her at all. And all the time she is aware of the suspicions of the Police, her parents and the teachers.
Divided into three sections, Telling the truth, Telling the true truth and The Actual real truth, Larbalestier keeps the reader guessing until the last page, and even then, questions will dog the reader for some time after. Nothing is solved, no truth is absolute, nothing is probably what it seems. Micah reveals what has happened to her to the reader, but then derides herself for telling lies, and purports to tell the reader the truth , again. So the reader is always on edge, wondering which piece of the narrative is true and which a lie. And this is kept up for the whole story.
Superbly written, tightly plotted, with believable and sympathetic characters, this book grabs the reader from the start. The tactile cover with its blobs falling into letter shapes, the size of the book, the lovely print, the short chapters, the chapter headings bringing the thought processes into play before the narrative begins, all is designed to entice, thrill and seduce the reader. I was hooked before I began to read. Then the words held me to the end. And I know the story will stay with me for a long while, and be the subject of discussions with others who have had the engrossing experience of reading a story by a clever and gifted writer.
Recommended for middle secondary readers who want a story unlike any other they have read, who are willing to suspend belief and take on a different set of values as they go into Micah's world. Set in New York, the city is more than a background against which the story is set, it invades every scene and inhabits every event which occurs, so that the reader will feel they know the city before they finish the book.
Fran Knight.

Isabella's garden by Glenda Millard and Rebecca Cool

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Walker Books, 2009. ISBN 9781921150333.
(Ages 5-10) Highly recommended. A picture book not to be missed, Isabella's garden is a feast for all the senses: Cool's rich and rewarding illustrations stun the eye and Millard's brilliant language appeals to the ear as it evokes the life cycle of a garden in an unforgettable way. It is the story of Isabella's garden where the soil is 'all dark and deep' and where Isabella and her friends plant the seeds that emerge into a glorious garden, changing with the seasons until Jack Frost comes and all that is left is a well-feathered nest and a handful of seeds.
This beautiful story uses as a basis the old rhyme This is the house that Jack built, with language rich with alliteration and imagery. The repetitive and quite challenging rhyme will challenge older readers while younger children will love to listen to the rhythm of the words.
Wonderful illustrations are full of vibrant colours, rich greens, purples and reds, with lovely patterns on the clothes and hats that the children wear. Jack Frost is a wonderful creature with a jester's hat and incredible mantle of 'sequins and shimmer' that he spreads over the garden.
This is a very worthy addition to a library and classroom and an outstanding gift for children.
Pat Pledger

Tallow by Karen Brooks

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Woolshed Press, 2009. ISBN 9781741664355. The curse of the Bond Riders Book 1.
(Ages 12+). Fantasy. Recommended. Tallow has been raised in the household of a candle-maker and been kept hidden from view because he is different. Pillar, a poor candle-maker, was responsible for bringing the baby Tallow back to his workshop in the canalled city of Serenissima despite his reservations about how Quinn, his mother, would react. Quinn is quick with her fists and her boot, especially when she has been drinking. Life for Tallow is not easy.
Life gets more complicated when it is time for Tallow to begin making candles on his own. Although the candles look perfect, better than Pillar's, the customers find fault with them. Neither Pillar nor Quinn is happy about that. Both Pillar and Quinn are aware of the problems Tallow could bring down on them, but the arrival of Katina, a bond rider, helps settle their fears.
Katina teaches Tallow to channel the special powers so that they are controlled, but before she can complete the training she must return to the Limen, a strange nether world she has given a blood bond to. She leaves and gives Tallow a warning not to use the special powers on humans and not to give cause for unwanted attention which could rouse suspicion as to Tallow's identity.
Needless to say Tallow is unable to follow these instructions and has to help out when people and animals are unfairly treated. Tallow thus seals the fate for not only Pillar and Quinn, but also Dante who has become a very special friend along with many other citizens of Serenissima who die in a plague brought in by the wraith like Morte Whisperers.
Karen Brooks has woven a tale that is exciting, dangerous, frightening and eminently readable. Her characters are believable and have very human frailties and faults. This is the first of a series, The Curse of the Bond Riders, and if the usual pattern of fantasy writers is followed then this will be a trilogy and I imagine the next book will be much anticipated, because there are so many
Mark Knight

Vulture's Gate by Kirsty Murray

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Allen and Unwin, 2009. ISBN 9781741757107.
(Ages 12+) With her grandfather dead, Bo lives alone in an abandoned opal dugout with her roboraptors, eking out an existence, keeping clear of outsiders, protected by a perimeter of landmines. She strives to remember all the things he told her, because they mean her very life. But when a landmine explodes, she knows someone has broken the perimeter and so takes her roboraptors out to investigate. She finds a young boy, who, like her, has to keep his wits about him to survive. He has been held by a brutal group of men and trained to do tricks on motorbikes as they tour the outland settlements. Together they form an uneasy bond, Callum telling her about the city where he once lived, and Bo telling him how they will survive.
Their journey takes them on a strange path, avoiding other people, but one encounter has them captured by an older man, who, discovering Bo is a girl, strives to keep her with him. Their escape lands them in further trouble, as Callum, convinced that he will find his fathers when they get to the city, takes them into this broken place. There the Festers take them as their own, but they too are captured and Bo, once her sex is discovered, is taken into a more secret space where the few women are kept.
A scary look at a future where society has splintered into disparate groups and most women have been wiped out by disease, Murray displays a society which is tangible and credible. The remnants of other times are still there, giving the reader a solid base of reality on which to judge the new society, while the behaviour of those they meet are real enough to be plausible and very frightening. With hints of Mad Max, and Z for Zachariah, the story is original and involving, with two very strongly delineated main characters, and I can see it working well as a class novel with middle school students.
Fran Knight

Hate that cat by Sharon Creech

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Bloomsbury, ISBN 9780 747599807. 2009.
(Ages 8-12) Following the success of Love that dog, Creech has developed another story in verse form, set after Sky's death. Jack is in his old teacher's class again and Miss Stretchberry who loves poetry, asks the students to create a poem after telling them about metaphors and imagery and alliteration and onomatopoeia through the poems they read in class. Each of these words is modeled in the words Jack puts down on the page. He has an uneasy relationship with his Uncle Bill, a poetry teacher at a college, who insists that poems must rhyme and that what Jack is writing is not poetry.
But Jack persists. He tells the reader about some of the poems they read in class, TheRed Wheelbarrow by William Carlos Williams, The Eagle by Alfred Lord Tennyson and The Bells by Edgar Allan Poe, and these are emulated by Jack throughout the novel. As the story progresses, Jack tells how he hates cats, and is shocked when his teacher brings in her kittens. Little by little Jack's attitude to cats changes as he has more to do with the kittens and when his parents give him a kitten for Christmas, he is happy. A cloud appears however when the door is left open and the kitten escapes, only to be returned by the old stray who lives in the neighbourhood.
A delightful story, imbued with some well known and not so well known poems, this little book will be a hit with primary teachers looking for a model to use with their students. Students will easily fall for Jack and his dislike of cats and grow with him as he finds that they are not so bad after all. The modeling of the styles of poetry of Myers, Williams, Poe and Tennyson is a lovely touch, making their poetry more accessible to the young audience but also giving a neat way of teaching poetry in the middle primary to lower secondary classroom.
The last 20 pages of the book are filled with the poems talked of, including some by Jack, and the last 4 pages has a list of the poetry books kept in Miss Stretchberry's classroom. Both make a most useful addition to the book.
Fran Knight

Lock and key by Sarah Dessen

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Penguin, 2009. ISBN 9780141324944.
(Ages 14+) Recommended. The test for me for a really good story is when I reach the end of a book and feel bitterly disappointed that I'm not continuing to follow the paths of the characters that I have gotten to know so well, and when I know that I will have to reread the book because I loved it so much. Lock and key is one such book. Ruby has been abandoned by her alcoholic mother and manages to survive for several months on her own. When her landlords discover that she is living in squalor by herself, Social Security is brought in and she is sent to live with her older sister Cora and brother-in-law Jamie in their luxurious house. Ruby is an independent girl who has built up many defences to ensure that she isn't disappointed by abandonment, and it's tough for her to break down these barriers, make friends and perhaps allow love into her life.
Sarah Dessen is an author who has a wonderful understanding of teenage girls, relationships, family and friendship. She manages to sympathetically delve into the life of Ruby, almost 18, who is determined that she will make it on her own, when she can legally leave her sister's house. I was engrossed as I followed Ruby's path, gradually letting some people into her life and making tentative friendships and the beginning of a romance with Nate, the amiable boy whose philosophy about adversity in life is that Uswim.
Ruby has a school project to complete about what it is to be a family and Dessen explores how diverse the meaning of family can be and how it means different things to different people and how it is always evolving. By the end of the book, Ruby has come to understand the complexity of the family, from a large supportive one like that her brother-in-law has, to the single parent one brought on by divorce and abandonment. She has begun to care about people and to tentatively trust some friends, and the reader has grown with her on the way.
The themes of family, domestic abuse, friendship and trust are beautifully handled. Dessen is an author whose books I will actively seek for their compelling writing and deft touch with relationships.
Pat Pledger

The Land of Mirthful by Sally Morgan, Ambelin, Blaze and Ezekiel Kwaymullina

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Walker Books, 2009. ISBN 9781921150784. Stop Watch: Book 2,
(Ages 7-9) Each of the second markings on the stop watch Tom's grandfather has given him is the gateway to a different world. As the book begins, Tom and 'Bilby' are headed a mission, set by Grandpa, to 'a funny and sunny place' to find Finglethorn Underwood. Mirthful's rightful Queen, Jeromarni, and her family have disappeared and the self appointed Queen Mavis has taken over. Things are not as they should be and all appears to be doomed. The task of the heroes is to restore the Queen to her throne and save the kingdom of Mirthful.
An easy read novel, with traces of C.S. Lewis's Narnia and Garth Nix's Keys to the Kingdom, this series could provide a simple introduction to the fantasy genre. The double spacing makes it readily accessible to younger readers and there is enough action to make the story appealing. With sixty second markings on a stopwatch, this could prove to be a very long series! Given that Bilby, the Bridalon, was transported back via the first doorway and Tom allows him to take the bird back with him, the question arises as to whether or not there will be a stowaway from each of the lands. There will undoubtedly be many readers keen to continue on with the series, although possibly it may hold more appeal for the boys.
Jo Schenkel

60 classic Australian poems for children edited by Christopher Cheng

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Ill. by Gregory Rogers. Random House Australia, 2009. ISBN 9781741664140.
(Age 9+) Recommended.
'Hist! Hark!
The night is very dark,
And we've to go a mile or so
Across the Possum Park.'
Did Australian rhyming verse really lose its appeal or do we just need new editions to replace the tired poetry books in our libraries? The second scenario is the more likely. Children are still enthralled and delighted by the drama, humour and wit of poems by such writers as C.J. Dennis, Banjo Paterson, Henry Kendall and Henry Lawson.
Christopher Cheng recalls the pleasure of reading and reciting Australian verse as a child. He has chosen 60 poems for a hard cover volume which is aptly named. Adults will recognise most of the titles and remember many of the opening lines by heart. Award winning artist Gregory Rogers has provided the pencil and wash illustrations.
The editor has restored lines which are often omitted because they speak of the hardships of life in the past. He has also included brief 'Poet biographies', an 'Index of first lines', an 'Index of poets', a list of sources in which the poems were first published and occasional notes about the history of the poems.
Most of the collection dates from the turn of the last century. It encapsulates the best of a tradition of storytelling through the medium of performance poetry. Christopher's Cheng's book will help to ensure that the tradition lives on.
Elizabeth Bor

Feather and bone by Laslo Strangolov

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Walker Books, 2009. ISBN 9781406316005.
(Age 12+) This very strange novel poses some very challenging issues, not the least of which is human flesh as meat for a starving community. Kamil's father has disappeared in the woods and his mother has become a shadow of her former self. Kamil now has to walk Solace the dog each morning and evening. People do not go into the woods after dark for an unknown fear pervades the community. The poacher's daughter Lori and Kamil become involved in the mysterious business of the former poultry farm around which rabbits fit to burst live. It's a dark tale with Mr Petri centre of the darkness.
It's not a tale for the light hearted and the black and white sketches add atmosphere to the tale. As Matt Whyman says in the forward 'The book in your hands is a curious discovery. It has been penned by an author with a life story as odd and compelling as the tale to follow' pv. As Alice said, 'Curiouser and curiouser'. Not for the faint hearted.
Sue Nosworthy

Interview with Gabrielle Williams by Fran Knight

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1. I admire the way no pat answers to central problems are given. Many adolescent novels are just so predictable in giving the easy answer. So why did you change the formula?
I think formulas are lazy - unless you're a scientist, in which case they're very clever. I wanted to write a book that was true to itself, not something that had to be shoehorned onto a pre-existing formula. I think that teenagers are pretty savvy and will pick up quite quickly if something is being cynically written to a formula in an attempt to appeal to them. So I got rid of all vampires in my novel.
2. Reading this novel made me feel like I was in Melbourne, my second favourite city, so just how real are the settings used?
Your second favourite city!!! What the hell! Which one's your first?
3. How hard was it to avoid using the sexual relations between young adults of this age as a platform for the story?
I think that sex is only one aspect of any relationship - it's important, but it's not the sole reason to be with someone. I wanted my characters to be with each other because they connected on an emotional level as well as a physical level. To have one without the other is to be out of balance.
4. Have you an ear for language? I found many of the sayings and shorthand sayings and responses so recognizable from kids in the street. The omigods made me laugh out loud. So where do you hear this language?
Here's the secret - I eavesdrop a lot. In cafes, on public transport, wherever I am, whoever I'm with, I'm usually eavesdropping in to the conversation that's happening at the table next to me. Is it something I'm proud of? No. Is it a handy habit to have? If you're an author, yes.
5. The emphasis on words and their meanings, the wit involving words and their meanings and usage were thrilling. How well do you think this emphasis will be received by today's young adults?
I think teenagers and young adults today have a very witty way with words. They twist the language so that it is colourful and memorable, and I love that about them. Admittedly their spelling leaves a little to be desired, but the fun they have with words is skillful, so I think they'll love the word plays in Beatle Meets Destiny.

Questions from Pat Pledger
6. What were your favourite books as a child?
When I was a kid I loved Enid Blyton and Agatha Christie. I think my ideal book would have been one in which The Saucepan Man did it!
7. Have you got any books that you could recommend to your readers?
I recommended the Tales of the City series by Armistead Maupin to my daughter who is 19, and she loved them because of their colourful characters and interwoven plots. Also, The Child's Book of True Crime by Chloe Hooper is great and Hi Fidelity by Nick Hornby. And The Lovely Bones is brilliant.