Review Blog

Nov 25 2014

Rooms by Lauren Oliver

cover image

Hodder and Stoughton, 2014. ISBN 9781444760774
(Age: Adult - Senior secondary) Recommended. 'People, Caroline thought were like houses. They could open their doors. You could walk through their rooms and touch the objects hidden in their corners. But something - the structure, the wiring, the invisible mechanism that kept the whole thing standing - remained invisible, suggested only by the fact of its existence at all' p310. This is the premise behind Lauren Oliver's latest book. A premise she explores through the creation of a house in Coral River which is initially inhabited by the ghosts of Margaret and Alice. But their tenuous peace is rudely interrupted when the current owner of the house, Richard Walker dies and his somewhat estranged and definitely dysfunctional family return to 'clean up'. The reader is introduced to Richard's alcoholic ex-wife Caroline, her sex crazed daughter, Minna and barely functioning son, Trenton. As the family cleans out each room the reader is given background commentary of events that have taken place both in the lives of the living and the dead: some that are shocking and others that are just sad. As the traumatic days before Richard's Memorial service pass secrets and lies are revealed. To add to the mix another ghost arrives and a strange girl enters Trenton's life who in the end could be his saviour.
While the story is a jigsaw of events in its structure it is bound together by the remembrances of all of these personalities and the reader's desire to know the truth behind their apparently dysfunctional lives. Yet despite their behaviour it is difficult to really dislike any of the characters especially as more and more of their history is revealed. The death of a family member, as always, evokes memories of forgotten times, both pleasurable and disturbing.
A bright light of the narrative is Minna's young daughter Amy, who while being aware of the ghosts is innocent in her perception.
While this novel is 'disturbing' it is not the supernatural that makes it so. It is the tragedy of these people's lives and the truth of what Trenton says at the end that, 'The past 'comes' along with you whether you want it to or not' p336.
Barb Rye

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